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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F2B670 it is the complementary color #0D498F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F2B670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #F2B670: #F7B66B, #FFC87E, #FFDA91, #FFECA4 and #FFFEB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F2B670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #F2B670: #F2B670, #E1A45D, #D0924A, #BF8037 and #AE6E24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 54 / 5

HEX #F2B670

RGB 242 182 112

HSL 32.31, 0.83%, 0.69%

LAB 78.17, 13.93, 43.79

 

Complementary color

CMYK 91 / 49 / 0 / 44

HEX #0D498F

RGB 13 73 143

HSL 212.31, 0.83%, 0.31%

LAB 31.43, 10.1, -43.74

 

CMYK 0 / 26 / 57 / 3

HEX #F7B66B

RGB 247 182 107

HSL 32.14, 0.9%, 0.69%

LAB 78.63, 15.57, 46.97

 

CMYK 0 / 22 / 51 / 0

HEX #FFC87E

RGB 255 200 126

HSL 34.42, 1%, 0.75%

LAB 84, 10.95, 44.27

 

CMYK 0 / 15 / 43 / 0

HEX #FFDA91

RGB 255 218 145

HSL 39.82, 1%, 0.78%

LAB 88.66, 3.45, 40.63

 

CMYK 0 / 7 / 36 / 0

HEX #FFECA4

RGB 255 236 164

HSL 47.47, 1%, 0.82%

LAB 93.42, -3.65, 37.28

 

CMYK 0 / 0 / 28 / 0

HEX #FFFEB7

RGB 255 254 183

HSL 59.17, 1%, 0.86%

LAB 98.26, -10.34, 34.17

 

CMYK 0 / 25 / 54 / 5

HEX #F2B670

RGB 242 182 112

HSL 32.31, 0.83%, 0.69%

LAB 78.17, 13.93, 43.79

 

CMYK 0 / 27 / 59 / 12

HEX #E1A45D

RGB 225 164 93

HSL 32.27, 0.69%, 0.62%

LAB 71.79, 15.01, 45.21

 

CMYK 0 / 30 / 64 / 18

HEX #D0924A

RGB 208 146 74

HSL 32.24, 0.59%, 0.55%

LAB 65.33, 16.26, 46.64

 

CMYK 0 / 33 / 71 / 25

HEX #BF8037

RGB 191 128 55

HSL 32.21, 0.55%, 0.48%

LAB 58.78, 17.71, 48.02

 

CMYK 0 / 37 / 79 / 32

HEX #AE6E24

RGB 174 110 36

HSL 32.17, 0.66%, 0.41%

LAB 52.15, 19.4, 49.12

 

CMYK 0 / 25 / 54 / 5

HEX #F2B670

RGB 242 182 112

HSL 32.31, 0.83%, 0.69%

LAB 78.17, 13.93, 43.79

 

CMYK 0 / 16 / 54 / 5

HEX #F1CA6E

RGB 241 202 110

HSL 42.14, 0.82%, 0.69%

LAB 82.95, 2.91, 50.53

 

CMYK 0 / 7 / 54 / 5

HEX #F1E06E

RGB 241 224 110

HSL 52.21, 0.82%, 0.69%

LAB 88.51, -8.29, 57.07

 

CMYK 2 / 0 / 54 / 5

HEX #EDF16E

RGB 237 241 110

HSL 61.83, 0.82%, 0.69%

LAB 92.59, -18.28, 61.67

 

CMYK 11 / 0 / 54 / 5

HEX #D7F16E

RGB 215 241 110

HSL 71.91, 0.82%, 0.69%

LAB 91, -26.89, 59.43

 

CMYK 0 / 25 / 54 / 5

HEX #F2B670

RGB 242 182 112

HSL 32.31, 0.83%, 0.69%

LAB 78.17, 13.93, 43.79

 

CMYK 0 / 24 / 53 / 85

HEX #261D12

RGB 38 29 18

HSL 33, 0.36%, 0.11%

LAB 11.51, 2.43, 9

 

CMYK 0 / 25 / 54 / 65

HEX #594329

RGB 89 67 41

HSL 32.5, 0.37%, 0.25%

LAB 30.15, 5.82, 19.37

 

CMYK 0 / 25 / 54 / 45

HEX #8C6941

RGB 140 105 65

HSL 32, 0.37%, 0.4%

LAB 47.05, 8.94, 27.78

 

CMYK 0 / 25 / 54 / 25

HEX #BF9058

RGB 191 144 88

HSL 32.62, 0.45%, 0.55%

LAB 63.12, 11.18, 36.42

 

CMYK 0 / 25 / 54 / 5

HEX #F2B670

RGB 242 182 112

HSL 32.31, 0.83%, 0.69%

LAB 78.17, 13.93, 43.79

 

CMYK 40 / 0 / 54 / 5

HEX #91F16E

RGB 145 241 110

HSL 103.97, 0.82%, 0.69%

LAB 87.02, -51.66, 53.78

 

CMYK 47 / 54 / 0 / 5

HEX #7F6EF1

RGB 127 110 241

HSL 247.79, 0.82%, 0.69%

LAB 54.04, 39.3, -64.02

 

CMYK 0 / 25 / 54 / 5

HEX #F2B670

RGB 242 182 112

HSL 32.31, 0.83%, 0.69%

LAB 78.17, 13.93, 43.79

 

CMYK 54 / 0 / 25 / 5

HEX #6EF1B4

RGB 110 241 180

HSL 152.06, 0.82%, 0.69%

LAB 86.76, -50.02, 18.7

 

CMYK 25 / 54 / 0 / 5

HEX #B46EF1

RGB 180 110 241

HSL 272.06, 0.82%, 0.69%

LAB 59.16, 51.57, -55.53

 

CMYK 0 / 25 / 54 / 5

HEX #F2B670

RGB 242 182 112

HSL 32.31, 0.83%, 0.69%

LAB 78.17, 13.93, 43.79

 

CMYK 40 / 0 / 54 / 5

HEX #91F16E

RGB 145 241 110

HSL 103.97, 0.82%, 0.69%

LAB 87.02, -51.66, 53.78

 

CMYK 54 / 29 / 0 / 5

HEX #6EABF1

RGB 110 171 241

HSL 212.06, 0.82%, 0.69%

LAB 68.6, 0, -40.97

 

CMYK 15 / 54 / 0 / 5

HEX #CE6EF1

RGB 206 110 241

HSL 283.97, 0.82%, 0.69%

LAB 62.19, 58.1, -50.54

 

CMYK 0 / 25 / 54 / 5

HEX #F2B670

RGB 242 182 112

HSL 32.31, 0.83%, 0.69%

LAB 78.17, 13.93, 43.79

 

CMYK 54 / 0 / 53 / 5

HEX #6EF172

RGB 110 241 114

HSL 121.83, 0.82%, 0.69%

LAB 85.73, -60.92, 50.08

 

CMYK 54 / 29 / 0 / 5

HEX #6EABF1

RGB 110 171 241

HSL 212.06, 0.82%, 0.69%

LAB 68.6, 0, -40.97

 

CMYK 0 / 54 / 2 / 5

HEX #F16EED

RGB 241 110 237

HSL 301.83, 0.82%, 0.69%

LAB 66.49, 66.41, -41.23

 

Description

Color code: HEX #F2B670 | qconv.com Color code: HEX #F2B670 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 182 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 182 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 54 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 54% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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