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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E849D3 it is the complementary color #17B62C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E849D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E849D3: #ED49CE, #FE5BE1, #FF6DF4, #FF7FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E849D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E849D3: #E849D3, #D737C0, #C625AD, #B5139A and #A40187

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 9 / 9

HEX #E849D3

RGB 232 73 211

HSL 307.92, 0.78%, 0.6%

LAB 58.62, 74.9, -39.1

 

Complementary color

CMYK 87 / 0 / 76 / 29

HEX #17B62C

RGB 23 182 44

HSL 127.92, 0.78%, 0.4%

LAB 64.82, -63.72, 55.62

 

CMYK 0 / 69 / 13 / 7

HEX #ED49CE

RGB 237 73 206

HSL 311.34, 0.82%, 0.61%

LAB 59.18, 75.34, -35.33

 

CMYK 0 / 64 / 11 / 0

HEX #FE5BE1

RGB 254 91 225

HSL 310.67, 0.99%, 0.68%

LAB 64.95, 75.66, -36.84

 

CMYK 0 / 57 / 4 / 0

HEX #FF6DF4

RGB 255 109 244

HSL 304.52, 1%, 0.71%

LAB 68.55, 71.58, -41.73

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 69 / 9 / 9

HEX #E849D3

RGB 232 73 211

HSL 307.92, 0.78%, 0.6%

LAB 58.62, 74.9, -39.1

 

CMYK 0 / 74 / 11 / 16

HEX #D737C0

RGB 215 55 192

HSL 308.63, 0.67%, 0.53%

LAB 52.93, 74.12, -37.35

 

CMYK 0 / 81 / 13 / 22

HEX #C625AD

RGB 198 37 173

HSL 309.32, 0.69%, 0.46%

LAB 47.43, 72.6, -35.11

 

CMYK 0 / 90 / 15 / 29

HEX #B5139A

RGB 181 19 154

HSL 310, 0.81%, 0.39%

LAB 42.19, 70.06, -32.21

 

CMYK 0 / 99 / 18 / 36

HEX #A40187

RGB 164 1 135

HSL 310.67, 0.99%, 0.32%

LAB 37.23, 66.42, -28.61

 

CMYK 0 / 69 / 9 / 9

HEX #E849D3

RGB 232 73 211

HSL 307.92, 0.78%, 0.6%

LAB 58.62, 74.9, -39.1

 

CMYK 0 / 69 / 19 / 9

HEX #E849BB

RGB 232 73 187

HSL 316.98, 0.78%, 0.6%

LAB 57.57, 71.53, -27.03

 

CMYK 0 / 69 / 31 / 9

HEX #E849A0

RGB 232 73 160

HSL 327.17, 0.78%, 0.6%

LAB 56.54, 68.17, -12.92

 

CMYK 0 / 69 / 42 / 9

HEX #E84986

RGB 232 73 134

HSL 336.98, 0.78%, 0.6%

LAB 55.73, 65.41, 1.18

 

CMYK 0 / 69 / 54 / 9

HEX #E8496B

RGB 232 73 107

HSL 347.17, 0.78%, 0.6%

LAB 55.05, 63.09, 16.25

 

CMYK 0 / 69 / 9 / 9

HEX #E849D3

RGB 232 73 211

HSL 307.92, 0.78%, 0.6%

LAB 58.62, 74.9, -39.1

 

CMYK 0 / 68 / 11 / 89

HEX #1C0919

RGB 28 9 25

HSL 309.47, 0.51%, 0.07%

LAB 4.63, 10.85, -6.02

 

CMYK 0 / 68 / 9 / 69

HEX #4F1948

RGB 79 25 72

HSL 307.78, 0.52%, 0.2%

LAB 19.33, 31.78, -16.95

 

CMYK 0 / 68 / 9 / 49

HEX #822976

RGB 130 41 118

HSL 308.09, 0.52%, 0.34%

LAB 33.22, 47.22, -24.73

 

CMYK 0 / 69 / 9 / 29

HEX #B539A5

RGB 181 57 165

HSL 307.74, 0.52%, 0.47%

LAB 46.27, 61.55, -32.39

 

CMYK 0 / 69 / 9 / 9

HEX #E849D3

RGB 232 73 211

HSL 307.92, 0.78%, 0.6%

LAB 58.62, 74.9, -39.1

 

CMYK 0 / 47 / 69 / 9

HEX #E87B49

RGB 232 123 73

HSL 18.87, 0.78%, 0.6%

LAB 63.18, 38.23, 45.53

 

CMYK 69 / 0 / 19 / 9

HEX #49E8BB

RGB 73 232 187

HSL 163.02, 0.78%, 0.6%

LAB 83.29, -51.51, 10.02

 

CMYK 0 / 69 / 9 / 9

HEX #E849D3

RGB 232 73 211

HSL 307.92, 0.78%, 0.6%

LAB 58.62, 74.9, -39.1

 

CMYK 8 / 0 / 69 / 9

HEX #D5E849

RGB 213 232 73

HSL 67.17, 0.78%, 0.6%

LAB 88.13, -25.97, 71.35

 

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

CMYK 0 / 69 / 9 / 9

HEX #E849D3

RGB 232 73 211

HSL 307.92, 0.78%, 0.6%

LAB 58.62, 74.9, -39.1

 

CMYK 0 / 47 / 69 / 9

HEX #E87B49

RGB 232 123 73

HSL 18.87, 0.78%, 0.6%

LAB 63.18, 38.23, 45.53

 

CMYK 69 / 0 / 60 / 9

HEX #49E85C

RGB 73 232 92

HSL 127.17, 0.78%, 0.6%

LAB 81.79, -68.17, 55.06

 

CMYK 69 / 22 / 0 / 9

HEX #49B6E8

RGB 73 182 232

HSL 198.87, 0.78%, 0.6%

LAB 69.96, -15.46, -34.05

 

CMYK 0 / 69 / 9 / 9

HEX #E849D3

RGB 232 73 211

HSL 307.92, 0.78%, 0.6%

LAB 58.62, 74.9, -39.1

 

CMYK 0 / 26 / 69 / 9

HEX #E8AB49

RGB 232 171 73

HSL 36.98, 0.78%, 0.6%

LAB 74.04, 12.95, 57.4

 

CMYK 69 / 0 / 60 / 9

HEX #49E85C

RGB 73 232 92

HSL 127.17, 0.78%, 0.6%

LAB 81.79, -68.17, 55.06

 

CMYK 69 / 42 / 0 / 9

HEX #4986E8

RGB 73 134 232

HSL 216.98, 0.78%, 0.6%

LAB 56.38, 11.92, -55.43

 

Description

Color code: HEX #E849D3 | qconv.com Color code: HEX #E849D3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 73 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 73 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 9 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 9% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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RAL® to HEX

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RAL® to HKS®

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RAL® to PANTONE®

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RAL® to Sherwin Williams®

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HKS® to PANTONE®

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HKS® to Sherwin Williams®

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PANTONE® to HEX

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PANTONE® to RAL®

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PANTONE® to HKS®

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PANTONE® to Sherwin Williams®

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Sherwin Williams® to RGB

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Sherwin Williams® to RGBA

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Sherwin Williams® to CMYK

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Sherwin Williams® to RAL®

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Sherwin Williams® to HKS®

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NCS® to RGBA

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NCS® to CMYK

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NCS® to HEX

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NCS® to RAL®

convert from NCS-number (S0000-X00X) to RAL®-number (RAL 0000)

NCS® to HKS®

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NCS® to PANTONE®

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NCS® to Sherwin Williams®

convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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