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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #49D5E8 it is the complementary color #B62A17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #49D5E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #49D5E8 shade: #4ED5E3, #5FE7F6, #70F9FF, #81FFFF and #92FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #49D5E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #49D5E8 shade: #49D5E8, #38C3D5, #27B1C2, #169FAF and #058D9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #49D5E8 shade: #49D5E8, #49AAE8, #497FE8, #4954E8 and #6849E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #49D5E8 shade: #49D5E8, #49AAE8, #497FE8, #4954E8 and #4949E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #49D5E8 shade matches the following richer shades: #49D5E8 and #38E2F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #49D5E8 shade: #49D5E8, #59C8D8, #6ABCC7, #7AAFB7 and #8BA3A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #49D5E8 shade: #49E8A6, #49E8D0, #49D5E8, #49ABE8 and #4981E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #49D5E8 shade: #18B2C6, #24CDE4, #49D5E8, #6EDDED and #92E6F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #49D5E8 shade: #49D5E8, #7B49E8 and #E8BB49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #49D5E8 shade: #49D5E8, #E849D5 and #D5E849

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #49D5E8 shade: #49D5E8, #7B49E8, #E85C49 and #B6E849

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #49D5E8 shade: #49D5E8, #AB49E8, #E85C49 and #86E849

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

Complementary color

CMYK 0 / 77 / 87 / 29

HEX #B62A17

RGB 182 42 23

HSL 7.17, 0.78%, 0.4%

LAB 40.68, 54.46, 45.01

 

CMYK 66 / 6 / 0 / 11

HEX #4ED5E3

RGB 78 213 227

HSL 185.64, 0.73%, 0.6%

LAB 78.9, -31.87, -17.67

 

CMYK 61 / 6 / 0 / 4

HEX #5FE7F6

RGB 95 231 246

HSL 185.96, 0.89%, 0.67%

LAB 85.12, -32.41, -18.33

 

CMYK 56 / 2 / 0 / 0

HEX #70F9FF

RGB 112 249 255

HSL 182.52, 1%, 0.72%

LAB 90.97, -35.5, -14.2

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

CMYK 74 / 8 / 0 / 16

HEX #38C3D5

RGB 56 195 213

HSL 186.88, 0.65%, 0.53%

LAB 72.68, -30.25, -19.58

 

CMYK 80 / 9 / 0 / 24

HEX #27B1C2

RGB 39 177 194

HSL 186.58, 0.67%, 0.46%

LAB 66.34, -29.13, -18.8

 

CMYK 87 / 9 / 0 / 31

HEX #169FAF

RGB 22 159 175

HSL 186.27, 0.78%, 0.39%

LAB 59.94, -27.66, -17.92

 

CMYK 97 / 10 / 0 / 39

HEX #058D9C

RGB 5 141 156

HSL 185.96, 0.94%, 0.32%

LAB 53.47, -25.77, -16.93

 

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

CMYK 69 / 27 / 0 / 9

HEX #49AAE8

RGB 73 170 232

HSL 203.4, 0.78%, 0.6%

LAB 66.51, -8.96, -39.42

 

CMYK 69 / 45 / 0 / 9

HEX #497FE8

RGB 73 127 232

HSL 219.62, 0.78%, 0.6%

LAB 54.47, 16.19, -58.49

 

CMYK 69 / 64 / 0 / 9

HEX #4954E8

RGB 73 84 232

HSL 235.85, 0.78%, 0.6%

LAB 43.63, 42.75, -76.06

 

CMYK 55 / 69 / 0 / 9

HEX #6849E8

RGB 104 73 232

HSL 251.7, 0.78%, 0.6%

LAB 43.56, 53.31, -76.09

 

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

CMYK 69 / 27 / 0 / 9

HEX #49AAE8

RGB 73 170 232

HSL 203.4, 0.78%, 0.6%

LAB 66.51, -8.96, -39.42

 

CMYK 69 / 45 / 0 / 9

HEX #497FE8

RGB 73 127 232

HSL 219.62, 0.78%, 0.6%

LAB 54.47, 16.19, -58.49

 

CMYK 69 / 64 / 0 / 9

HEX #4954E8

RGB 73 84 232

HSL 235.85, 0.78%, 0.6%

LAB 43.63, 42.75, -76.06

 

CMYK 69 / 69 / 0 / 9

HEX #4949E8

RGB 73 73 232

HSL 240, 0.78%, 0.6%

LAB 41.23, 49.2, -80

 

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

CMYK 78 / 9 / 0 / 2

HEX #38E2F9

RGB 56 226 249

HSL 187.15, 0.94%, 0.6%

LAB 82.95, -34.17, -23.27

 

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

CMYK 59 / 7 / 0 / 15

HEX #59C8D8

RGB 89 200 216

HSL 187.56, 0.62%, 0.6%

LAB 75.07, -26.91, -17.5

 

CMYK 47 / 6 / 0 / 22

HEX #6ABCC7

RGB 106 188 199

HSL 187.1, 0.45%, 0.6%

LAB 71.66, -22.09, -13.34

 

CMYK 33 / 4 / 0 / 28

HEX #7AAFB7

RGB 122 175 183

HSL 187.87, 0.3%, 0.6%

LAB 68.18, -15.36, -9.67

 

CMYK 16 / 2 / 0 / 35

HEX #8BA3A6

RGB 139 163 166

HSL 186.67, 0.13%, 0.6%

LAB 65.31, -7.67, -4.37

 

CMYK 69 / 0 / 28 / 9

HEX #49E8A6

RGB 73 232 166

HSL 155.09, 0.78%, 0.6%

LAB 82.85, -56.17, 20.37

 

CMYK 69 / 0 / 10 / 9

HEX #49E8D0

RGB 73 232 208

HSL 170.94, 0.78%, 0.6%

LAB 83.8, -46.37, -0.3

 

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

CMYK 69 / 26 / 0 / 9

HEX #49ABE8

RGB 73 171 232

HSL 203.02, 0.78%, 0.6%

LAB 66.8, -9.51, -38.97

 

CMYK 69 / 44 / 0 / 9

HEX #4981E8

RGB 73 129 232

HSL 218.87, 0.78%, 0.6%

LAB 55.01, 14.96, -57.62

 

CMYK 88 / 10 / 0 / 22

HEX #18B2C6

RGB 24 178 198

HSL 186.9, 0.78%, 0.44%

LAB 66.61, -29.46, -20.63

 

CMYK 84 / 10 / 0 / 11

HEX #24CDE4

RGB 36 205 228

HSL 187.19, 0.78%, 0.52%

LAB 75.85, -32.26, -22.9

 

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

CMYK 54 / 7 / 0 / 7

HEX #6EDDED

RGB 110 221 237

HSL 187.56, 0.78%, 0.68%

LAB 82.46, -27.39, -17.54

 

CMYK 39 / 5 / 0 / 5

HEX #92E6F1

RGB 146 230 241

HSL 186.95, 0.77%, 0.76%

LAB 86.53, -22.71, -13.39

 

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

CMYK 47 / 69 / 0 / 9

HEX #7B49E8

RGB 123 73 232

HSL 258.87, 0.78%, 0.6%

LAB 45.36, 56.36, -73.06

 

CMYK 0 / 19 / 69 / 9

HEX #E8BB49

RGB 232 187 73

HSL 43.02, 0.78%, 0.6%

LAB 77.98, 4.51, 61.54

 

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

CMYK 0 / 69 / 8 / 9

HEX #E849D5

RGB 232 73 213

HSL 307.17, 0.78%, 0.6%

LAB 58.72, 75.2, -40.09

 

CMYK 8 / 0 / 69 / 9

HEX #D5E849

RGB 213 232 73

HSL 67.17, 0.78%, 0.6%

LAB 88.13, -25.97, 71.35

 

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

CMYK 47 / 69 / 0 / 9

HEX #7B49E8

RGB 123 73 232

HSL 258.87, 0.78%, 0.6%

LAB 45.36, 56.36, -73.06

 

CMYK 0 / 60 / 69 / 9

HEX #E85C49

RGB 232 92 73

HSL 7.17, 0.78%, 0.6%

LAB 57.36, 53.14, 38.83

 

CMYK 22 / 0 / 69 / 9

HEX #B6E849

RGB 182 232 73

HSL 78.87, 0.78%, 0.6%

LAB 86.08, -38.11, 68.61

 

CMYK 69 / 8 / 0 / 9

HEX #49D5E8

RGB 73 213 232

HSL 187.17, 0.78%, 0.6%

LAB 78.94, -31.12, -20.29

 

CMYK 26 / 69 / 0 / 9

HEX #AB49E8

RGB 171 73 232

HSL 276.98, 0.78%, 0.6%

LAB 50.98, 65.34, -63.69

 

CMYK 0 / 60 / 69 / 9

HEX #E85C49

RGB 232 92 73

HSL 7.17, 0.78%, 0.6%

LAB 57.36, 53.14, 38.83

 

CMYK 42 / 0 / 69 / 9

HEX #86E849

RGB 134 232 73

HSL 96.98, 0.78%, 0.6%

LAB 83.58, -54.87, 65.25

 

Description

Color code: HEX #49D5E8 | qconv.com Color code: HEX #49D5E8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 213 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 213 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 8 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 8% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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