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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 15 / 16 / 8 it is the complementary color CMYK 66 / 3 / 0 / 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 15 / 16 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 15 / 16 / 8: CMYK 0 / 17 / 20 / 6, CMYK 0 / 15 / 17 / 0, CMYK 0 / 8 / 10 / 0, CMYK 0 / 1 / 2 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 15 / 16 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 15 / 16 / 8: CMYK 0 / 15 / 16 / 8, CMYK 0 / 17 / 18 / 15, CMYK 0 / 19 / 21 / 21, CMYK 0 / 21 / 24 / 28 and CMYK 0 / 24 / 28 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 16 / 8

HEX #EBC7C5

RGB 235 199 197

HSL 3.16, 0.49%, 0.85%

LAB 83.2, 12.39, 5.73

 

Complementary color

CMYK 66 / 3 / 0 / 77

HEX #14383A

RGB 20 56 58

HSL 183.16, 0.49%, 0.15%

LAB 21.14, -12.07, -5.14

 

CMYK 0 / 17 / 20 / 6

HEX #F0C7C0

RGB 240 199 192

HSL 8.75, 0.62%, 0.85%

LAB 83.54, 13.45, 8.94

 

CMYK 0 / 15 / 17 / 0

HEX #FFD9D3

RGB 255 217 211

HSL 8.18, 1%, 0.91%

LAB 89.67, 12.27, 7.85

 

CMYK 0 / 8 / 10 / 0

HEX #FFEBE6

RGB 255 235 230

HSL 12, 1%, 0.95%

LAB 94.48, 5.96, 4.86

 

CMYK 0 / 1 / 2 / 0

HEX #FFFDF9

RGB 255 253 249

HSL 40, 1%, 0.99%

LAB 99.36, -0.03, 2.13

 

CMYK 0 / 15 / 16 / 8

HEX #EBC7C5

RGB 235 199 197

HSL 3.16, 0.49%, 0.85%

LAB 83.2, 12.39, 5.73

 

CMYK 0 / 17 / 18 / 15

HEX #DAB5B2

RGB 218 181 178

HSL 4.5, 0.35%, 0.78%

LAB 76.78, 12.85, 6.52

 

CMYK 0 / 19 / 21 / 21

HEX #C9A39F

RGB 201 163 159

HSL 5.71, 0.28%, 0.71%

LAB 70.26, 13.35, 7.36

 

CMYK 0 / 21 / 24 / 28

HEX #B8918C

RGB 184 145 140

HSL 6.82, 0.24%, 0.64%

LAB 63.62, 13.92, 8.26

 

CMYK 0 / 24 / 28 / 35

HEX #A77F79

RGB 167 127 121

HSL 7.83, 0.21%, 0.56%

LAB 56.86, 14.56, 9.24

 

CMYK 0 / 15 / 16 / 8

HEX #EBC7C5

RGB 235 199 197

HSL 3.16, 0.49%, 0.85%

LAB 83.2, 12.39, 5.73

 

CMYK 0 / 12 / 16 / 8

HEX #EBCEC6

RGB 235 206 198

HSL 12.97, 0.48%, 0.85%

LAB 84.94, 8.87, 7.69

 

CMYK 0 / 10 / 16 / 8

HEX #EBD4C6

RGB 235 212 198

HSL 22.7, 0.48%, 0.85%

LAB 86.42, 5.73, 9.81

 

CMYK 0 / 7 / 16 / 8

HEX #EBDAC6

RGB 235 218 198

HSL 32.43, 0.48%, 0.85%

LAB 87.91, 2.61, 11.94

 

CMYK 0 / 5 / 16 / 8

HEX #EBE0C6

RGB 235 224 198

HSL 42.16, 0.48%, 0.85%

LAB 89.42, -0.48, 14.08

 

CMYK 0 / 15 / 16 / 8

HEX #EBC7C5

RGB 235 199 197

HSL 3.16, 0.49%, 0.85%

LAB 83.2, 12.39, 5.73

 

CMYK 0 / 16 / 16 / 88

HEX #1F1A1A

RGB 31 26 26

HSL 0, 0.09%, 0.11%

LAB 9.83, 2.45, 0.9

 

CMYK 0 / 16 / 16 / 68

HEX #524545

RGB 82 69 69

HSL 0, 0.09%, 0.3%

LAB 30.59, 5.53, 2.05

 

CMYK 0 / 15 / 17 / 48

HEX #85716F

RGB 133 113 111

HSL 5.45, 0.09%, 0.48%

LAB 49.43, 7.47, 4.01

 

CMYK 0 / 15 / 16 / 28

HEX #B89C9A

RGB 184 156 154

HSL 4, 0.17%, 0.66%

LAB 66.75, 10.01, 4.88

 

CMYK 0 / 15 / 16 / 8

HEX #EBC7C5

RGB 235 199 197

HSL 3.16, 0.49%, 0.85%

LAB 83.2, 12.39, 5.73

 

CMYK 4 / 0 / 16 / 8

HEX #E2EBC6

RGB 226 235 198

HSL 74.59, 0.48%, 0.85%

LAB 91.53, -9.27, 16.96

 

CMYK 16 / 10 / 0 / 8

HEX #C6D3EB

RGB 198 211 235

HSL 218.92, 0.48%, 0.85%

LAB 84.27, 0.43, -13.28

 

CMYK 0 / 15 / 16 / 8

HEX #EBC7C5

RGB 235 199 197

HSL 3.16, 0.49%, 0.85%

LAB 83.2, 12.39, 5.73

 

CMYK 16 / 0 / 15 / 8

HEX #C6EBC7

RGB 198 235 199

HSL 121.62, 0.48%, 0.85%

LAB 89.65, -18.72, 13.51

 

CMYK 15 / 16 / 0 / 8

HEX #C7C6EB

RGB 199 198 235

HSL 241.62, 0.48%, 0.85%

LAB 81.03, 7.66, -18.15

 

CMYK 0 / 15 / 16 / 8

HEX #EBC7C5

RGB 235 199 197

HSL 3.16, 0.49%, 0.85%

LAB 83.2, 12.39, 5.73

 

CMYK 4 / 0 / 16 / 8

HEX #E2EBC6

RGB 226 235 198

HSL 74.59, 0.48%, 0.85%

LAB 91.53, -9.27, 16.96

 

CMYK 16 / 1 / 0 / 8

HEX #C6E9EB

RGB 198 233 235

HSL 183.24, 0.48%, 0.85%

LAB 89.99, -10.93, -4.79

 

CMYK 12 / 16 / 0 / 8

HEX #CFC6EB

RGB 207 198 235

HSL 254.59, 0.48%, 0.85%

LAB 81.65, 10.2, -17.16

 

CMYK 0 / 15 / 16 / 8

HEX #EBC7C5

RGB 235 199 197

HSL 3.16, 0.49%, 0.85%

LAB 83.2, 12.39, 5.73

 

CMYK 9 / 0 / 16 / 8

HEX #D6EBC6

RGB 214 235 198

HSL 94.05, 0.48%, 0.85%

LAB 90.68, -13.46, 15.64

 

CMYK 16 / 1 / 0 / 8

HEX #C6E9EB

RGB 198 233 235

HSL 183.24, 0.48%, 0.85%

LAB 89.99, -10.93, -4.79

 

CMYK 7 / 16 / 0 / 8

HEX #DAC6EB

RGB 218 198 235

HSL 272.43, 0.48%, 0.85%

LAB 82.54, 13.76, -15.73

 

Description

Color code: CMYK 0 / 15 / 16 / 8 | qconv.com Color code: CMYK 0 / 15 / 16 / 8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 199 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 199 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 16 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 16% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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