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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE6EF1 it is the complementary color #31910E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE6EF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #CE6EF1: #D36EEC, #E480FF, #F592FF, #FFA4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE6EF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #CE6EF1: #CE6EF1, #BD5CDE, #AC4ACB, #9B38B8 and #8A26A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 54 / 0 / 5

HEX #CE6EF1

RGB 206 110 241

HSL 283.97, 0.82%, 0.69%

LAB 62.19, 58.1, -50.54

 

Complementary color

CMYK 66 / 0 / 90 / 43

HEX #31910E

RGB 49 145 14

HSL 103.97, 0.82%, 0.31%

LAB 52.88, -49.8, 53.1

 

CMYK 11 / 53 / 0 / 7

HEX #D36EEC

RGB 211 110 236

HSL 288.1, 0.77%, 0.68%

LAB 62.56, 58.41, -47.14

 

CMYK 11 / 50 / 0 / 0

HEX #E480FF

RGB 228 128 255

HSL 287.24, 1%, 0.75%

LAB 68.86, 57.74, -47.52

 

CMYK 4 / 43 / 0 / 0

HEX #F592FF

RGB 245 146 255

HSL 294.5, 1%, 0.79%

LAB 74.31, 53.46, -38.85

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 15 / 54 / 0 / 5

HEX #CE6EF1

RGB 206 110 241

HSL 283.97, 0.82%, 0.69%

LAB 62.19, 58.1, -50.54

 

CMYK 15 / 59 / 0 / 13

HEX #BD5CDE

RGB 189 92 222

HSL 284.77, 0.66%, 0.62%

LAB 55.83, 58.71, -50.14

 

CMYK 15 / 64 / 0 / 20

HEX #AC4ACB

RGB 172 74 203

HSL 285.58, 0.55%, 0.54%

LAB 49.47, 59.14, -49.59

 

CMYK 16 / 70 / 0 / 28

HEX #9B38B8

RGB 155 56 184

HSL 286.41, 0.53%, 0.47%

LAB 43.15, 59.24, -48.81

 

CMYK 16 / 77 / 0 / 35

HEX #8A26A5

RGB 138 38 165

HSL 287.24, 0.63%, 0.4%

LAB 36.94, 58.76, -47.64

 

CMYK 15 / 54 / 0 / 5

HEX #CE6EF1

RGB 206 110 241

HSL 283.97, 0.82%, 0.69%

LAB 62.19, 58.1, -50.54

 

CMYK 6 / 54 / 0 / 6

HEX #E16FF0

RGB 225 111 240

HSL 293.02, 0.81%, 0.69%

LAB 64.7, 62.32, -45.86

 

CMYK 0 / 54 / 3 / 6

HEX #F06FEA

RGB 240 111 234

HSL 302.79, 0.81%, 0.69%

LAB 66.39, 65.19, -39.74

 

CMYK 0 / 54 / 12 / 6

HEX #F06FD4

RGB 240 111 212

HSL 313.02, 0.81%, 0.69%

LAB 65.47, 61.66, -28.92

 

CMYK 0 / 54 / 20 / 6

HEX #F06FBF

RGB 240 111 191

HSL 322.79, 0.81%, 0.69%

LAB 64.69, 58.57, -18.3

 

CMYK 15 / 54 / 0 / 5

HEX #CE6EF1

RGB 206 110 241

HSL 283.97, 0.82%, 0.69%

LAB 62.19, 58.1, -50.54

 

CMYK 14 / 54 / 0 / 85

HEX #201125

RGB 32 17 37

HSL 285, 0.37%, 0.11%

LAB 7.6, 12.39, -10.75

 

CMYK 15 / 55 / 0 / 65

HEX #4B2858

RGB 75 40 88

HSL 283.75, 0.38%, 0.25%

LAB 22.72, 25.59, -22.46

 

CMYK 14 / 55 / 0 / 45

HEX #773F8B

RGB 119 63 139

HSL 284.21, 0.38%, 0.4%

LAB 36.63, 37.48, -32.52

 

CMYK 15 / 54 / 0 / 25

HEX #A257BE

RGB 162 87 190

HSL 283.69, 0.44%, 0.54%

LAB 49.76, 47.68, -41.72

 

CMYK 15 / 54 / 0 / 5

HEX #CE6EF1

RGB 206 110 241

HSL 283.97, 0.82%, 0.69%

LAB 62.19, 58.1, -50.54

 

CMYK 0 / 54 / 50 / 6

HEX #F06F79

RGB 240 111 121

HSL 355.35, 0.81%, 0.69%

LAB 62.74, 50.51, 18.84

 

CMYK 54 / 0 / 37 / 6

HEX #6FF098

RGB 111 240 152

HSL 139.07, 0.81%, 0.69%

LAB 85.99, -54.64, 31.97

 

CMYK 15 / 54 / 0 / 5

HEX #CE6EF1

RGB 206 110 241

HSL 283.97, 0.82%, 0.69%

LAB 62.19, 58.1, -50.54

 

CMYK 0 / 15 / 54 / 6

HEX #F0CC6F

RGB 240 204 111

HSL 43.26, 0.81%, 0.69%

LAB 83.37, 1.55, 50.53

 

CMYK 54 / 0 / 15 / 6

HEX #6FF0CC

RGB 111 240 204

HSL 163.26, 0.81%, 0.69%

LAB 87.03, -44.21, 6.6

 

CMYK 15 / 54 / 0 / 5

HEX #CE6EF1

RGB 206 110 241

HSL 283.97, 0.82%, 0.69%

LAB 62.19, 58.1, -50.54

 

CMYK 0 / 54 / 50 / 6

HEX #F06F79

RGB 240 111 121

HSL 355.35, 0.81%, 0.69%

LAB 62.74, 50.51, 18.84

 

CMYK 39 / 0 / 54 / 6

HEX #93F06F

RGB 147 240 111

HSL 103.26, 0.81%, 0.69%

LAB 86.84, -50.52, 53.13

 

CMYK 54 / 0 / 5 / 6

HEX #6FF0E5

RGB 111 240 229

HSL 174.88, 0.81%, 0.69%

LAB 87.66, -38.23, -5.56

 

CMYK 15 / 54 / 0 / 5

HEX #CE6EF1

RGB 206 110 241

HSL 283.97, 0.82%, 0.69%

LAB 62.19, 58.1, -50.54

 

CMYK 0 / 42 / 54 / 6

HEX #F08B6F

RGB 240 139 111

HSL 13.02, 0.81%, 0.69%

LAB 68.12, 35.68, 31.6

 

CMYK 39 / 0 / 54 / 6

HEX #93F06F

RGB 147 240 111

HSL 103.26, 0.81%, 0.69%

LAB 86.84, -50.52, 53.13

 

CMYK 54 / 12 / 0 / 6

HEX #6FD4F0

RGB 111 212 240

HSL 193.02, 0.81%, 0.69%

LAB 80.04, -21.91, -22.78

 

Description

Color code: HEX #CE6EF1 | qconv.com Color code: HEX #CE6EF1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 110 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 110 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 54 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 54% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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