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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 173 244 226 it is the complementary color RGB 82 11 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 173 244 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 173 244 226: RGB 178 244 221, RGB 195 255 240, RGB 212 255 255, RGB 229 255 255 and RGB 246 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 173 244 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 173 244 226: RGB 173 244 226, RGB 156 226 207, RGB 139 208 188, RGB 122 190 169 and RGB 105 172 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 7 / 4

HEX #ADF4E2

RGB 173 244 226

HSL 164.79, 0.76%, 0.82%

LAB 91.27, -25.7, 1.61

 

Complementary color

CMYK 0 / 87 / 65 / 68

HEX #520B1D

RGB 82 11 29

HSL 344.79, 0.76%, 0.18%

LAB 16.11, 32.86, 8.85

 

CMYK 27 / 0 / 9 / 4

HEX #B2F4DD

RGB 178 244 221

HSL 159.09, 0.75%, 0.83%

LAB 91.41, -25.27, 4.44

 

CMYK 24 / 0 / 6 / 0

HEX #C3FFF0

RGB 195 255 240

HSL 165, 1%, 0.88%

LAB 95.75, -21.73, 1.03

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 29 / 0 / 7 / 4

HEX #ADF4E2

RGB 173 244 226

HSL 164.79, 0.76%, 0.82%

LAB 91.27, -25.7, 1.61

 

CMYK 31 / 0 / 8 / 11

HEX #9CE2CF

RGB 156 226 207

HSL 163.71, 0.55%, 0.75%

LAB 84.98, -25.87, 2.3

 

CMYK 33 / 0 / 10 / 18

HEX #8BD0BC

RGB 139 208 188

HSL 162.61, 0.42%, 0.68%

LAB 78.6, -26.06, 3.03

 

CMYK 36 / 0 / 11 / 25

HEX #7ABEA9

RGB 122 190 169

HSL 161.47, 0.34%, 0.61%

LAB 72.11, -26.26, 3.81

 

CMYK 39 / 0 / 13 / 33

HEX #69AC96

RGB 105 172 150

HSL 160.3, 0.29%, 0.54%

LAB 65.52, -26.47, 4.63

 

CMYK 29 / 0 / 7 / 4

HEX #ADF4E2

RGB 173 244 226

HSL 164.79, 0.76%, 0.82%

LAB 91.27, -25.7, 1.61

 

CMYK 28 / 0 / 2 / 5

HEX #AEF3ED

RGB 174 243 237

HSL 174.78, 0.74%, 0.82%

LAB 91.33, -22.59, -4.02

 

CMYK 28 / 2 / 0 / 5

HEX #AEEFF3

RGB 174 239 243

HSL 183.48, 0.74%, 0.82%

LAB 90.41, -19.3, -8.5

 

CMYK 28 / 7 / 0 / 5

HEX #AEE3F3

RGB 174 227 243

HSL 193.91, 0.74%, 0.82%

LAB 87.2, -13.28, -13.3

 

CMYK 28 / 11 / 0 / 5

HEX #AED8F3

RGB 174 216 243

HSL 203.48, 0.74%, 0.82%

LAB 84.27, -7.63, -17.69

 

CMYK 29 / 0 / 7 / 4

HEX #ADF4E2

RGB 173 244 226

HSL 164.79, 0.76%, 0.82%

LAB 91.27, -25.7, 1.61

 

CMYK 30 / 0 / 7 / 84

HEX #1C2825

RGB 28 40 37

HSL 165, 0.18%, 0.13%

LAB 14.94, -5.99, 0.28

 

CMYK 29 / 0 / 8 / 64

HEX #415B54

RGB 65 91 84

HSL 163.85, 0.17%, 0.31%

LAB 36.45, -11.43, 0.88

 

CMYK 29 / 0 / 7 / 44

HEX #658E84

RGB 101 142 132

HSL 165.37, 0.17%, 0.48%

LAB 55.87, -16.37, 0.78

 

CMYK 29 / 0 / 7 / 24

HEX #89C1B3

RGB 137 193 179

HSL 165, 0.31%, 0.65%

LAB 74.01, -21.16, 1.21

 

CMYK 29 / 0 / 7 / 4

HEX #ADF4E2

RGB 173 244 226

HSL 164.79, 0.76%, 0.82%

LAB 91.27, -25.7, 1.61

 

CMYK 28 / 27 / 0 / 5

HEX #AEB2F3

RGB 174 178 243

HSL 236.52, 0.74%, 0.82%

LAB 74.39, 12.82, -32.76

 

CMYK 0 / 19 / 28 / 5

HEX #F3C5AE

RGB 243 197 174

HSL 20, 0.74%, 0.82%

LAB 82.94, 13.09, 17.72

 

CMYK 29 / 0 / 7 / 4

HEX #ADF4E2

RGB 173 244 226

HSL 164.79, 0.76%, 0.82%

LAB 91.27, -25.7, 1.61

 

CMYK 7 / 28 / 0 / 5

HEX #E1AEF3

RGB 225 174 243

HSL 284.35, 0.74%, 0.82%

LAB 77.73, 30.48, -27.26

 

CMYK 0 / 7 / 28 / 5

HEX #F3E1AE

RGB 243 225 174

HSL 44.35, 0.74%, 0.82%

LAB 89.84, -1.42, 27.23

 

CMYK 29 / 0 / 7 / 4

HEX #ADF4E2

RGB 173 244 226

HSL 164.79, 0.76%, 0.82%

LAB 91.27, -25.7, 1.61

 

CMYK 28 / 27 / 0 / 5

HEX #AEB2F3

RGB 174 178 243

HSL 236.52, 0.74%, 0.82%

LAB 74.39, 12.82, -32.76

 

CMYK 0 / 28 / 21 / 5

HEX #F3AEC0

RGB 243 174 192

HSL 344.35, 0.74%, 0.82%

LAB 77.95, 27.76, 0.92

 

CMYK 0 / 2 / 28 / 5

HEX #F3EFAE

RGB 243 239 174

HSL 56.52, 0.74%, 0.82%

LAB 93.38, -8.48, 32.01

 

CMYK 29 / 0 / 7 / 4

HEX #ADF4E2

RGB 173 244 226

HSL 164.79, 0.76%, 0.82%

LAB 91.27, -25.7, 1.61

 

CMYK 22 / 28 / 0 / 5

HEX #BEAEF3

RGB 190 174 243

HSL 253.91, 0.74%, 0.82%

LAB 74.63, 19.73, -32.29

 

CMYK 0 / 28 / 21 / 5

HEX #F3AEC0

RGB 243 174 192

HSL 344.35, 0.74%, 0.82%

LAB 77.95, 27.76, 0.92

 

CMYK 7 / 0 / 28 / 5

HEX #E3F3AE

RGB 227 243 174

HSL 73.91, 0.74%, 0.82%

LAB 93.23, -16.35, 31.6

 

Description

Color code: RGB 173 244 226 | qconv.com Color code: RGB 173 244 226 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 244 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 244 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 7 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 7% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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