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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 44 / 52 / 3 it is the complementary color CMYK 94 / 15 / 0 / 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 44 / 52 / 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 44 / 52 / 3: CMYK 0 / 45 / 55 / 1, CMYK 0 / 38 / 48 / 0, CMYK 0 / 31 / 40 / 0, CMYK 0 / 24 / 33 / 0 and CMYK 0 / 17 / 25 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 44 / 52 / 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 44 / 52 / 3: CMYK 0 / 44 / 52 / 3, CMYK 0 / 47 / 57 / 10, CMYK 0 / 52 / 62 / 16, CMYK 0 / 57 / 68 / 23 and CMYK 0 / 63 / 76 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 52 / 3

HEX #F78B77

RGB 247 139 119

HSL 9.37, 0.89%, 0.72%

LAB 69.16, 39.01, 28.75

 

Complementary color

CMYK 94 / 15 / 0 / 47

HEX #087488

RGB 8 116 136

HSL 189.38, 0.89%, 0.28%

LAB 44.69, -19.49, -18.62

 

CMYK 0 / 45 / 55 / 1

HEX #FC8B72

RGB 252 139 114

HSL 10.87, 0.96%, 0.72%

LAB 69.74, 40.47, 32.36

 

CMYK 0 / 38 / 48 / 0

HEX #FF9D85

RGB 255 157 133

HSL 11.8, 1%, 0.76%

LAB 74.23, 34.02, 28.02

 

CMYK 0 / 31 / 40 / 0

HEX #FFAF98

RGB 255 175 152

HSL 13.4, 1%, 0.8%

LAB 78.57, 26.55, 23.63

 

CMYK 0 / 24 / 33 / 0

HEX #FFC1AB

RGB 255 193 171

HSL 15.71, 1%, 0.84%

LAB 83.09, 19.32, 19.71

 

CMYK 0 / 17 / 25 / 0

HEX #FFD3BE

RGB 255 211 190

HSL 19.38, 1%, 0.87%

LAB 87.76, 12.38, 16.18

 

CMYK 0 / 44 / 52 / 3

HEX #F78B77

RGB 247 139 119

HSL 9.37, 0.89%, 0.72%

LAB 69.16, 39.01, 28.75

 

CMYK 0 / 47 / 57 / 10

HEX #E67964

RGB 230 121 100

HSL 9.69, 0.72%, 0.65%

LAB 62.86, 40.24, 30.6

 

CMYK 0 / 52 / 62 / 16

HEX #D56751

RGB 213 103 81

HSL 10, 0.61%, 0.58%

LAB 56.53, 41.54, 32.69

 

CMYK 0 / 57 / 68 / 23

HEX #C4553E

RGB 196 85 62

HSL 10.3, 0.53%, 0.51%

LAB 50.19, 42.89, 35.06

 

CMYK 0 / 63 / 76 / 30

HEX #B3432B

RGB 179 67 43

HSL 10.59, 0.61%, 0.44%

LAB 43.9, 44.22, 37.72

 

CMYK 0 / 44 / 52 / 3

HEX #F78B77

RGB 247 139 119

HSL 9.37, 0.89%, 0.72%

LAB 69.16, 39.01, 28.75

 

CMYK 0 / 35 / 51 / 3

HEX #F7A078

RGB 247 160 120

HSL 18.9, 0.89%, 0.72%

LAB 73.72, 28.2, 34.15

 

CMYK 0 / 27 / 51 / 3

HEX #F7B578

RGB 247 181 120

HSL 28.82, 0.89%, 0.72%

LAB 78.57, 17.15, 40.32

 

CMYK 0 / 18 / 51 / 3

HEX #F7CA78

RGB 247 202 120

HSL 38.74, 0.89%, 0.72%

LAB 83.64, 6.18, 46.62

 

CMYK 0 / 10 / 51 / 3

HEX #F7DF78

RGB 247 223 120

HSL 48.66, 0.89%, 0.72%

LAB 88.88, -4.57, 52.97

 

CMYK 0 / 44 / 52 / 3

HEX #F78B77

RGB 247 139 119

HSL 9.37, 0.89%, 0.72%

LAB 69.16, 39.01, 28.75

 

CMYK 0 / 44 / 51 / 83

HEX #2B1815

RGB 43 24 21

HSL 8.18, 0.34%, 0.13%

LAB 10.71, 9.11, 6.05

 

CMYK 0 / 44 / 52 / 63

HEX #5E352D

RGB 94 53 45

HSL 9.8, 0.35%, 0.27%

LAB 27.06, 17.41, 12.95

 

CMYK 0 / 43 / 52 / 43

HEX #915246

RGB 145 82 70

HSL 9.6, 0.35%, 0.42%

LAB 41.99, 24.94, 18.47

 

CMYK 0 / 44 / 52 / 23

HEX #C46E5E

RGB 196 110 94

HSL 9.41, 0.46%, 0.57%

LAB 55.78, 32.39, 23.88

 

CMYK 0 / 44 / 52 / 3

HEX #F78B77

RGB 247 139 119

HSL 9.37, 0.89%, 0.72%

LAB 69.16, 39.01, 28.75

 

CMYK 18 / 0 / 51 / 3

HEX #CAF778

RGB 202 247 120

HSL 81.26, 0.89%, 0.72%

LAB 91.88, -33.69, 55.74

 

CMYK 51 / 39 / 0 / 3

HEX #7897F7

RGB 120 151 247

HSL 225.35, 0.89%, 0.72%

LAB 64.03, 15.45, -51.4

 

CMYK 0 / 44 / 52 / 3

HEX #F78B77

RGB 247 139 119

HSL 9.37, 0.89%, 0.72%

LAB 69.16, 39.01, 28.75

 

CMYK 51 / 0 / 44 / 3

HEX #78F78B

RGB 120 247 139

HSL 128.98, 0.89%, 0.72%

LAB 88.15, -57.31, 41.29

 

CMYK 44 / 51 / 0 / 3

HEX #8B78F7

RGB 139 120 247

HSL 248.98, 0.89%, 0.72%

LAB 57.69, 37.83, -61.44

 

CMYK 0 / 44 / 52 / 3

HEX #F78B77

RGB 247 139 119

HSL 9.37, 0.89%, 0.72%

LAB 69.16, 39.01, 28.75

 

CMYK 18 / 0 / 51 / 3

HEX #CAF778

RGB 202 247 120

HSL 81.26, 0.89%, 0.72%

LAB 91.88, -33.69, 55.74

 

CMYK 51 / 8 / 0 / 3

HEX #78E4F7

RGB 120 228 247

HSL 188.98, 0.89%, 0.72%

LAB 85.1, -26.09, -18.81

 

CMYK 34 / 51 / 0 / 3

HEX #A478F7

RGB 164 120 247

HSL 260.79, 0.89%, 0.72%

LAB 59.93, 43.69, -57.73

 

CMYK 0 / 44 / 52 / 3

HEX #F78B77

RGB 247 139 119

HSL 9.37, 0.89%, 0.72%

LAB 69.16, 39.01, 28.75

 

CMYK 34 / 0 / 51 / 3

HEX #A4F778

RGB 164 247 120

HSL 99.21, 0.89%, 0.72%

LAB 89.75, -46.99, 52.69

 

CMYK 51 / 8 / 0 / 3

HEX #78E4F7

RGB 120 228 247

HSL 188.98, 0.89%, 0.72%

LAB 85.1, -26.09, -18.81

 

CMYK 18 / 51 / 0 / 3

HEX #CA78F7

RGB 202 120 247

HSL 278.74, 0.89%, 0.72%

LAB 63.92, 53.3, -51.14

 

Description

Color code: CMYK 0 / 44 / 52 / 3 | qconv.com Color code: CMYK 0 / 44 / 52 / 3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 139 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 139 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 52 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 52% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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