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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E2F4AC it is the complementary color #1D0B53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E2F4AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E2F4AC: #E7F4A7, #F8FFBA, #FFFFCD, #FFFFE0 and #FFFFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E2F4AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E2F4AC: #E2F4AC, #D1E299, #C0D086, #AFBE73 and #9EAC60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 30 / 4

HEX #E2F4AC

RGB 226 244 172

HSL 75, 0.77%, 0.82%

LAB 93.38, -17.47, 32.8

 

Complementary color

CMYK 65 / 87 / 0 / 67

HEX #1D0B53

RGB 29 11 83

HSL 255, 0.77%, 0.18%

LAB 9.99, 30.19, -39.94

 

CMYK 5 / 0 / 32 / 4

HEX #E7F4A7

RGB 231 244 167

HSL 70.13, 0.78%, 0.81%

LAB 93.66, -16.28, 35.74

 

CMYK 3 / 0 / 27 / 0

HEX #F8FFBA

RGB 248 255 186

HSL 66.09, 1%, 0.86%

LAB 98.04, -13.01, 32.29

 

CMYK 0 / 0 / 20 / 0

HEX #FFFFCD

RGB 255 255 205

HSL 60, 1%, 0.9%

LAB 98.9, -7.91, 23.96

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE0

RGB 255 255 224

HSL 60, 1%, 0.94%

LAB 99.28, -5.1, 14.83

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF3

RGB 255 255 243

HSL 60, 1%, 0.98%

LAB 99.71, -2.05, 5.72

 

CMYK 7 / 0 / 30 / 4

HEX #E2F4AC

RGB 226 244 172

HSL 75, 0.77%, 0.82%

LAB 93.38, -17.47, 32.8

 

CMYK 8 / 0 / 32 / 11

HEX #D1E299

RGB 209 226 153

HSL 73.97, 0.56%, 0.74%

LAB 87.12, -17.37, 33.87

 

CMYK 8 / 0 / 36 / 18

HEX #C0D086

RGB 192 208 134

HSL 72.97, 0.44%, 0.67%

LAB 80.76, -17.26, 34.98

 

CMYK 8 / 0 / 39 / 25

HEX #AFBE73

RGB 175 190 115

HSL 72, 0.37%, 0.6%

LAB 74.3, -17.1, 36.14

 

CMYK 8 / 0 / 44 / 33

HEX #9EAC60

RGB 158 172 96

HSL 71.05, 0.31%, 0.53%

LAB 67.74, -16.9, 37.33

 

CMYK 7 / 0 / 30 / 4

HEX #E2F4AC

RGB 226 244 172

HSL 75, 0.77%, 0.82%

LAB 93.38, -17.47, 32.8

 

CMYK 12 / 0 / 29 / 4

HEX #D6F4AD

RGB 214 244 173

HSL 85.35, 0.76%, 0.82%

LAB 92.58, -21.65, 31.08

 

CMYK 17 / 0 / 29 / 4

HEX #CBF4AD

RGB 203 244 173

HSL 94.65, 0.76%, 0.82%

LAB 91.87, -25.53, 30

 

CMYK 22 / 0 / 29 / 4

HEX #BFF4AD

RGB 191 244 173

HSL 104.79, 0.76%, 0.82%

LAB 91.14, -29.64, 28.89

 

CMYK 27 / 0 / 29 / 4

HEX #B3F4AD

RGB 179 244 173

HSL 114.93, 0.76%, 0.82%

LAB 90.46, -33.61, 27.85

 

CMYK 7 / 0 / 30 / 4

HEX #E2F4AC

RGB 226 244 172

HSL 75, 0.77%, 0.82%

LAB 93.38, -17.47, 32.8

 

CMYK 7 / 0 / 30 / 84

HEX #25281C

RGB 37 40 28

HSL 75, 0.18%, 0.13%

LAB 15.46, -4.04, 7.47

 

CMYK 8 / 0 / 30 / 64

HEX #545B40

RGB 84 91 64

HSL 75.56, 0.17%, 0.3%

LAB 37.37, -8, 14.69

 

CMYK 7 / 0 / 30 / 44

HEX #848E64

RGB 132 142 100

HSL 74.29, 0.17%, 0.47%

LAB 57.24, -11.1, 21.22

 

CMYK 7 / 0 / 30 / 24

HEX #B3C188

RGB 179 193 136

HSL 74.74, 0.31%, 0.65%

LAB 75.76, -14.37, 27.17

 

CMYK 7 / 0 / 30 / 4

HEX #E2F4AC

RGB 226 244 172

HSL 75, 0.77%, 0.82%

LAB 93.38, -17.47, 32.8

 

CMYK 29 / 0 / 16 / 4

HEX #ADF4CD

RGB 173 244 205

HSL 147.04, 0.76%, 0.82%

LAB 90.78, -29.89, 11.8

 

CMYK 5 / 29 / 0 / 4

HEX #E9ADF4

RGB 233 173 244

HSL 290.7, 0.76%, 0.82%

LAB 78.31, 33.72, -26.84

 

CMYK 7 / 0 / 30 / 4

HEX #E2F4AC

RGB 226 244 172

HSL 75, 0.77%, 0.82%

LAB 93.38, -17.47, 32.8

 

CMYK 29 / 7 / 0 / 4

HEX #ADE2F4

RGB 173 226 244

HSL 195.21, 0.76%, 0.82%

LAB 86.9, -12.83, -14.27

 

CMYK 0 / 29 / 7 / 4

HEX #F4ADE2

RGB 244 173 226

HSL 315.21, 0.76%, 0.82%

LAB 78.82, 34.02, -16.25

 

CMYK 7 / 0 / 30 / 4

HEX #E2F4AC

RGB 226 244 172

HSL 75, 0.77%, 0.82%

LAB 93.38, -17.47, 32.8

 

CMYK 29 / 0 / 16 / 4

HEX #ADF4CD

RGB 173 244 205

HSL 147.04, 0.76%, 0.82%

LAB 90.78, -29.89, 11.8

 

CMYK 22 / 29 / 0 / 4

HEX #BFADF4

RGB 191 173 244

HSL 255.21, 0.76%, 0.82%

LAB 74.51, 20.81, -33.02

 

CMYK 0 / 29 / 13 / 4

HEX #F4ADD4

RGB 244 173 212

HSL 327.04, 0.76%, 0.82%

LAB 78.39, 31.71, -9.3

 

CMYK 7 / 0 / 30 / 4

HEX #E2F4AC

RGB 226 244 172

HSL 75, 0.77%, 0.82%

LAB 93.38, -17.47, 32.8

 

CMYK 29 / 0 / 7 / 4

HEX #ADF4E2

RGB 173 244 226

HSL 164.79, 0.76%, 0.82%

LAB 91.27, -25.7, 1.61

 

CMYK 22 / 29 / 0 / 4

HEX #BFADF4

RGB 191 173 244

HSL 255.21, 0.76%, 0.82%

LAB 74.51, 20.81, -33.02

 

CMYK 0 / 29 / 22 / 4

HEX #F4ADBF

RGB 244 173 191

HSL 344.79, 0.76%, 0.82%

LAB 77.81, 28.5, 1.26

 

Description

Color code: HEX #E2F4AC | qconv.com Color code: HEX #E2F4AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 226 red, 244 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
226 244 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 30 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 30% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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