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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBC5CA it is the complementary color #143A35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBC5CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EBC5CA: #F0C5C5, #FFD7D8, #FFE9EB, #FFFBFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBC5CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EBC5CA: #EBC5CA, #DAB3B7, #C9A1A4, #B88F91 and #A77D7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 14 / 8

HEX #EBC5CA

RGB 235 197 202

HSL 352.11, 0.49%, 0.85%

LAB 82.84, 14.24, 2.53

 

Complementary color

CMYK 66 / 0 / 9 / 77

HEX #143A35

RGB 20 58 53

HSL 172.11, 0.49%, 0.15%

LAB 21.7, -14.9, -0.94

 

CMYK 0 / 18 / 18 / 6

HEX #F0C5C5

RGB 240 197 197

HSL 0, 0.59%, 0.86%

LAB 83.17, 15.25, 5.75

 

CMYK 0 / 16 / 15 / 0

HEX #FFD7D8

RGB 255 215 216

HSL 358.5, 1%, 0.92%

LAB 89.31, 14.07, 4.7

 

CMYK 0 / 9 / 8 / 0

HEX #FFE9EB

RGB 255 233 235

HSL 354.55, 1%, 0.96%

LAB 94.11, 7.8, 1.73

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFE

RGB 255 251 254

HSL 315, 1%, 0.99%

LAB 98.99, 1.85, -0.97

 

CMYK 0 / 16 / 14 / 8

HEX #EBC5CA

RGB 235 197 202

HSL 352.11, 0.49%, 0.85%

LAB 82.84, 14.24, 2.53

 

CMYK 0 / 18 / 16 / 15

HEX #DAB3B7

RGB 218 179 183

HSL 353.85, 0.35%, 0.78%

LAB 76.41, 14.7, 3.27

 

CMYK 0 / 20 / 18 / 21

HEX #C9A1A4

RGB 201 161 164

HSL 355.5, 0.27%, 0.71%

LAB 69.89, 15.22, 4.05

 

CMYK 0 / 22 / 21 / 28

HEX #B88F91

RGB 184 143 145

HSL 357.07, 0.22%, 0.64%

LAB 63.24, 15.79, 4.9

 

CMYK 0 / 25 / 25 / 35

HEX #A77D7E

RGB 167 125 126

HSL 358.57, 0.19%, 0.57%

LAB 56.48, 16.44, 5.81

 

CMYK 0 / 16 / 14 / 8

HEX #EBC5CA

RGB 235 197 202

HSL 352.11, 0.49%, 0.85%

LAB 82.84, 14.24, 2.53

 

CMYK 0 / 15 / 16 / 8

HEX #EBC7C6

RGB 235 199 198

HSL 1.62, 0.48%, 0.85%

LAB 83.22, 12.55, 5.23

 

CMYK 0 / 13 / 16 / 8

HEX #EBCDC6

RGB 235 205 198

HSL 11.35, 0.48%, 0.85%

LAB 84.69, 9.39, 7.34

 

CMYK 0 / 10 / 16 / 8

HEX #EBD3C6

RGB 235 211 198

HSL 21.08, 0.48%, 0.85%

LAB 86.17, 6.25, 9.46

 

CMYK 0 / 8 / 16 / 8

HEX #EBD9C6

RGB 235 217 198

HSL 30.81, 0.48%, 0.85%

LAB 87.66, 3.13, 11.59

 

CMYK 0 / 16 / 14 / 8

HEX #EBC5CA

RGB 235 197 202

HSL 352.11, 0.49%, 0.85%

LAB 82.84, 14.24, 2.53

 

CMYK 0 / 16 / 13 / 88

HEX #1F1A1B

RGB 31 26 27

HSL 348, 0.09%, 0.11%

LAB 9.87, 2.69, 0.2

 

CMYK 0 / 16 / 15 / 68

HEX #524546

RGB 82 69 70

HSL 355.38, 0.09%, 0.3%

LAB 30.62, 5.73, 1.45

 

CMYK 0 / 17 / 14 / 48

HEX #856F72

RGB 133 111 114

HSL 351.82, 0.09%, 0.48%

LAB 48.97, 9.17, 1.56

 

CMYK 0 / 16 / 14 / 28

HEX #B89A9E

RGB 184 154 158

HSL 352, 0.17%, 0.66%

LAB 66.34, 11.77, 2.06

 

CMYK 0 / 16 / 14 / 8

HEX #EBC5CA

RGB 235 197 202

HSL 352.11, 0.49%, 0.85%

LAB 82.84, 14.24, 2.53

 

CMYK 1 / 0 / 16 / 8

HEX #E8EBC6

RGB 232 235 198

HSL 64.86, 0.48%, 0.85%

LAB 91.98, -7.14, 17.65

 

CMYK 16 / 8 / 0 / 8

HEX #C6D9EB

RGB 198 217 235

HSL 209.19, 0.48%, 0.85%

LAB 85.82, -2.71, -10.97

 

CMYK 0 / 16 / 14 / 8

HEX #EBC5CA

RGB 235 197 202

HSL 352.11, 0.49%, 0.85%

LAB 82.84, 14.24, 2.53

 

CMYK 14 / 0 / 16 / 8

HEX #CBEBC6

RGB 203 235 198

HSL 111.89, 0.48%, 0.85%

LAB 89.95, -17.22, 14.5

 

CMYK 16 / 14 / 0 / 8

HEX #C6CBEB

RGB 198 203 235

HSL 231.89, 0.48%, 0.85%

LAB 82.23, 4.67, -16.36

 

CMYK 0 / 16 / 14 / 8

HEX #EBC5CA

RGB 235 197 202

HSL 352.11, 0.49%, 0.85%

LAB 82.84, 14.24, 2.53

 

CMYK 1 / 0 / 16 / 8

HEX #E8EBC6

RGB 232 235 198

HSL 64.86, 0.48%, 0.85%

LAB 91.98, -7.14, 17.65

 

CMYK 16 / 0 / 2 / 8

HEX #C6EBE6

RGB 198 235 230

HSL 171.89, 0.48%, 0.85%

LAB 90.38, -12.94, -1.6

 

CMYK 15 / 16 / 0 / 8

HEX #C8C6EB

RGB 200 198 235

HSL 243.24, 0.48%, 0.85%

LAB 81.11, 7.98, -18.03

 

CMYK 0 / 16 / 14 / 8

HEX #EBC5CA

RGB 235 197 202

HSL 352.11, 0.49%, 0.85%

LAB 82.84, 14.24, 2.53

 

CMYK 6 / 0 / 16 / 8

HEX #DDEBC6

RGB 221 235 198

HSL 82.7, 0.48%, 0.85%

LAB 91.17, -11.02, 16.4

 

CMYK 16 / 0 / 2 / 8

HEX #C6EBE6

RGB 198 235 230

HSL 171.89, 0.48%, 0.85%

LAB 90.38, -12.94, -1.6

 

CMYK 10 / 16 / 0 / 8

HEX #D3C6EB

RGB 211 198 235

HSL 261.08, 0.48%, 0.85%

LAB 81.97, 11.49, -16.65

 

Description

Color code: HEX #EBC5CA | qconv.com Color code: HEX #EBC5CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 197 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 197 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 14 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 14% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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