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Color name
HEX #DF9A29

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF9A29 it is the complementary color #2065D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF9A29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF9A29 shade: #E49A24, #F5AC37, #FFBE4A, #FFD05D and #FFE270

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF9A29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF9A29 shade: #DF9A29, #CE8816, #BD7603, #AC6400 and #9B5200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF9A29 shade: #DF9A2A, #DF692A, #DF382A and #DF2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF9A29 shade: #DF9A2A, #DFCB2A, #C2DF2A, #91DF2A and #60DF2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF9A29 shade matches the following richer shades: #DF9A2A and #F29F16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF9A29 shade: #DF9A2A, #CB953D, #B79051, #A38C65 and #8F8779

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF9A29 shade: #DF392A, #DF692A, #DF992A, #DFCA2A and #C4DF2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF9A29 shade: #9E6B17, #C2831D, #DF9A2A, #E4AB4D and #E9BC71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF9A29 shade: #DF9A29, #4BDF2A and #512ADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF9A29 shade: #DF9A29, #2ADF99 and #992ADF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF9A29 shade: #DF9A29, #4BDF2A, #2A6FDF and #BD2ADF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF9A29 shade: #DF9A29, #2ADF3F, #2A6FDF and #DF2ACA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 82 / 13

HEX #DF9A29

RGB 223 154 41

HSL 37.25, 0.74%, 0.52%

LAB 68.72, 16.82, 64.51

 

Complementary color

CMYK 85 / 53 / 0 / 16

HEX #2065D6

RGB 32 101 214

HSL 217.25, 0.74%, 0.48%

LAB 44.9, 21.34, -63.83

 

CMYK 0 / 32 / 84 / 11

HEX #E49A24

RGB 228 154 36

HSL 36.88, 0.78%, 0.52%

LAB 69.28, 18.82, 66.81

 

CMYK 0 / 30 / 78 / 4

HEX #F5AC37

RGB 245 172 55

HSL 36.95, 0.9%, 0.59%

LAB 75.57, 17.09, 66.72

 

CMYK 0 / 25 / 71 / 0

HEX #FFBE4A

RGB 255 190 74

HSL 38.45, 1%, 0.65%

LAB 81.06, 12.66, 65.03

 

CMYK 0 / 18 / 64 / 0

HEX #FFD05D

RGB 255 208 93

HSL 42.59, 1%, 0.68%

LAB 85.59, 4.38, 61.74

 

CMYK 0 / 11 / 56 / 0

HEX #FFE270

RGB 255 226 112

HSL 47.83, 1%, 0.72%

LAB 90.24, -3.49, 58.47

 

CMYK 0 / 31 / 82 / 13

HEX #DF9A29

RGB 223 154 41

HSL 37.25, 0.74%, 0.52%

LAB 68.72, 16.82, 64.51

 

CMYK 0 / 34 / 89 / 19

HEX #CE8816

RGB 206 136 22

HSL 37.17, 0.81%, 0.45%

LAB 62.33, 18.71, 63.97

 

CMYK 0 / 38 / 98 / 26

HEX #BD7603

RGB 189 118 3

HSL 37.1, 0.97%, 0.38%

LAB 55.87, 20.84, 62.01

 

CMYK 0 / 42 / 100 / 33

HEX #AC6400

RGB 172 100 0

HSL 34.88, 1%, 0.34%

LAB 49.36, 23.28, 57.27

 

CMYK 0 / 47 / 100 / 39

HEX #9B5200

RGB 155 82 0

HSL 31.74, 1%, 0.3%

LAB 42.77, 25.81, 51.95

 

CMYK 0 / 31 / 81 / 13

HEX #DF9A2A

RGB 223 154 42

HSL 37.13, 0.74%, 0.52%

LAB 68.73, 16.86, 64.18

 

CMYK 0 / 53 / 81 / 13

HEX #DF692A

RGB 223 105 42

HSL 20.88, 0.74%, 0.52%

LAB 58, 42.48, 54.52

 

CMYK 0 / 75 / 81 / 13

HEX #DF382A

RGB 223 56 42

HSL 4.64, 0.74%, 0.52%

LAB 50.31, 62.95, 47.32

 

CMYK 0 / 81 / 81 / 13

HEX #DF2A2A

RGB 223 42 42

HSL 0, 0.74%, 0.52%

LAB 48.9, 66.93, 45.96

 

CMYK 0 / 31 / 81 / 13

HEX #DF9A2A

RGB 223 154 42

HSL 37.13, 0.74%, 0.52%

LAB 68.73, 16.86, 64.18

 

CMYK 0 / 9 / 81 / 13

HEX #DFCB2A

RGB 223 203 42

HSL 53.37, 0.74%, 0.52%

LAB 81.05, -8.86, 74.91

 

CMYK 13 / 0 / 81 / 13

HEX #C2DF2A

RGB 194 223 42

HSL 69.61, 0.74%, 0.52%

LAB 84.18, -30.74, 76.73

 

CMYK 35 / 0 / 81 / 13

HEX #91DF2A

RGB 145 223 42

HSL 85.86, 0.74%, 0.52%

LAB 81.27, -49.38, 73.05

 

CMYK 57 / 0 / 81 / 13

HEX #60DF2A

RGB 96 223 42

HSL 102.1, 0.74%, 0.52%

LAB 79.29, -64.24, 70.52

 

CMYK 0 / 31 / 81 / 13

HEX #DF9A2A

RGB 223 154 42

HSL 37.13, 0.74%, 0.52%

LAB 68.73, 16.86, 64.18

 

CMYK 0 / 34 / 91 / 5

HEX #F29F16

RGB 242 159 22

HSL 37.36, 0.89%, 0.52%

LAB 72.05, 21.84, 73.21

 

CMYK 0 / 31 / 81 / 13

HEX #DF9A2A

RGB 223 154 42

HSL 37.13, 0.74%, 0.52%

LAB 68.73, 16.86, 64.18

 

CMYK 0 / 27 / 70 / 20

HEX #CB953D

RGB 203 149 61

HSL 37.18, 0.58%, 0.52%

LAB 65.38, 11.72, 52.64

 

CMYK 0 / 21 / 56 / 28

HEX #B79051

RGB 183 144 81

HSL 37.06, 0.41%, 0.52%

LAB 62.18, 7.16, 38.74

 

CMYK 0 / 14 / 38 / 36

HEX #A38C65

RGB 163 140 101

HSL 37.74, 0.25%, 0.52%

LAB 59.42, 2.92, 24.05

 

CMYK 0 / 6 / 15 / 44

HEX #8F8779

RGB 143 135 121

HSL 38.18, 0.09%, 0.52%

LAB 56.63, 0.49, 8.6

 

CMYK 0 / 74 / 81 / 13

HEX #DF392A

RGB 223 57 42

HSL 4.97, 0.74%, 0.52%

LAB 50.43, 62.63, 47.43

 

CMYK 0 / 53 / 81 / 13

HEX #DF692A

RGB 223 105 42

HSL 20.88, 0.74%, 0.52%

LAB 58, 42.48, 54.52

 

CMYK 0 / 31 / 81 / 13

HEX #DF992A

RGB 223 153 42

HSL 36.8, 0.74%, 0.52%

LAB 68.49, 17.39, 63.97

 

CMYK 0 / 9 / 81 / 13

HEX #DFCA2A

RGB 223 202 42

HSL 53.04, 0.74%, 0.52%

LAB 80.79, -8.35, 74.69

 

CMYK 12 / 0 / 81 / 13

HEX #C4DF2A

RGB 196 223 42

HSL 68.95, 0.74%, 0.52%

LAB 84.32, -29.94, 76.91

 

CMYK 0 / 32 / 85 / 38

HEX #9E6B17

RGB 158 107 23

HSL 37.33, 0.75%, 0.35%

LAB 49.31, 13.46, 50.71

 

CMYK 0 / 32 / 85 / 24

HEX #C2831D

RGB 194 131 29

HSL 37.09, 0.74%, 0.44%

LAB 59.7, 16.35, 59.31

 

CMYK 0 / 31 / 81 / 13

HEX #DF9A2A

RGB 223 154 42

HSL 37.13, 0.74%, 0.52%

LAB 68.73, 16.86, 64.18

 

CMYK 0 / 25 / 66 / 11

HEX #E4AB4D

RGB 228 171 77

HSL 37.35, 0.74%, 0.6%

LAB 73.65, 11.48, 55.07

 

CMYK 0 / 19 / 52 / 9

HEX #E9BC71

RGB 233 188 113

HSL 37.5, 0.73%, 0.68%

LAB 78.74, 7.19, 43.79

 

CMYK 0 / 31 / 82 / 13

HEX #DF9A29

RGB 223 154 41

HSL 37.25, 0.74%, 0.52%

LAB 68.72, 16.82, 64.51

 

CMYK 66 / 0 / 81 / 13

HEX #4BDF2A

RGB 75 223 42

HSL 109.06, 0.74%, 0.52%

LAB 78.72, -68.94, 69.78

 

CMYK 64 / 81 / 0 / 13

HEX #512ADF

RGB 81 42 223

HSL 252.93, 0.74%, 0.52%

LAB 35.47, 62.84, -84.35

 

CMYK 0 / 31 / 82 / 13

HEX #DF9A29

RGB 223 154 41

HSL 37.25, 0.74%, 0.52%

LAB 68.72, 16.82, 64.51

 

CMYK 81 / 0 / 31 / 13

HEX #2ADF99

RGB 42 223 153

HSL 156.8, 0.74%, 0.52%

LAB 79.37, -59.32, 22.25

 

CMYK 31 / 81 / 0 / 13

HEX #992ADF

RGB 153 42 223

HSL 276.8, 0.74%, 0.52%

LAB 43.88, 71.73, -70.21

 

CMYK 0 / 31 / 82 / 13

HEX #DF9A29

RGB 223 154 41

HSL 37.25, 0.74%, 0.52%

LAB 68.72, 16.82, 64.51

 

CMYK 66 / 0 / 81 / 13

HEX #4BDF2A

RGB 75 223 42

HSL 109.06, 0.74%, 0.52%

LAB 78.72, -68.94, 69.78

 

CMYK 81 / 50 / 0 / 13

HEX #2A6FDF

RGB 42 111 223

HSL 217.13, 0.74%, 0.52%

LAB 48.5, 19.18, -63.1

 

CMYK 15 / 81 / 0 / 13

HEX #BD2ADF

RGB 189 42 223

HSL 288.73, 0.74%, 0.52%

LAB 49.26, 77.56, -61.24

 

CMYK 0 / 31 / 82 / 13

HEX #DF9A29

RGB 223 154 41

HSL 37.25, 0.74%, 0.52%

LAB 68.72, 16.82, 64.51

 

CMYK 81 / 0 / 72 / 13

HEX #2ADF3F

RGB 42 223 63

HSL 126.96, 0.74%, 0.52%

LAB 78.24, -72.58, 62.6

 

CMYK 81 / 50 / 0 / 13

HEX #2A6FDF

RGB 42 111 223

HSL 217.13, 0.74%, 0.52%

LAB 48.5, 19.18, -63.1

 

CMYK 0 / 81 / 9 / 13

HEX #DF2ACA

RGB 223 42 202

HSL 306.96, 0.74%, 0.52%

LAB 53.61, 80.56, -41.96

 

Description

Color code: HEX #DF9A29 | qconv.com Color code: HEX #DF9A29 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 154 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 154 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 82 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 82% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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