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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 153 42 223 it is the complementary color RGB 102 213 32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 153 42 223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 153 42 223: RGB 158 42 218, RGB 175 60 237, RGB 192 78 255, RGB 209 96 255 and RGB 226 114 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 153 42 223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 153 42 223: RGB 153 42 223, RGB 136 24 204, RGB 119 6 185, RGB 102 0 166 and RGB 85 0 147

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 81 / 0 / 13

HEX #992ADF

RGB 153 42 223

HSL 276.8, 0.74%, 0.52%

LAB 43.88, 71.73, -70.21

 

Complementary color

CMYK 52 / 0 / 85 / 16

HEX #66D520

RGB 102 213 32

HSL 96.8, 0.74%, 0.48%

LAB 76.39, -59.55, 70.39

 

CMYK 28 / 81 / 0 / 15

HEX #9E2ADA

RGB 158 42 218

HSL 279.55, 0.7%, 0.51%

LAB 44.21, 71.49, -66.78

 

CMYK 26 / 75 / 0 / 7

HEX #AF3CED

RGB 175 60 237

HSL 278.98, 0.83%, 0.58%

LAB 50.05, 72.25, -67.98

 

CMYK 25 / 69 / 0 / 0

HEX #C04EFF

RGB 192 78 255

HSL 278.64, 1%, 0.65%

LAB 55.96, 72.2, -68.35

 

CMYK 18 / 62 / 0 / 0

HEX #D160FF

RGB 209 96 255

HSL 282.64, 1%, 0.69%

LAB 60.91, 68.13, -60.29

 

CMYK 11 / 55 / 0 / 0

HEX #E272FF

RGB 226 114 255

HSL 287.66, 1%, 0.72%

LAB 66.08, 63.96, -51.93

 

CMYK 31 / 81 / 0 / 13

HEX #992ADF

RGB 153 42 223

HSL 276.8, 0.74%, 0.52%

LAB 43.88, 71.73, -70.21

 

CMYK 33 / 88 / 0 / 20

HEX #8818CC

RGB 136 24 204

HSL 277.33, 0.79%, 0.45%

LAB 38.28, 70.1, -68.52

 

CMYK 36 / 97 / 0 / 27

HEX #7706B9

RGB 119 6 185

HSL 277.88, 0.94%, 0.37%

LAB 33.04, 67.16, -66.05

 

CMYK 39 / 100 / 0 / 35

HEX #6600A6

RGB 102 0 166

HSL 276.87, 1%, 0.33%

LAB 28.32, 62.29, -62.52

 

CMYK 42 / 100 / 0 / 42

HEX #550093

RGB 85 0 147

HSL 274.69, 1%, 0.29%

LAB 23.8, 56.47, -58.43

 

CMYK 31 / 81 / 0 / 13

HEX #992ADF

RGB 153 42 223

HSL 276.8, 0.74%, 0.52%

LAB 43.88, 71.73, -70.21

 

CMYK 19 / 81 / 0 / 13

HEX #B42ADF

RGB 180 42 223

HSL 285.75, 0.74%, 0.52%

LAB 47.86, 76.04, -63.56

 

CMYK 5 / 81 / 0 / 13

HEX #D32ADF

RGB 211 42 223

HSL 296.02, 0.74%, 0.52%

LAB 52.77, 81.42, -55.42

 

CMYK 0 / 81 / 8 / 13

HEX #DF2ACD

RGB 223 42 205

HSL 305.97, 0.74%, 0.52%

LAB 53.76, 80.98, -43.44

 

CMYK 0 / 81 / 22 / 13

HEX #DF2AAE

RGB 223 42 174

HSL 316.24, 0.74%, 0.52%

LAB 52.29, 76.89, -27.77

 

CMYK 31 / 81 / 0 / 13

HEX #992ADF

RGB 153 42 223

HSL 276.8, 0.74%, 0.52%

LAB 43.88, 71.73, -70.21

 

CMYK 32 / 79 / 0 / 93

HEX #0D0413

RGB 13 4 19

HSL 276, 0.65%, 0.05%

LAB 1.98, 4.85, -5.75

 

CMYK 31 / 81 / 0 / 73

HEX #300D46

RGB 48 13 70

HSL 276.84, 0.69%, 0.16%

LAB 11.68, 28.77, -28.07

 

CMYK 31 / 81 / 0 / 53

HEX #531779

RGB 83 23 121

HSL 276.73, 0.68%, 0.28%

LAB 23.11, 44.2, -43.23

 

CMYK 31 / 81 / 0 / 33

HEX #7620AC

RGB 118 32 172

HSL 276.86, 0.69%, 0.4%

LAB 33.7, 58.58, -57.24

 

CMYK 31 / 81 / 0 / 13

HEX #992ADF

RGB 153 42 223

HSL 276.8, 0.74%, 0.52%

LAB 43.88, 71.73, -70.21

 

CMYK 0 / 81 / 65 / 13

HEX #DF2A4E

RGB 223 42 78

HSL 348.07, 0.74%, 0.52%

LAB 49.37, 68.36, 25.77

 

CMYK 81 / 0 / 65 / 13

HEX #2ADF4E

RGB 42 223 78

HSL 131.93, 0.74%, 0.52%

LAB 78.36, -71.19, 56.96

 

CMYK 31 / 81 / 0 / 13

HEX #992ADF

RGB 153 42 223

HSL 276.8, 0.74%, 0.52%

LAB 43.88, 71.73, -70.21

 

CMYK 0 / 33 / 81 / 13

HEX #DF962A

RGB 223 150 42

HSL 35.8, 0.74%, 0.52%

LAB 67.78, 19, 63.34

 

CMYK 81 / 0 / 33 / 13

HEX #2ADF96

RGB 42 223 150

HSL 155.8, 0.74%, 0.52%

LAB 79.31, -59.94, 23.73

 

CMYK 31 / 81 / 0 / 13

HEX #992ADF

RGB 153 42 223

HSL 276.8, 0.74%, 0.52%

LAB 43.88, 71.73, -70.21

 

CMYK 0 / 81 / 65 / 13

HEX #DF2A4E

RGB 223 42 78

HSL 348.07, 0.74%, 0.52%

LAB 49.37, 68.36, 25.77

 

CMYK 49 / 0 / 81 / 13

HEX #72DF2A

RGB 114 223 42

HSL 96.13, 0.74%, 0.52%

LAB 79.91, -59.35, 71.31

 

CMYK 81 / 0 / 17 / 13

HEX #2ADFBA

RGB 42 223 186

HSL 167.73, 0.74%, 0.52%

LAB 80.07, -51.66, 5.87

 

CMYK 31 / 81 / 0 / 13

HEX #992ADF

RGB 153 42 223

HSL 276.8, 0.74%, 0.52%

LAB 43.88, 71.73, -70.21

 

CMYK 0 / 73 / 81 / 13

HEX #DF3C2A

RGB 223 60 42

HSL 5.97, 0.74%, 0.52%

LAB 50.79, 61.63, 47.77

 

CMYK 49 / 0 / 81 / 13

HEX #72DF2A

RGB 114 223 42

HSL 96.13, 0.74%, 0.52%

LAB 79.91, -59.35, 71.31

 

CMYK 81 / 8 / 0 / 13

HEX #2ACDDF

RGB 42 205 223

HSL 185.97, 0.74%, 0.52%

LAB 75.75, -33.36, -20.35

 

Description

Color code: RGB 153 42 223 | qconv.com Color code: RGB 153 42 223 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 42 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 42 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 81 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 81% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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