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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 54 / 20 / 6 it is the complementary color CMYK 90 / 0 / 57 / 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 54 / 20 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 54 / 20 / 6: CMYK 0 / 55 / 24 / 4, CMYK 0 / 50 / 19 / 0, CMYK 0 / 43 / 12 / 0, CMYK 0 / 36 / 4 / 0 and CMYK 0 / 29 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 54 / 20 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 54 / 20 / 6: CMYK 0 / 54 / 20 / 6, CMYK 0 / 59 / 22 / 13, CMYK 0 / 64 / 25 / 19, CMYK 0 / 70 / 29 / 26 and CMYK 0 / 78 / 33 / 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 20 / 6

HEX #F06EC0

RGB 240 110 192

HSL 322.15, 0.81%, 0.69%

LAB 64.55, 59.17, -19.08

 

Complementary color

CMYK 90 / 0 / 57 / 43

HEX #0F913F

RGB 15 145 63

HSL 142.15, 0.81%, 0.31%

LAB 52.63, -50.55, 34.19

 

CMYK 0 / 55 / 24 / 4

HEX #F56EBB

RGB 245 110 187

HSL 325.78, 0.87%, 0.7%

LAB 65.08, 59.97, -15.38

 

CMYK 0 / 50 / 19 / 0

HEX #FF80CE

RGB 255 128 206

HSL 323.15, 1%, 0.75%

LAB 70.28, 57.24, -18.04

 

CMYK 0 / 43 / 12 / 0

HEX #FF92E1

RGB 255 146 225

HSL 316.51, 1%, 0.79%

LAB 74.35, 51.32, -22.35

 

CMYK 0 / 36 / 4 / 0

HEX #FFA4F4

RGB 255 164 244

HSL 307.25, 1%, 0.82%

LAB 78.66, 45.32, -26.1

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 54 / 20 / 6

HEX #F06EC0

RGB 240 110 192

HSL 322.15, 0.81%, 0.69%

LAB 64.55, 59.17, -19.08

 

CMYK 0 / 59 / 22 / 13

HEX #DF5CAD

RGB 223 92 173

HSL 322.9, 0.67%, 0.62%

LAB 58.38, 59.65, -17.84

 

CMYK 0 / 64 / 25 / 19

HEX #CE4A9A

RGB 206 74 154

HSL 323.64, 0.57%, 0.55%

LAB 52.23, 59.9, -16.32

 

CMYK 0 / 70 / 29 / 26

HEX #BD3887

RGB 189 56 135

HSL 324.36, 0.54%, 0.48%

LAB 46.17, 59.78, -14.42

 

CMYK 0 / 78 / 33 / 33

HEX #AC2674

RGB 172 38 116

HSL 325.07, 0.64%, 0.41%

LAB 40.28, 59.03, -11.98

 

CMYK 0 / 54 / 20 / 6

HEX #F06EC0

RGB 240 110 192

HSL 322.15, 0.81%, 0.69%

LAB 64.55, 59.17, -19.08

 

CMYK 0 / 54 / 28 / 6

HEX #EF6FAB

RGB 239 111 171

HSL 331.88, 0.8%, 0.69%

LAB 63.88, 55.58, -8.17

 

CMYK 0 / 54 / 37 / 6

HEX #EF6F96

RGB 239 111 150

HSL 341.72, 0.8%, 0.69%

LAB 63.28, 53.07, 2.96

 

CMYK 0 / 54 / 46 / 6

HEX #EF6F80

RGB 239 111 128

HSL 352.03, 0.8%, 0.69%

LAB 62.74, 50.81, 14.82

 

CMYK 0 / 51 / 54 / 6

HEX #EF746F

RGB 239 116 111

HSL 2.34, 0.8%, 0.69%

LAB 63.33, 46.91, 25.3

 

CMYK 0 / 54 / 20 / 6

HEX #F06EC0

RGB 240 110 192

HSL 322.15, 0.81%, 0.69%

LAB 64.55, 59.17, -19.08

 

CMYK 0 / 53 / 19 / 86

HEX #24111D

RGB 36 17 29

HSL 322.11, 0.36%, 0.1%

LAB 7.81, 12.15, -4.29

 

CMYK 0 / 54 / 20 / 66

HEX #572846

RGB 87 40 70

HSL 321.7, 0.37%, 0.25%

LAB 23.63, 25.99, -8.87

 

CMYK 0 / 54 / 20 / 46

HEX #8A3F6E

RGB 138 63 110

HSL 322.4, 0.37%, 0.39%

LAB 37.99, 37.91, -12.24

 

CMYK 0 / 54 / 20 / 26

HEX #BD5797

RGB 189 87 151

HSL 322.35, 0.44%, 0.54%

LAB 51.69, 48.59, -15.62

 

CMYK 0 / 54 / 20 / 6

HEX #F06EC0

RGB 240 110 192

HSL 322.15, 0.81%, 0.69%

LAB 64.55, 59.17, -19.08

 

CMYK 0 / 23 / 54 / 6

HEX #EFB86F

RGB 239 184 111

HSL 34.22, 0.8%, 0.69%

LAB 78.33, 11.57, 44.42

 

CMYK 54 / 0 / 2 / 6

HEX #6FEFEB

RGB 111 239 235

HSL 178.13, 0.8%, 0.69%

LAB 87.54, -36.26, -8.88

 

CMYK 0 / 54 / 20 / 6

HEX #F06EC0

RGB 240 110 192

HSL 322.15, 0.81%, 0.69%

LAB 64.55, 59.17, -19.08

 

CMYK 19 / 0 / 54 / 6

HEX #C1EF6F

RGB 193 239 111

HSL 81.56, 0.8%, 0.69%

LAB 89.03, -34.21, 56.32

 

CMYK 54 / 19 / 0 / 6

HEX #6FC1EF

RGB 111 193 239

HSL 201.56, 0.8%, 0.69%

LAB 74.67, -12.39, -30.47

 

CMYK 0 / 54 / 20 / 6

HEX #F06EC0

RGB 240 110 192

HSL 322.15, 0.81%, 0.69%

LAB 64.55, 59.17, -19.08

 

CMYK 0 / 23 / 54 / 6

HEX #EFB86F

RGB 239 184 111

HSL 34.22, 0.8%, 0.69%

LAB 78.33, 11.57, 44.42

 

CMYK 54 / 0 / 34 / 6

HEX #6FEF9E

RGB 111 239 158

HSL 142.03, 0.8%, 0.69%

LAB 85.8, -53.18, 28.67

 

CMYK 54 / 30 / 0 / 6

HEX #6FA7EF

RGB 111 167 239

HSL 213.75, 0.8%, 0.69%

LAB 67.46, 1.85, -41.65

 

CMYK 0 / 54 / 20 / 6

HEX #F06EC0

RGB 240 110 192

HSL 322.15, 0.81%, 0.69%

LAB 64.55, 59.17, -19.08

 

CMYK 0 / 7 / 54 / 6

HEX #EFDE6F

RGB 239 222 111

HSL 52.03, 0.8%, 0.69%

LAB 87.84, -8.02, 55.79

 

CMYK 54 / 0 / 34 / 6

HEX #6FEF9E

RGB 111 239 158

HSL 142.03, 0.8%, 0.69%

LAB 85.8, -53.18, 28.67

 

CMYK 54 / 46 / 0 / 6

HEX #6F80EF

RGB 111 128 239

HSL 232.03, 0.8%, 0.69%

LAB 57.12, 24.69, -58.02

 

Description

Color code: CMYK 0 / 54 / 20 / 6 | qconv.com Color code: CMYK 0 / 54 / 20 / 6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 240 red, 110 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
240 110 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 20 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 20% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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