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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E817BF it is the complementary color #17E840. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E817BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E817BF: #ED17BA, #FE29CD, #FF3BE0, #FF4DF3 and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E817BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E817BF: #E817BF, #D705AC, #C60099, #B50086 and #A40073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 18 / 9

HEX #E817BF

RGB 232 23 191

HSL 311.77, 0.82%, 0.5%

LAB 53.52, 84.13, -35.63

 

Complementary color

CMYK 90 / 0 / 72 / 9

HEX #17E840

RGB 23 232 64

HSL 131.77, 0.82%, 0.5%

LAB 80.89, -76.67, 64.89

 

CMYK 0 / 90 / 22 / 7

HEX #ED17BA

RGB 237 23 186

HSL 314.3, 0.86%, 0.51%

LAB 54.2, 84.48, -31.61

 

CMYK 0 / 84 / 19 / 0

HEX #FE29CD

RGB 254 41 205

HSL 313.8, 0.99%, 0.58%

LAB 59.03, 87.31, -34.79

 

CMYK 0 / 77 / 12 / 0

HEX #FF3BE0

RGB 255 59 224

HSL 309.49, 1%, 0.62%

LAB 61.46, 85.95, -41.74

 

CMYK 0 / 70 / 5 / 0

HEX #FF4DF3

RGB 255 77 243

HSL 304.04, 1%, 0.65%

LAB 64.19, 83.43, -48.04

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 0 / 90 / 18 / 9

HEX #E817BF

RGB 232 23 191

HSL 311.77, 0.82%, 0.5%

LAB 53.52, 84.13, -35.63

 

CMYK 0 / 98 / 20 / 16

HEX #D705AC

RGB 215 5 172

HSL 312.29, 0.95%, 0.43%

LAB 48.93, 80.31, -31.94

 

CMYK 0 / 100 / 23 / 22

HEX #C60099

RGB 198 0 153

HSL 313.64, 1%, 0.39%

LAB 44.67, 75.26, -27.49

 

CMYK 0 / 100 / 26 / 29

HEX #B50086

RGB 181 0 134

HSL 315.58, 1%, 0.35%

LAB 40.48, 69.73, -22.67

 

CMYK 0 / 100 / 30 / 36

HEX #A40073

RGB 164 0 115

HSL 317.93, 1%, 0.32%

LAB 36.23, 64.12, -17.66

 

CMYK 0 / 90 / 18 / 9

HEX #E817BF

RGB 232 23 191

HSL 311.77, 0.82%, 0.5%

LAB 53.52, 84.13, -35.63

 

CMYK 0 / 91 / 32 / 9

HEX #E8169E

RGB 232 22 158

HSL 321.14, 0.83%, 0.5%

LAB 52.06, 80.51, -18.54

 

CMYK 0 / 91 / 47 / 9

HEX #E8167C

RGB 232 22 124

HSL 330.86, 0.83%, 0.5%

LAB 50.9, 77.38, 0.14

 

CMYK 0 / 91 / 62 / 9

HEX #E81659

RGB 232 22 89

HSL 340.86, 0.83%, 0.5%

LAB 50.04, 74.99, 20.29

 

CMYK 0 / 91 / 77 / 9

HEX #E81636

RGB 232 22 54

HSL 350.86, 0.83%, 0.5%

LAB 49.49, 73.45, 40.54

 

CMYK 0 / 90 / 18 / 9

HEX #E817BF

RGB 232 23 191

HSL 311.77, 0.82%, 0.5%

LAB 53.52, 84.13, -35.63

 

CMYK 0 / 89 / 18 / 89

HEX #1C0317

RGB 28 3 23

HSL 312, 0.81%, 0.06%

LAB 3.38, 12.73, -6.3

 

CMYK 0 / 90 / 18 / 69

HEX #4F0841

RGB 79 8 65

HSL 311.83, 0.82%, 0.17%

LAB 16.59, 37.21, -16.39

 

CMYK 0 / 90 / 18 / 49

HEX #820D6B

RGB 130 13 107

HSL 311.79, 0.82%, 0.28%

LAB 29.65, 54.09, -23.31

 

CMYK 0 / 90 / 18 / 29

HEX #B51295

RGB 181 18 149

HSL 311.78, 0.82%, 0.39%

LAB 41.89, 69.55, -29.66

 

CMYK 0 / 90 / 18 / 9

HEX #E817BF

RGB 232 23 191

HSL 311.77, 0.82%, 0.5%

LAB 53.52, 84.13, -35.63

 

CMYK 0 / 56 / 91 / 9

HEX #E86716

RGB 232 103 22

HSL 23.14, 0.83%, 0.5%

LAB 58.89, 46.4, 63

 

CMYK 91 / 0 / 20 / 9

HEX #16E8BA

RGB 22 232 186

HSL 166.86, 0.83%, 0.5%

LAB 82.61, -56.53, 9.48

 

CMYK 0 / 90 / 18 / 9

HEX #E817BF

RGB 232 23 191

HSL 311.77, 0.82%, 0.5%

LAB 53.52, 84.13, -35.63

 

CMYK 17 / 0 / 91 / 9

HEX #C1E816

RGB 193 232 22

HSL 71.14, 0.83%, 0.5%

LAB 86.56, -35.78, 82.53

 

CMYK 91 / 17 / 0 / 9

HEX #16C1E8

RGB 22 193 232

HSL 191.14, 0.83%, 0.5%

LAB 72.32, -25.87, -30.48

 

CMYK 0 / 90 / 18 / 9

HEX #E817BF

RGB 232 23 191

HSL 311.77, 0.82%, 0.5%

LAB 53.52, 84.13, -35.63

 

CMYK 0 / 56 / 91 / 9

HEX #E86716

RGB 232 103 22

HSL 23.14, 0.83%, 0.5%

LAB 58.89, 46.4, 63

 

CMYK 91 / 0 / 74 / 9

HEX #16E83D

RGB 22 232 61

HSL 131.14, 0.83%, 0.5%

LAB 80.86, -76.96, 65.89

 

CMYK 91 / 35 / 0 / 9

HEX #1697E8

RGB 22 151 232

HSL 203.14, 0.83%, 0.5%

LAB 60.01, -3.19, -49.73

 

CMYK 0 / 90 / 18 / 9

HEX #E817BF

RGB 232 23 191

HSL 311.77, 0.82%, 0.5%

LAB 53.52, 84.13, -35.63

 

CMYK 0 / 29 / 91 / 9

HEX #E8A516

RGB 232 165 22

HSL 40.86, 0.83%, 0.5%

LAB 72.31, 14.39, 72.89

 

CMYK 91 / 0 / 74 / 9

HEX #16E83D

RGB 22 232 61

HSL 131.14, 0.83%, 0.5%

LAB 80.86, -76.96, 65.89

 

CMYK 91 / 62 / 0 / 9

HEX #1659E8

RGB 22 89 232

HSL 220.86, 0.83%, 0.5%

LAB 42.98, 35.4, -77.2

 

Description

Color code: HEX #E817BF | qconv.com Color code: HEX #E817BF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 23 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 23 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 18 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 18% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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