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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 3 / 57 / 0 / 10 it is the complementary color CMYK 79 / 0 / 84 / 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 3 / 57 / 0 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 3 / 57 / 0 / 10: CMYK 0 / 57 / 1 / 11, CMYK 0 / 52 / 0 / 4, CMYK 0 / 47 / 0 / 0, CMYK 0 / 40 / 0 / 0 and CMYK 0 / 33 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 3 / 57 / 0 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 3 / 57 / 0 / 10: CMYK 3 / 57 / 0 / 10, CMYK 2 / 62 / 0 / 17, CMYK 2 / 67 / 0 / 25, CMYK 1 / 74 / 0 / 32 and CMYK 0 / 83 / 1 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 57 / 0 / 10

HEX #DF63E6

RGB 223 99 230

HSL 296.79, 0.72%, 0.65%

LAB 61.93, 65.48, -44.68

 

Complementary color

CMYK 79 / 0 / 84 / 39

HEX #209C19

RGB 32 156 25

HSL 116.79, 0.72%, 0.35%

LAB 56.24, -56.04, 53.34

 

CMYK 0 / 57 / 1 / 11

HEX #E463E1

RGB 228 99 225

HSL 301.4, 0.7%, 0.64%

LAB 62.38, 65.89, -41.13

 

CMYK 0 / 52 / 0 / 4

HEX #F575F4

RGB 245 117 244

HSL 300.47, 0.86%, 0.71%

LAB 68.51, 65.48, -41.9

 

CMYK 0 / 47 / 0 / 0

HEX #FF87FF

RGB 255 135 255

HSL 300, 1%, 0.76%

LAB 73.42, 61.66, -40.15

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 3 / 57 / 0 / 10

HEX #DF63E6

RGB 223 99 230

HSL 296.79, 0.72%, 0.65%

LAB 61.93, 65.48, -44.68

 

CMYK 2 / 62 / 0 / 17

HEX #CE51D3

RGB 206 81 211

HSL 297.69, 0.6%, 0.57%

LAB 55.8, 65.71, -43.82

 

CMYK 2 / 67 / 0 / 25

HEX #BD3FC0

RGB 189 63 192

HSL 298.6, 0.51%, 0.5%

LAB 49.71, 65.59, -42.71

 

CMYK 1 / 74 / 0 / 32

HEX #AC2DAD

RGB 172 45 173

HSL 299.53, 0.59%, 0.43%

LAB 43.75, 64.92, -41.21

 

CMYK 0 / 83 / 1 / 39

HEX #9B1B9A

RGB 155 27 154

HSL 300.47, 0.7%, 0.36%

LAB 38, 63.37, -39.15

 

CMYK 3 / 57 / 0 / 10

HEX #DF63E6

RGB 223 99 230

HSL 296.79, 0.72%, 0.65%

LAB 61.93, 65.48, -44.68

 

CMYK 0 / 56 / 6 / 10

HEX #E665D9

RGB 230 101 217

HSL 306.05, 0.72%, 0.65%

LAB 62.63, 64.21, -36.25

 

CMYK 0 / 56 / 15 / 10

HEX #E665C3

RGB 230 101 195

HSL 316.28, 0.72%, 0.65%

LAB 61.71, 60.79, -25.24

 

CMYK 0 / 56 / 24 / 10

HEX #E665AE

RGB 230 101 174

HSL 326.05, 0.72%, 0.65%

LAB 60.95, 57.82, -14.42

 

CMYK 0 / 56 / 34 / 10

HEX #E66598

RGB 230 101 152

HSL 336.28, 0.72%, 0.65%

LAB 60.25, 55.05, -2.78

 

CMYK 3 / 57 / 0 / 10

HEX #DF63E6

RGB 223 99 230

HSL 296.79, 0.72%, 0.65%

LAB 61.93, 65.48, -44.68

 

CMYK 4 / 58 / 0 / 90

HEX #190B1A

RGB 25 11 26

HSL 296, 0.41%, 0.07%

LAB 4.7, 8.69, -6.75

 

CMYK 3 / 57 / 0 / 70

HEX #4B214D

RGB 75 33 77

HSL 297.27, 0.4%, 0.22%

LAB 20.52, 27.23, -18.55

 

CMYK 3 / 57 / 0 / 50

HEX #7C3780

RGB 124 55 128

HSL 296.71, 0.4%, 0.36%

LAB 35.15, 40.86, -28.02

 

CMYK 3 / 57 / 0 / 30

HEX #AE4DB3

RGB 174 77 179

HSL 297.06, 0.4%, 0.5%

LAB 48.96, 53.67, -36.48

 

CMYK 3 / 57 / 0 / 10

HEX #DF63E6

RGB 223 99 230

HSL 296.79, 0.72%, 0.65%

LAB 61.93, 65.48, -44.68

 

CMYK 0 / 49 / 56 / 10

HEX #E67665

RGB 230 118 101

HSL 7.91, 0.72%, 0.65%

LAB 62.27, 41.83, 29.29

 

CMYK 56 / 0 / 26 / 10

HEX #65E6AA

RGB 101 230 170

HSL 152.09, 0.72%, 0.65%

LAB 83.05, -49.41, 18.68

 

CMYK 3 / 57 / 0 / 10

HEX #DF63E6

RGB 223 99 230

HSL 296.79, 0.72%, 0.65%

LAB 61.93, 65.48, -44.68

 

CMYK 0 / 4 / 56 / 10

HEX #E6DD65

RGB 230 221 101

HSL 55.81, 0.72%, 0.65%

LAB 86.74, -11.93, 58.87

 

CMYK 56 / 0 / 4 / 10

HEX #65E6DD

RGB 101 230 221

HSL 175.81, 0.72%, 0.65%

LAB 84.27, -37.6, -6.39

 

CMYK 3 / 57 / 0 / 10

HEX #DF63E6

RGB 223 99 230

HSL 296.79, 0.72%, 0.65%

LAB 61.93, 65.48, -44.68

 

CMYK 0 / 49 / 56 / 10

HEX #E67665

RGB 230 118 101

HSL 7.91, 0.72%, 0.65%

LAB 62.27, 41.83, 29.29

 

CMYK 52 / 0 / 56 / 10

HEX #6EE665

RGB 110 230 101

HSL 115.81, 0.72%, 0.65%

LAB 82.3, -58.36, 51.94

 

CMYK 56 / 8 / 0 / 10

HEX #65D4E6

RGB 101 212 230

HSL 188.37, 0.72%, 0.65%

LAB 79.37, -26.65, -18.5

 

CMYK 3 / 57 / 0 / 10

HEX #DF63E6

RGB 223 99 230

HSL 296.79, 0.72%, 0.65%

LAB 61.93, 65.48, -44.68

 

CMYK 0 / 32 / 56 / 10

HEX #E69D65

RGB 230 157 101

HSL 26.05, 0.72%, 0.65%

LAB 70.79, 21.42, 40.04

 

CMYK 52 / 0 / 56 / 10

HEX #6EE665

RGB 110 230 101

HSL 115.81, 0.72%, 0.65%

LAB 82.3, -58.36, 51.94

 

CMYK 56 / 24 / 0 / 10

HEX #65AEE6

RGB 101 174 230

HSL 206.05, 0.72%, 0.65%

LAB 68.57, -6.88, -35.04

 

Description

Color code: CMYK 3 / 57 / 0 / 10 | qconv.com Color code: CMYK 3 / 57 / 0 / 10 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 99 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 99 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 57 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 57% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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