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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4ED5E3 it is the complementary color #B12A1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4ED5E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4ED5E3 shade: #53D5DE, #64E7F1, #75F9FF, #86FFFF and #97FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4ED5E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4ED5E3 shade: #4ED5E3, #3DC3D0, #2CB1BD, #1B9FAA and #0A8D97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4ED5E3 shade: #4ED5E3, #4EADE3, #4E85E3, #4E5CE3 and #684EE3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4ED5E3 shade: #4ED5E3, #4EADE3, #4E85E3, #4E5CE3 and #4E4EE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4ED5E3 shade matches the following richer shades: #4ED5E3 and #3EE2F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4ED5E3 shade: #4ED5E3, #5FC8D2, #6FBAC2, #80ADB1 and #909FA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4ED5E3 shade: #4EE3A0, #4EE3C8, #4ED7E3, #4EAFE3 and #4E87E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4ED5E3 shade: #1EB1C1, #2ACDDD, #4ED5E3, #72DDE9 and #95E6EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4ED5E3 shade: #4ED5E3, #784EE3 and #E3B44E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4ED5E3 shade: #4ED5E3, #E34ED7 and #D7E34E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4ED5E3 shade: #4ED5E3, #784EE3, #E35A4E and #B9E34E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4ED5E3 shade: #4ED5E3, #A54EE3, #E35A4E and #8CE34E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 6 / 0 / 11

HEX #4ED5E3

RGB 78 213 227

HSL 185.64, 0.73%, 0.6%

LAB 78.9, -31.87, -17.67

 

Complementary color

CMYK 0 / 76 / 84 / 31

HEX #B12A1C

RGB 177 42 28

HSL 5.64, 0.73%, 0.4%

LAB 39.73, 53.02, 41.37

 

CMYK 63 / 4 / 0 / 13

HEX #53D5DE

RGB 83 213 222

HSL 183.88, 0.68%, 0.6%

LAB 78.87, -32.53, -15.03

 

CMYK 59 / 4 / 0 / 5

HEX #64E7F1

RGB 100 231 241

HSL 184.26, 0.83%, 0.67%

LAB 85.1, -32.95, -15.7

 

CMYK 54 / 2 / 0 / 0

HEX #75F9FF

RGB 117 249 255

HSL 182.61, 1%, 0.73%

LAB 91.12, -34.58, -13.95

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 66 / 6 / 0 / 11

HEX #4ED5E3

RGB 78 213 227

HSL 185.64, 0.73%, 0.6%

LAB 78.9, -31.87, -17.67

 

CMYK 71 / 6 / 0 / 18

HEX #3DC3D0

RGB 61 195 208

HSL 185.31, 0.61%, 0.53%

LAB 72.61, -31.15, -16.95

 

CMYK 77 / 6 / 0 / 26

HEX #2CB1BD

RGB 44 177 189

HSL 184.97, 0.62%, 0.46%

LAB 66.25, -30.2, -16.16

 

CMYK 84 / 6 / 0 / 33

HEX #1B9FAA

RGB 27 159 170

HSL 184.62, 0.73%, 0.39%

LAB 59.83, -28.92, -15.27

 

CMYK 93 / 7 / 0 / 41

HEX #0A8D97

RGB 10 141 151

HSL 184.26, 0.88%, 0.32%

LAB 53.33, -27.22, -14.26

 

CMYK 66 / 6 / 0 / 11

HEX #4ED5E3

RGB 78 213 227

HSL 185.64, 0.73%, 0.6%

LAB 78.9, -31.87, -17.67

 

CMYK 66 / 24 / 0 / 11

HEX #4EADE3

RGB 78 173 227

HSL 201.74, 0.73%, 0.6%

LAB 67.32, -11.47, -35.41

 

CMYK 66 / 41 / 0 / 11

HEX #4E85E3

RGB 78 133 227

HSL 217.85, 0.73%, 0.6%

LAB 56.03, 11.57, -53.19

 

CMYK 66 / 59 / 0 / 11

HEX #4E5CE3

RGB 78 92 227

HSL 234.36, 0.73%, 0.6%

LAB 45.39, 36.88, -70.35

 

CMYK 54 / 66 / 0 / 11

HEX #684EE3

RGB 104 78 227

HSL 250.47, 0.73%, 0.6%

LAB 44.14, 49.14, -72.29

 

CMYK 66 / 6 / 0 / 11

HEX #4ED5E3

RGB 78 213 227

HSL 185.64, 0.73%, 0.6%

LAB 78.9, -31.87, -17.67

 

CMYK 66 / 24 / 0 / 11

HEX #4EADE3

RGB 78 173 227

HSL 201.74, 0.73%, 0.6%

LAB 67.32, -11.47, -35.41

 

CMYK 66 / 41 / 0 / 11

HEX #4E85E3

RGB 78 133 227

HSL 217.85, 0.73%, 0.6%

LAB 56.03, 11.57, -53.19

 

CMYK 66 / 59 / 0 / 11

HEX #4E5CE3

RGB 78 92 227

HSL 234.36, 0.73%, 0.6%

LAB 45.39, 36.88, -70.35

 

CMYK 66 / 66 / 0 / 11

HEX #4E4EE3

RGB 78 78 227

HSL 240, 0.73%, 0.6%

LAB 42.18, 45.3, -75.59

 

CMYK 66 / 6 / 0 / 11

HEX #4ED5E3

RGB 78 213 227

HSL 185.64, 0.73%, 0.6%

LAB 78.9, -31.87, -17.67

 

CMYK 74 / 7 / 0 / 5

HEX #3EE2F3

RGB 62 226 243

HSL 185.64, 0.88%, 0.6%

LAB 82.85, -35.36, -20.24

 

CMYK 66 / 6 / 0 / 11

HEX #4ED5E3

RGB 78 213 227

HSL 185.64, 0.73%, 0.6%

LAB 78.9, -31.87, -17.67

 

CMYK 55 / 5 / 0 / 18

HEX #5FC8D2

RGB 95 200 210

HSL 185.22, 0.56%, 0.6%

LAB 75.07, -27.45, -14.24

 

CMYK 43 / 4 / 0 / 24

HEX #6FBAC2

RGB 111 186 194

HSL 185.78, 0.4%, 0.6%

LAB 71.14, -21.19, -11.36

 

CMYK 28 / 2 / 0 / 31

HEX #80ADB1

RGB 128 173 177

HSL 184.9, 0.24%, 0.6%

LAB 67.76, -14, -6.93

 

CMYK 11 / 1 / 0 / 37

HEX #909FA1

RGB 144 159 161

HSL 187.06, 0.08%, 0.6%

LAB 64.4, -4.87, -2.86

 

CMYK 66 / 0 / 30 / 11

HEX #4EE3A0

RGB 78 227 160

HSL 153.02, 0.73%, 0.6%

LAB 81.34, -54.65, 21.42

 

CMYK 66 / 0 / 12 / 11

HEX #4EE3C8

RGB 78 227 200

HSL 169.13, 0.73%, 0.6%

LAB 82.23, -45.51, 1.66

 

CMYK 66 / 5 / 0 / 11

HEX #4ED7E3

RGB 78 215 227

HSL 184.83, 0.73%, 0.6%

LAB 79.48, -32.82, -16.79

 

CMYK 66 / 23 / 0 / 11

HEX #4EAFE3

RGB 78 175 227

HSL 200.94, 0.73%, 0.6%

LAB 67.89, -12.55, -34.52

 

CMYK 66 / 41 / 0 / 11

HEX #4E87E3

RGB 78 135 227

HSL 217.05, 0.73%, 0.6%

LAB 56.58, 10.36, -52.31

 

CMYK 84 / 8 / 0 / 24

HEX #1EB1C1

RGB 30 177 193

HSL 185.89, 0.73%, 0.44%

LAB 66.19, -30.18, -18.49

 

CMYK 81 / 7 / 0 / 13

HEX #2ACDDD

RGB 42 205 221

HSL 185.36, 0.72%, 0.52%

LAB 75.68, -33.97, -19.37

 

CMYK 66 / 6 / 0 / 11

HEX #4ED5E3

RGB 78 213 227

HSL 185.64, 0.73%, 0.6%

LAB 78.9, -31.87, -17.67

 

CMYK 51 / 5 / 0 / 9

HEX #72DDE9

RGB 114 221 233

HSL 186.05, 0.73%, 0.68%

LAB 82.47, -27.65, -15.38

 

CMYK 37 / 3 / 0 / 7

HEX #95E6EE

RGB 149 230 238

HSL 185.39, 0.72%, 0.76%

LAB 86.58, -22.69, -11.72

 

CMYK 66 / 6 / 0 / 11

HEX #4ED5E3

RGB 78 213 227

HSL 185.64, 0.73%, 0.6%

LAB 78.9, -31.87, -17.67

 

CMYK 47 / 66 / 0 / 11

HEX #784EE3

RGB 120 78 227

HSL 256.91, 0.73%, 0.6%

LAB 45.62, 51.9, -69.83

 

CMYK 0 / 21 / 66 / 11

HEX #E3B44E

RGB 227 180 78

HSL 41.07, 0.73%, 0.6%

LAB 75.78, 6.35, 56.9

 

CMYK 66 / 6 / 0 / 11

HEX #4ED5E3

RGB 78 213 227

HSL 185.64, 0.73%, 0.6%

LAB 78.9, -31.87, -17.67

 

CMYK 0 / 66 / 5 / 11

HEX #E34ED7

RGB 227 78 215

HSL 304.83, 0.73%, 0.6%

LAB 58.68, 72.55, -41.33

 

CMYK 5 / 0 / 66 / 11

HEX #D7E34E

RGB 215 227 78

HSL 64.83, 0.73%, 0.6%

LAB 86.97, -22.49, 68.35

 

CMYK 66 / 6 / 0 / 11

HEX #4ED5E3

RGB 78 213 227

HSL 185.64, 0.73%, 0.6%

LAB 78.9, -31.87, -17.67

 

CMYK 47 / 66 / 0 / 11

HEX #784EE3

RGB 120 78 227

HSL 256.91, 0.73%, 0.6%

LAB 45.62, 51.9, -69.83

 

CMYK 0 / 60 / 66 / 11

HEX #E35A4E

RGB 227 90 78

HSL 4.83, 0.73%, 0.6%

LAB 56.28, 52.57, 34.56

 

CMYK 19 / 0 / 66 / 11

HEX #B9E34E

RGB 185 227 78

HSL 76.91, 0.73%, 0.6%

LAB 84.9, -34.38, 65.56

 

CMYK 66 / 6 / 0 / 11

HEX #4ED5E3

RGB 78 213 227

HSL 185.64, 0.73%, 0.6%

LAB 78.9, -31.87, -17.67

 

CMYK 27 / 66 / 0 / 11

HEX #A54EE3

RGB 165 78 227

HSL 275.03, 0.73%, 0.6%

LAB 50.68, 60.81, -61.39

 

CMYK 0 / 60 / 66 / 11

HEX #E35A4E

RGB 227 90 78

HSL 4.83, 0.73%, 0.6%

LAB 56.28, 52.57, 34.56

 

CMYK 38 / 0 / 66 / 11

HEX #8CE34E

RGB 140 227 78

HSL 95.03, 0.73%, 0.6%

LAB 82.41, -50.57, 62.19

 

Description

Color code: HEX #4ED5E3 | qconv.com Color code: HEX #4ED5E3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 213 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 213 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 6 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 6% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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