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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF4B88CE it is the complementary color #20B477CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF4B88CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF4B88CE shade: #E44B83CE, #F55D96CE, #FF6FA9CE, #FF81BCCE and #FF93CFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF4B88CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF4B88CE shade: #DF4B88CE, #CE3975CE, #BD2762CE, #AC154FCE and #9B033CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF4B88CE shade: #DF4987, #DF495E and #DF4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF4B88CE shade: #DF4987, #DF49AF, #DF49D8, #BE49DF and #9549DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF4B88CE shade matches the following richer shades: #DF4987 and #F03884

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF4B88CE shade: #DF4987, #CE5A8A, #BC6C8D, #AB7D90 and #9A8E93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF4B88CE shade: #DF49D7, #DF49AF, #DF4987, #DF495F and #DF5A49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF4B88CE shade: #B5205E, #D82670, #DF4987, #E56C9E and #EB8FB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF4B88CE shade: #DF4B88, #DFBE49 and #49C3DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF4B88CE shade: #DF4B88, #87DF49 and #4987DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF4B88CE shade: #DF4B88, #DFBE49, #49DFA0 and #4969DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF4B88CE shade: #DF4B88, #D2DF49, #49DFA0 and #5549DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 32 / 10

HEX #DF4B88CE

RGBA 223 75 136 0.81

HSLA 335.27, 0.7%, 0.58%, 0.81

LABA 54.55, 62.27, -1.9, 0.81

 

Complementary color

CMYK 67 / 0 / 27 / 24

HEX #20B477CE

RGBA 32 180 119 0.81

HSLA 155.27, 0.7%, 0.42%, 0.81

LABA 65.19, -51.32, 20.86, 0.81

 

CMYK 0 / 54 / 34 / 9

HEX #E44B83CE

RGBA 228 75 131 0.81

HSLA 338.04, 0.74%, 0.59%, 0.81

LABA 55.24, 63.22, 2.17, 0.81

 

CMYK 0 / 50 / 31 / 3

HEX #F55D96CE

RGBA 245 93 150 0.81

HSLA 337.5, 0.88%, 0.66%, 0.81

LABA 61.17, 62.97, 0, 0.81

 

CMYK 0 / 46 / 27 / 0

HEX #FF6FA9CE

RGBA 255 111 169 0.81

HSLA 335.83, 1%, 0.72%, 0.81

LABA 66.13, 60.32, -3.45, 0.81

 

CMYK 0 / 40 / 21 / 0

HEX #FF81BCCE

RGBA 255 129 188 0.81

HSLA 331.9, 1%, 0.75%, 0.81

LABA 69.89, 54.3, -8.59, 0.81

 

CMYK 0 / 34 / 15 / 0

HEX #FF93CFCE

RGBA 255 147 207 0.81

HSLA 326.67, 1%, 0.79%, 0.81

LABA 73.95, 48.07, -13.06, 0.81

 

CMYK 0 / 54 / 32 / 10

HEX #DF4B88CE

RGBA 223 75 136 0.81

HSLA 335.27, 0.7%, 0.58%, 0.81

LABA 54.55, 62.27, -1.9, 0.81

 

CMYK 0 / 59 / 35 / 16

HEX #CE3975CE

RGBA 206 57 117 0.81

HSLA 335.84, 0.6%, 0.52%, 0.81

LABA 48.68, 62.14, 0.56, 0.81

 

CMYK 0 / 64 / 39 / 21

HEX #BD2762CE

RGBA 189 39 98 0.81

HSLA 336.4, 0.66%, 0.45%, 0.81

LABA 42.99, 61.39, 3.65, 0.81

 

CMYK 0 / 71 / 44 / 26

HEX #AC154FCE

RGBA 172 21 79 0.81

HSLA 336.95, 0.78%, 0.38%, 0.81

LABA 37.61, 59.69, 7.57, 0.81

 

CMYK 0 / 79 / 50 / 32

HEX #9B033CCE

RGBA 155 3 60 0.81

HSLA 337.5, 0.96%, 0.31%, 0.81

LABA 32.61, 56.8, 12.49, 0.81

 

CMYK 0 / 67 / 39 / 13

HEX #DF4987

RGB 223 73 135

HSL 335.2, 0.7%, 0.58%

LAB 54.24, 62.93, -1.77

 

CMYK 0 / 67 / 58 / 13

HEX #DF495E

RGB 223 73 94

HSL 351.6, 0.7%, 0.58%

LAB 53.23, 59.39, 21.25

 

CMYK 0 / 67 / 67 / 13

HEX #DF4949

RGB 223 73 73

HSL 0, 0.7%, 0.58%

LAB 52.88, 58.11, 33.11

 

CMYK 0 / 67 / 39 / 13

HEX #DF4987

RGB 223 73 135

HSL 335.2, 0.7%, 0.58%

LAB 54.24, 62.93, -1.77

 

CMYK 0 / 67 / 22 / 13

HEX #DF49AF

RGB 223 73 175

HSL 319.2, 0.7%, 0.58%

LAB 55.63, 67.65, -23.19

 

CMYK 0 / 67 / 3 / 13

HEX #DF49D8

RGB 223 73 216

HSL 302.8, 0.7%, 0.58%

LAB 57.47, 73.6, -43.85

 

CMYK 15 / 67 / 0 / 13

HEX #BE49DF

RGB 190 73 223

HSL 286.8, 0.7%, 0.58%

LAB 52.99, 67.49, -55.23

 

CMYK 33 / 67 / 0 / 13

HEX #9549DF

RGB 149 73 223

HSL 270.4, 0.7%, 0.58%

LAB 47.6, 58.93, -64.19

 

CMYK 0 / 67 / 39 / 13

HEX #DF4987

RGB 223 73 135

HSL 335.2, 0.7%, 0.58%

LAB 54.24, 62.93, -1.77

 

CMYK 0 / 77 / 45 / 6

HEX #F03884

RGB 240 56 132

HSL 335.22, 0.86%, 0.58%

LAB 55.09, 72.93, 1.62

 

CMYK 0 / 67 / 39 / 13

HEX #DF4987

RGB 223 73 135

HSL 335.2, 0.7%, 0.58%

LAB 54.24, 62.93, -1.77

 

CMYK 0 / 56 / 33 / 19

HEX #CE5A8A

RGB 206 90 138

HSL 335.17, 0.54%, 0.58%

LAB 54.31, 50.81, -3.75

 

CMYK 0 / 43 / 25 / 26

HEX #BC6C8D

RGB 188 108 141

HSL 335.25, 0.37%, 0.58%

LAB 55.42, 35.99, -4.16

 

CMYK 0 / 27 / 16 / 33

HEX #AB7D90

RGB 171 125 144

HSL 335.22, 0.21%, 0.58%

LAB 57.4, 20.84, -3.21

 

CMYK 0 / 8 / 5 / 40

HEX #9A8E93

RGB 154 142 147

HSL 335, 0.06%, 0.58%

LAB 60.18, 5.38, -1.05

 

CMYK 0 / 67 / 4 / 13

HEX #DF49D7

RGB 223 73 215

HSL 303.2, 0.7%, 0.58%

LAB 57.42, 73.45, -43.36

 

CMYK 0 / 67 / 22 / 13

HEX #DF49AF

RGB 223 73 175

HSL 319.2, 0.7%, 0.58%

LAB 55.63, 67.65, -23.19

 

CMYK 0 / 67 / 39 / 13

HEX #DF4987

RGB 223 73 135

HSL 335.2, 0.7%, 0.58%

LAB 54.24, 62.93, -1.77

 

CMYK 0 / 67 / 57 / 13

HEX #DF495F

RGB 223 73 95

HSL 351.2, 0.7%, 0.58%

LAB 53.25, 59.46, 20.68

 

CMYK 0 / 60 / 67 / 13

HEX #DF5A49

RGB 223 90 73

HSL 6.8, 0.7%, 0.58%

LAB 55.56, 50.9, 36.34

 

CMYK 0 / 82 / 48 / 29

HEX #B5205E

RGB 181 32 94

HSL 335.03, 0.7%, 0.42%

LAB 40.68, 60.79, 2.63

 

CMYK 0 / 82 / 48 / 15

HEX #D82670

RGB 216 38 112

HSL 335.06, 0.7%, 0.5%

LAB 48.45, 69.78, 3.52

 

CMYK 0 / 67 / 39 / 13

HEX #DF4987

RGB 223 73 135

HSL 335.2, 0.7%, 0.58%

LAB 54.24, 62.93, -1.77

 

CMYK 0 / 53 / 31 / 10

HEX #E56C9E

RGB 229 108 158

HSL 335.21, 0.7%, 0.66%

LAB 61.53, 52.18, -4.37

 

CMYK 0 / 39 / 23 / 8

HEX #EB8FB5

RGB 235 143 181

HSL 335.22, 0.7%, 0.74%

LAB 69.93, 39.68, -4.91

 

CMYK 0 / 66 / 39 / 13

HEX #DF4B88

RGB 223 75 136

HSL 335.27, 0.7%, 0.58%

LAB 54.55, 62.27, -1.9

 

CMYK 0 / 15 / 67 / 13

HEX #DFBE49

RGB 223 190 73

HSL 46.8, 0.7%, 0.58%

LAB 77.87, -0.87, 61.16

 

CMYK 67 / 13 / 0 / 13

HEX #49C3DF

RGB 73 195 223

HSL 191.2, 0.7%, 0.58%

LAB 73.4, -24.98, -23.87

 

CMYK 0 / 66 / 39 / 13

HEX #DF4B88

RGB 223 75 136

HSL 335.27, 0.7%, 0.58%

LAB 54.55, 62.27, -1.9

 

CMYK 39 / 0 / 67 / 13

HEX #87DF49

RGB 135 223 73

HSL 95.2, 0.7%, 0.58%

LAB 80.96, -50.96, 62.54

 

CMYK 67 / 39 / 0 / 13

HEX #4987DF

RGB 73 135 223

HSL 215.2, 0.7%, 0.58%

LAB 56.16, 8.17, -50.76

 

CMYK 0 / 66 / 39 / 13

HEX #DF4B88

RGB 223 75 136

HSL 335.27, 0.7%, 0.58%

LAB 54.55, 62.27, -1.9

 

CMYK 0 / 15 / 67 / 13

HEX #DFBE49

RGB 223 190 73

HSL 46.8, 0.7%, 0.58%

LAB 77.87, -0.87, 61.16

 

CMYK 67 / 0 / 28 / 13

HEX #49DFA0

RGB 73 223 160

HSL 154.8, 0.7%, 0.58%

LAB 80.03, -53.9, 19.59

 

CMYK 67 / 53 / 0 / 13

HEX #4969DF

RGB 73 105 223

HSL 227.2, 0.7%, 0.58%

LAB 48.07, 26.69, -63.74

 

CMYK 0 / 66 / 39 / 13

HEX #DF4B88

RGB 223 75 136

HSL 335.27, 0.7%, 0.58%

LAB 54.55, 62.27, -1.9

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 67 / 0 / 28 / 13

HEX #49DFA0

RGB 73 223 160

HSL 154.8, 0.7%, 0.58%

LAB 80.03, -53.9, 19.59

 

CMYK 62 / 67 / 0 / 13

HEX #5549DF

RGB 85 73 223

HSL 244.8, 0.7%, 0.58%

LAB 41.25, 47.85, -74.81

 

Description

Color code: HEX #DF4B88CE | qconv.com Color code: HEX #DF4B88CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 75 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 75 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 32 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 32% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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