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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 35 / 51 / 3 it is the complementary color CMYK 94 / 30 / 0 / 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 35 / 51 / 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 35 / 51 / 3: CMYK 0 / 36 / 54 / 1, CMYK 0 / 30 / 47 / 0, CMYK 0 / 23 / 40 / 0, CMYK 0 / 16 / 32 / 0 and CMYK 0 / 9 / 25 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 35 / 51 / 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 35 / 51 / 3: CMYK 0 / 35 / 51 / 3, CMYK 0 / 38 / 56 / 10, CMYK 0 / 41 / 61 / 16, CMYK 0 / 45 / 67 / 23 and CMYK 0 / 50 / 75 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 51 / 3

HEX #F7A179

RGB 247 161 121

HSL 19.05, 0.89%, 0.72%

LAB 73.96, 27.76, 33.93

 

Complementary color

CMYK 94 / 30 / 0 / 47

HEX #085E86

RGB 8 94 134

HSL 199.05, 0.89%, 0.28%

LAB 37.44, -7.58, -28.67

 

CMYK 0 / 36 / 54 / 1

HEX #FCA174

RGB 252 161 116

HSL 19.85, 0.96%, 0.72%

LAB 74.47, 29.3, 37.35

 

CMYK 0 / 30 / 47 / 0

HEX #FFB387

RGB 255 179 135

HSL 22, 1%, 0.76%

LAB 79.18, 22.73, 33.49

 

CMYK 0 / 23 / 40 / 0

HEX #FFC59A

RGB 255 197 154

HSL 25.54, 1%, 0.8%

LAB 83.72, 15.26, 29.53

 

CMYK 0 / 16 / 32 / 0

HEX #FFD7AD

RGB 255 215 173

HSL 30.73, 1%, 0.84%

LAB 88.39, 8.11, 25.94

 

CMYK 0 / 9 / 25 / 0

HEX #FFE9C0

RGB 255 233 192

HSL 39.05, 1%, 0.88%

LAB 93.16, 1.34, 22.67

 

CMYK 0 / 35 / 51 / 3

HEX #F7A179

RGB 247 161 121

HSL 19.05, 0.89%, 0.72%

LAB 73.96, 27.76, 33.93

 

CMYK 0 / 38 / 56 / 10

HEX #E68F66

RGB 230 143 102

HSL 19.22, 0.72%, 0.65%

LAB 67.6, 28.95, 35.54

 

CMYK 0 / 41 / 61 / 16

HEX #D57D53

RGB 213 125 83

HSL 19.38, 0.61%, 0.58%

LAB 61.17, 30.27, 37.29

 

CMYK 0 / 45 / 67 / 23

HEX #C46B40

RGB 196 107 64

HSL 19.55, 0.53%, 0.51%

LAB 54.68, 31.75, 39.19

 

CMYK 0 / 50 / 75 / 30

HEX #B3592D

RGB 179 89 45

HSL 19.7, 0.6%, 0.44%

LAB 48.16, 33.39, 41.19

 

CMYK 0 / 35 / 51 / 3

HEX #F7A179

RGB 247 161 121

HSL 19.05, 0.89%, 0.72%

LAB 73.96, 27.76, 33.93

 

CMYK 0 / 27 / 51 / 3

HEX #F7B578

RGB 247 181 120

HSL 28.82, 0.89%, 0.72%

LAB 78.57, 17.15, 40.32

 

CMYK 0 / 18 / 51 / 3

HEX #F7CA78

RGB 247 202 120

HSL 38.74, 0.89%, 0.72%

LAB 83.64, 6.18, 46.62

 

CMYK 0 / 10 / 51 / 3

HEX #F7DF78

RGB 247 223 120

HSL 48.66, 0.89%, 0.72%

LAB 88.88, -4.57, 52.97

 

CMYK 0 / 1 / 51 / 3

HEX #F7F578

RGB 247 245 120

HSL 59.06, 0.89%, 0.72%

LAB 94.5, -15.48, 59.61

 

CMYK 0 / 35 / 51 / 3

HEX #F7A179

RGB 247 161 121

HSL 19.05, 0.89%, 0.72%

LAB 73.96, 27.76, 33.93

 

CMYK 0 / 35 / 51 / 83

HEX #2B1C15

RGB 43 28 21

HSL 19.09, 0.34%, 0.13%

LAB 11.95, 6.25, 7.75

 

CMYK 0 / 35 / 51 / 63

HEX #5E3D2E

RGB 94 61 46

HSL 18.75, 0.34%, 0.27%

LAB 29.2, 12.54, 15.13

 

CMYK 0 / 34 / 51 / 43

HEX #915F47

RGB 145 95 71

HSL 19.46, 0.34%, 0.42%

LAB 45.16, 17.56, 22.04

 

CMYK 0 / 35 / 51 / 23

HEX #C48060

RGB 196 128 96

HSL 19.2, 0.46%, 0.57%

LAB 59.91, 22.8, 28.14

 

CMYK 0 / 35 / 51 / 3

HEX #F7A179

RGB 247 161 121

HSL 19.05, 0.89%, 0.72%

LAB 73.96, 27.76, 33.93

 

CMYK 27 / 0 / 51 / 3

HEX #B5F778

RGB 181 247 120

HSL 91.18, 0.89%, 0.72%

LAB 90.64, -41.24, 53.97

 

CMYK 51 / 47 / 0 / 3

HEX #7882F7

RGB 120 130 247

HSL 235.28, 0.89%, 0.72%

LAB 58.67, 27.84, -59.94

 

CMYK 0 / 35 / 51 / 3

HEX #F7A179

RGB 247 161 121

HSL 19.05, 0.89%, 0.72%

LAB 73.96, 27.76, 33.93

 

CMYK 51 / 0 / 35 / 3

HEX #78F7A0

RGB 120 247 160

HSL 138.9, 0.89%, 0.72%

LAB 88.47, -53.94, 31.3

 

CMYK 35 / 51 / 0 / 3

HEX #A078F7

RGB 160 120 247

HSL 258.9, 0.89%, 0.72%

LAB 59.55, 42.72, -58.36

 

CMYK 0 / 35 / 51 / 3

HEX #F7A179

RGB 247 161 121

HSL 19.05, 0.89%, 0.72%

LAB 73.96, 27.76, 33.93

 

CMYK 27 / 0 / 51 / 3

HEX #B5F778

RGB 181 247 120

HSL 91.18, 0.89%, 0.72%

LAB 90.64, -41.24, 53.97

 

CMYK 51 / 17 / 0 / 3

HEX #78CEF7

RGB 120 206 247

HSL 199.37, 0.89%, 0.72%

LAB 78.96, -15.01, -28.15

 

CMYK 25 / 51 / 0 / 3

HEX #B978F7

RGB 185 120 247

HSL 270.71, 0.89%, 0.72%

LAB 62.05, 48.93, -54.22

 

CMYK 0 / 35 / 51 / 3

HEX #F7A179

RGB 247 161 121

HSL 19.05, 0.89%, 0.72%

LAB 73.96, 27.76, 33.93

 

CMYK 42 / 0 / 51 / 3

HEX #8FF778

RGB 143 247 120

HSL 109.13, 0.89%, 0.72%

LAB 88.79, -53.56, 51.3

 

CMYK 51 / 17 / 0 / 3

HEX #78CEF7

RGB 120 206 247

HSL 199.37, 0.89%, 0.72%

LAB 78.96, -15.01, -28.15

 

CMYK 10 / 51 / 0 / 3

HEX #DF78F7

RGB 223 120 247

HSL 288.66, 0.89%, 0.72%

LAB 66.39, 58.8, -47.07

 

Description

Color code: CMYK 0 / 35 / 51 / 3 | qconv.com Color code: CMYK 0 / 35 / 51 / 3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 247 red, 161 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
247 161 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 51 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 51% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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