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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E7C967 it is the complementary color #183698. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E7C967. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E7C967: #ECC962, #FDDB75, #FFED88, #FFFF9B and #FFFFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E7C967. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E7C967: #E7C967, #D6B754, #C5A541, #B4932E and #A3811B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 55 / 9

HEX #E7C967

RGB 231 201 103

HSL 45.94, 0.73%, 0.65%

LAB 81.7, -1.22, 52.17

 

Complementary color

CMYK 84 / 64 / 0 / 40

HEX #183698

RGB 24 54 152

HSL 225.94, 0.73%, 0.35%

LAB 27.02, 27.73, -56.41

 

CMYK 0 / 15 / 58 / 7

HEX #ECC962

RGB 236 201 98

HSL 44.78, 0.78%, 0.65%

LAB 82.1, 0.47, 55.09

 

CMYK 0 / 13 / 54 / 1

HEX #FDDB75

RGB 253 219 117

HSL 45, 0.97%, 0.73%

LAB 88.37, -0.37, 53.91

 

CMYK 0 / 7 / 47 / 0

HEX #FFED88

RGB 255 237 136

HSL 50.92, 1%, 0.77%

LAB 93.28, -7.01, 50.85

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9B

RGB 255 255 155

HSL 60, 1%, 0.8%

LAB 98.09, -14.02, 47.73

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAE

RGB 255 255 174

HSL 60, 1%, 0.84%

LAB 98.37, -11.92, 38.8

 

CMYK 0 / 13 / 55 / 9

HEX #E7C967

RGB 231 201 103

HSL 45.94, 0.73%, 0.65%

LAB 81.7, -1.22, 52.17

 

CMYK 0 / 14 / 61 / 16

HEX #D6B754

RGB 214 183 84

HSL 45.69, 0.61%, 0.58%

LAB 75.33, -0.34, 53.33

 

CMYK 0 / 16 / 67 / 23

HEX #C5A541

RGB 197 165 65

HSL 45.45, 0.53%, 0.51%

LAB 68.87, 0.7, 54.36

 

CMYK 0 / 18 / 74 / 29

HEX #B4932E

RGB 180 147 46

HSL 45.22, 0.59%, 0.44%

LAB 62.31, 1.93, 55.07

 

CMYK 0 / 21 / 83 / 36

HEX #A3811B

RGB 163 129 27

HSL 45, 0.72%, 0.37%

LAB 55.65, 3.42, 55.08

 

CMYK 0 / 13 / 55 / 9

HEX #E7C967

RGB 231 201 103

HSL 45.94, 0.73%, 0.65%

LAB 81.7, -1.22, 52.17

 

CMYK 0 / 4 / 57 / 10

HEX #E6DC64

RGB 230 220 100

HSL 55.38, 0.72%, 0.65%

LAB 86.47, -11.51, 59.01

 

CMYK 4 / 0 / 57 / 10

HEX #DCE664

RGB 220 230 100

HSL 64.62, 0.72%, 0.65%

LAB 88.32, -20.46, 60.88

 

CMYK 14 / 0 / 57 / 10

HEX #C6E664

RGB 198 230 100

HSL 74.77, 0.72%, 0.65%

LAB 86.76, -29.11, 58.7

 

CMYK 23 / 0 / 57 / 10

HEX #B0E664

RGB 176 230 100

HSL 84.92, 0.72%, 0.65%

LAB 85.37, -37.4, 56.75

 

CMYK 0 / 13 / 55 / 9

HEX #E7C967

RGB 231 201 103

HSL 45.94, 0.73%, 0.65%

LAB 81.7, -1.22, 52.17

 

CMYK 0 / 15 / 56 / 89

HEX #1B170C

RGB 27 23 12

HSL 44, 0.38%, 0.08%

LAB 7.88, -0.18, 6.82

 

CMYK 0 / 13 / 55 / 69

HEX #4E4423

RGB 78 68 35

HSL 46.05, 0.38%, 0.22%

LAB 29.1, -0.84, 21.41

 

CMYK 0 / 13 / 55 / 49

HEX #81703A

RGB 129 112 58

HSL 45.63, 0.38%, 0.37%

LAB 47.7, -0.76, 32.16

 

CMYK 0 / 13 / 56 / 29

HEX #B49D50

RGB 180 157 80

HSL 46.2, 0.4%, 0.51%

LAB 65.28, -1.31, 42.86

 

CMYK 0 / 13 / 55 / 9

HEX #E7C967

RGB 231 201 103

HSL 45.94, 0.73%, 0.65%

LAB 81.7, -1.22, 52.17

 

CMYK 53 / 0 / 57 / 10

HEX #6BE664

RGB 107 230 100

HSL 116.77, 0.72%, 0.65%

LAB 82.18, -59.25, 52.23

 

CMYK 37 / 57 / 0 / 10

HEX #9264E6

RGB 146 100 230

HSL 261.23, 0.72%, 0.65%

LAB 52.88, 46.13, -59.64

 

CMYK 0 / 13 / 55 / 9

HEX #E7C967

RGB 231 201 103

HSL 45.94, 0.73%, 0.65%

LAB 81.7, -1.22, 52.17

 

CMYK 57 / 0 / 14 / 10

HEX #64E6C6

RGB 100 230 198

HSL 165.23, 0.72%, 0.65%

LAB 83.64, -43.45, 4.83

 

CMYK 14 / 57 / 0 / 10

HEX #C664E6

RGB 198 100 230

HSL 285.23, 0.72%, 0.65%

LAB 58.82, 58.73, -49.82

 

CMYK 0 / 13 / 55 / 9

HEX #E7C967

RGB 231 201 103

HSL 45.94, 0.73%, 0.65%

LAB 81.7, -1.22, 52.17

 

CMYK 53 / 0 / 57 / 10

HEX #6BE664

RGB 107 230 100

HSL 116.77, 0.72%, 0.65%

LAB 82.18, -59.25, 52.23

 

CMYK 57 / 42 / 0 / 10

HEX #6485E6

RGB 100 133 230

HSL 224.77, 0.72%, 0.65%

LAB 57.27, 16.59, -52.83

 

CMYK 3 / 57 / 0 / 10

HEX #E064E6

RGB 224 100 230

HSL 297.23, 0.72%, 0.65%

LAB 62.23, 65.29, -44.2

 

CMYK 0 / 13 / 55 / 9

HEX #E7C967

RGB 231 201 103

HSL 45.94, 0.73%, 0.65%

LAB 81.7, -1.22, 52.17

 

CMYK 57 / 0 / 42 / 10

HEX #64E685

RGB 100 230 133

HSL 135.23, 0.72%, 0.65%

LAB 82.38, -56.39, 36.68

 

CMYK 57 / 42 / 0 / 10

HEX #6485E6

RGB 100 133 230

HSL 224.77, 0.72%, 0.65%

LAB 57.27, 16.59, -52.83

 

CMYK 0 / 57 / 14 / 10

HEX #E664C6

RGB 230 100 198

HSL 314.77, 0.72%, 0.65%

LAB 61.67, 61.69, -27.02

 

Description

Color code: HEX #E7C967 | qconv.com Color code: HEX #E7C967 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 231 red, 201 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
231 201 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 55 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 55% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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