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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F88A76 it is the complementary color #077589. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F88A76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F88A76: #FD8A71, #FF9C84, #FFAE97, #FFC0AA and #FFD2BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F88A76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F88A76: #F88A76, #E77863, #D66650, #C5543D and #B4422A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 52 / 3

HEX #F88A76

RGB 248 138 118

HSL 9.23, 0.9%, 0.72%

LAB 69.07, 39.81, 29.2

Complementary color

CMYK 95 / 15 / 0 / 46

HEX #077589

RGB 7 117 137

HSL 189.23, 0.9%, 0.28%

LAB 45.04, -19.73, -18.67

 

CMYK 0 / 45 / 55 / 1

HEX #FD8A71

RGB 253 138 113

HSL 10.71, 0.97%, 0.72%

LAB 69.65, 41.27, 32.82

 

CMYK 0 / 39 / 48 / 0

HEX #FF9C84

RGB 255 156 132

HSL 11.71, 1%, 0.76%

LAB 74, 34.44, 28.25

 

CMYK 0 / 32 / 41 / 0

HEX #FFAE97

RGB 255 174 151

HSL 13.27, 1%, 0.8%

LAB 78.33, 26.97, 23.84

 

CMYK 0 / 25 / 33 / 0

HEX #FFC0AA

RGB 255 192 170

HSL 15.53, 1%, 0.83%

LAB 82.84, 19.72, 19.89

 

CMYK 0 / 18 / 26 / 0

HEX #FFD2BD

RGB 255 210 189

HSL 19.09, 1%, 0.87%

LAB 87.5, 12.77, 16.34

 

CMYK 0 / 44 / 52 / 3

HEX #F88A76

RGB 248 138 118

HSL 9.23, 0.9%, 0.72%

LAB 69.07, 39.81, 29.2

NCS® S1050-Y80R

CMYK 0 / 48 / 57 / 9

HEX #E77863

RGB 231 120 99

HSL 9.55, 0.73%, 0.65%

LAB 62.78, 41.04, 31.08

 

CMYK 0 / 52 / 63 / 16

HEX #D66650

RGB 214 102 80

HSL 9.85, 0.62%, 0.58%

LAB 56.46, 42.35, 33.2

 

CMYK 0 / 57 / 69 / 23

HEX #C5543D

RGB 197 84 61

HSL 10.15, 0.54%, 0.51%

LAB 50.15, 43.69, 35.61

 

CMYK 0 / 63 / 77 / 29

HEX #B4422A

RGB 180 66 42

HSL 10.43, 0.62%, 0.44%

LAB 43.9, 45, 38.31

 

CMYK 0 / 44 / 52 / 3

HEX #F88A76

RGB 248 138 118

HSL 9.23, 0.9%, 0.72%

LAB 69.07, 39.81, 29.2

NCS® S1050-Y80R

CMYK 0 / 35 / 52 / 3

HEX #F7A077

RGB 247 160 119

HSL 19.22, 0.89%, 0.72%

LAB 73.71, 28.11, 34.66

 

CMYK 0 / 27 / 52 / 3

HEX #F7B577

RGB 247 181 119

HSL 29.06, 0.89%, 0.72%

LAB 78.55, 17.06, 40.82

 

CMYK 0 / 18 / 52 / 3

HEX #F7CA77

RGB 247 202 119

HSL 38.91, 0.89%, 0.72%

LAB 83.62, 6.09, 47.1

 

CMYK 0 / 9 / 52 / 3

HEX #F7E077

RGB 247 224 119

HSL 49.22, 0.89%, 0.72%

LAB 89.12, -5.16, 53.73

 

CMYK 0 / 44 / 52 / 3

HEX #F88A76

RGB 248 138 118

HSL 9.23, 0.9%, 0.72%

LAB 69.07, 39.81, 29.2

NCS® S1050-Y80R

CMYK 0 / 45 / 52 / 83

HEX #2C1815

RGB 44 24 21

HSL 7.83, 0.35%, 0.13%

LAB 10.87, 9.62, 6.29

 

CMYK 0 / 44 / 53 / 63

HEX #5F352D

RGB 95 53 45

HSL 9.6, 0.36%, 0.27%

LAB 27.21, 17.86, 13.17

 

CMYK 0 / 45 / 53 / 43

HEX #925145

RGB 146 81 69

HSL 9.35, 0.36%, 0.42%

LAB 41.88, 25.83, 18.95

 

CMYK 0 / 44 / 52 / 23

HEX #C56E5E

RGB 197 110 94

HSL 9.32, 0.47%, 0.57%

LAB 55.92, 32.78, 24.08

 

CMYK 0 / 44 / 52 / 3

HEX #F88A76

RGB 248 138 118

HSL 9.23, 0.9%, 0.72%

LAB 69.07, 39.81, 29.2

NCS® S1050-Y80R

CMYK 18 / 0 / 52 / 3

HEX #CAF777

RGB 202 247 119

HSL 81.09, 0.89%, 0.72%

LAB 91.87, -33.79, 56.18

 

CMYK 52 / 39 / 0 / 3

HEX #7797F7

RGB 119 151 247

HSL 225, 0.89%, 0.72%

LAB 63.97, 15.24, -51.5

 

CMYK 0 / 44 / 52 / 3

HEX #F88A76

RGB 248 138 118

HSL 9.23, 0.9%, 0.72%

LAB 69.07, 39.81, 29.2

NCS® S1050-Y80R

CMYK 52 / 0 / 44 / 3

HEX #77F78A

RGB 119 247 138

HSL 128.91, 0.89%, 0.72%

LAB 88.1, -57.71, 41.7

 

CMYK 44 / 52 / 0 / 3

HEX #8A77F7

RGB 138 119 247

HSL 248.91, 0.89%, 0.72%

LAB 57.38, 38.18, -61.94

 

CMYK 0 / 44 / 52 / 3

HEX #F88A76

RGB 248 138 118

HSL 9.23, 0.9%, 0.72%

LAB 69.07, 39.81, 29.2

NCS® S1050-Y80R

CMYK 18 / 0 / 52 / 3

HEX #CAF777

RGB 202 247 119

HSL 81.09, 0.89%, 0.72%

LAB 91.87, -33.79, 56.18

 

CMYK 52 / 8 / 0 / 3

HEX #77E4F7

RGB 119 228 247

HSL 188.91, 0.89%, 0.72%

LAB 85.06, -26.3, -18.87

 

CMYK 34 / 52 / 0 / 3

HEX #A477F7

RGB 164 119 247

HSL 261.09, 0.89%, 0.72%

LAB 59.71, 44.24, -58.08

 

CMYK 0 / 44 / 52 / 3

HEX #F88A76

RGB 248 138 118

HSL 9.23, 0.9%, 0.72%

LAB 69.07, 39.81, 29.2

NCS® S1050-Y80R

CMYK 34 / 0 / 52 / 3

HEX #A4F777

RGB 164 247 119

HSL 98.91, 0.89%, 0.72%

LAB 89.74, -47.1, 53.14

 

CMYK 52 / 8 / 0 / 3

HEX #77E4F7

RGB 119 228 247

HSL 188.91, 0.89%, 0.72%

LAB 85.06, -26.3, -18.87

 

CMYK 18 / 52 / 0 / 3

HEX #CA77F7

RGB 202 119 247

HSL 278.91, 0.89%, 0.72%

LAB 63.73, 53.81, -51.44

 

Description

Color code: HEX #F88A76 | qconv.com Color code: HEX #F88A76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 248 red, 138 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
248 138 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 52 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 52% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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