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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 81 / 0 / 72 / 13 it is the complementary color CMYK 0 / 85 / 9 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 81 / 0 / 72 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 81 / 0 / 72 / 13: CMYK 79 / 0 / 74 / 13, CMYK 73 / 0 / 68 / 6, CMYK 68 / 0 / 63 / 0, CMYK 62 / 0 / 55 / 0 and CMYK 55 / 0 / 48 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 81 / 0 / 72 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 81 / 0 / 72 / 13: CMYK 81 / 0 / 72 / 13, CMYK 88 / 0 / 79 / 20, CMYK 96 / 0 / 87 / 27, CMYK 100 / 0 / 97 / 34 and CMYK 100 / 0 / 100 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 72 / 13

HEX #2ADE3E

RGB 42 222 62

HSL 126.67, 0.73%, 0.52%

LAB 77.92, -72.37, 62.63

 

Complementary color

CMYK 0 / 85 / 9 / 16

HEX #D521C1

RGB 213 33 193

HSL 306.67, 0.73%, 0.48%

LAB 50.79, 79.21, -41.34

 

CMYK 79 / 0 / 74 / 13

HEX #2FDE39

RGB 47 222 57

HSL 123.43, 0.73%, 0.53%

LAB 77.96, -72.18, 64.41

 

CMYK 73 / 0 / 68 / 6

HEX #40F04C

RGB 64 240 76

HSL 124.09, 0.85%, 0.6%

LAB 83.93, -73.79, 63.85

 

CMYK 68 / 0 / 63 / 0

HEX #51FF5F

RGB 81 255 95

HSL 124.83, 1%, 0.66%

LAB 88.97, -73.98, 61.94

 

CMYK 62 / 0 / 55 / 0

HEX #62FF72

RGB 98 255 114

HSL 126.11, 1%, 0.69%

LAB 89.55, -68.65, 54.57

 

CMYK 55 / 0 / 48 / 0

HEX #73FF85

RGB 115 255 133

HSL 127.71, 1%, 0.73%

LAB 90.26, -62.43, 46.79

 

CMYK 81 / 0 / 72 / 13

HEX #2ADE3E

RGB 42 222 62

HSL 126.67, 0.73%, 0.52%

LAB 77.92, -72.37, 62.63

 

CMYK 88 / 0 / 79 / 20

HEX #19CC2B

RGB 25 204 43

HSL 126.03, 0.78%, 0.45%

LAB 71.94, -70.06, 62.87

 

CMYK 96 / 0 / 87 / 27

HEX #08BA18

RGB 8 186 24

HSL 125.39, 0.92%, 0.38%

LAB 65.93, -66.96, 62.2

 

CMYK 100 / 0 / 97 / 34

HEX #00A805

RGB 0 168 5

HSL 121.79, 1%, 0.33%

LAB 59.9, -62.92, 60.16

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 81 / 0 / 72 / 13

HEX #2ADE3E

RGB 42 222 62

HSL 126.67, 0.73%, 0.52%

LAB 77.92, -72.37, 62.63

 

CMYK 81 / 0 / 59 / 13

HEX #2BDD5A

RGB 43 221 90

HSL 135.84, 0.72%, 0.52%

LAB 77.85, -69.11, 51.28

 

CMYK 81 / 0 / 46 / 13

HEX #2BDD78

RGB 43 221 120

HSL 145.96, 0.72%, 0.52%

LAB 78.22, -64.76, 37.55

 

CMYK 81 / 0 / 32 / 13

HEX #2BDD96

RGB 43 221 150

HSL 156.07, 0.72%, 0.52%

LAB 78.71, -59.11, 22.91

 

CMYK 81 / 0 / 19 / 13

HEX #2BDDB4

RGB 43 221 180

HSL 166.18, 0.72%, 0.52%

LAB 79.34, -52.26, 8

 

CMYK 81 / 0 / 72 / 13

HEX #2ADE3E

RGB 42 222 62

HSL 126.67, 0.73%, 0.52%

LAB 77.92, -72.37, 62.63

 

CMYK 83 / 0 / 72 / 93

HEX #031205

RGB 3 18 5

HSL 128, 0.71%, 0.04%

LAB 4.18, -6.5, 4.09

 

CMYK 81 / 0 / 72 / 73

HEX #0D4513

RGB 13 69 19

HSL 126.43, 0.68%, 0.16%

LAB 24.92, -29.44, 24.42

 

CMYK 81 / 0 / 72 / 53

HEX #177822

RGB 23 120 34

HSL 126.8, 0.68%, 0.28%

LAB 43.84, -44.85, 37.96

 

CMYK 81 / 0 / 72 / 33

HEX #20AB30

RGB 32 171 48

HSL 126.91, 0.68%, 0.4%

LAB 61.35, -59.1, 50.68

 

CMYK 81 / 0 / 72 / 13

HEX #2ADE3E

RGB 42 222 62

HSL 126.67, 0.73%, 0.52%

LAB 77.92, -72.37, 62.63

 

CMYK 81 / 24 / 0 / 13

HEX #2BA8DD

RGB 43 168 221

HSL 197.87, 0.72%, 0.52%

LAB 64.76, -15.19, -36.16

 

CMYK 0 / 81 / 57 / 13

HEX #DD2B60

RGB 221 43 96

HSL 342.13, 0.72%, 0.52%

LAB 49.43, 68.67, 14.83

 

CMYK 81 / 0 / 72 / 13

HEX #2ADE3E

RGB 42 222 62

HSL 126.67, 0.73%, 0.52%

LAB 77.92, -72.37, 62.63

 

CMYK 72 / 81 / 0 / 13

HEX #3D2BDD

RGB 61 43 221

HSL 246.07, 0.72%, 0.52%

LAB 33.86, 60.24, -85.91

 

CMYK 0 / 72 / 81 / 13

HEX #DD3D2B

RGB 221 61 43

HSL 6.07, 0.72%, 0.52%

LAB 50.55, 60.7, 46.91

 

CMYK 81 / 0 / 72 / 13

HEX #2ADE3E

RGB 42 222 62

HSL 126.67, 0.73%, 0.52%

LAB 77.92, -72.37, 62.63

 

CMYK 81 / 24 / 0 / 13

HEX #2BA8DD

RGB 43 168 221

HSL 197.87, 0.72%, 0.52%

LAB 64.76, -15.19, -36.16

 

CMYK 0 / 81 / 8 / 13

HEX #DD2BCC

RGB 221 43 204

HSL 305.73, 0.72%, 0.52%

LAB 53.45, 80.22, -43.38

 

CMYK 0 / 57 / 81 / 13

HEX #DD602B

RGB 221 96 43

HSL 17.87, 0.72%, 0.52%

LAB 56, 46.11, 52.11

 

CMYK 81 / 0 / 72 / 13

HEX #2ADE3E

RGB 42 222 62

HSL 126.67, 0.73%, 0.52%

LAB 77.92, -72.37, 62.63

 

CMYK 81 / 48 / 0 / 13

HEX #2B72DD

RGB 43 114 221

HSL 216.07, 0.72%, 0.52%

LAB 49.21, 16.62, -60.81

 

CMYK 0 / 81 / 8 / 13

HEX #DD2BCC

RGB 221 43 204

HSL 305.73, 0.72%, 0.52%

LAB 53.45, 80.22, -43.38

 

CMYK 0 / 32 / 81 / 13

HEX #DD962B

RGB 221 150 43

HSL 36.07, 0.72%, 0.52%

LAB 67.55, 18.17, 62.69

 

Description

Color code: CMYK 81 / 0 / 72 / 13 | qconv.com Color code: CMYK 81 / 0 / 72 / 13 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 222 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 222 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 72 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 72% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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