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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2DF49 it is the complementary color #2D20B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2DF49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2DF49 shade: #D7DF44, #E8F157, #F9FF6A, #FFFF7D and #FFFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2DF49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2DF49 shade: #D2DF49, #C1CD36, #B0BB23, #9FA910 and #8E9700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2DF49 shade: #D2DF49, #DFC349, #DF9B49, #DF7349 and #DF4A49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2DF49 shade: #D2DF49, #A9DF49, #81DF49, #59DF49 and #49DF62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2DF49 shade matches the following richer shades: #D2DF49 and #E0F038

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2DF49 shade: #D2DF49, #C4CE5A, #B5BC6C, #A7AB7D and #999A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2DF49 shade: #DF9B49, #DFC349, #D2DF49, #AADF49 and #82DF49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2DF49 shade: #A8B520, #C9D826, #D2DF49, #DBE56C and #E3EB8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2DF49 shade: #D2DF49, #49DF73 and #AF49DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2DF49 shade: #D2DF49, #49D2DF and #DF49D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2DF49 shade: #D2DF49, #49DF73, #5549DF and #DF49B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2DF49 shade: #D2DF49, #49DFA0, #5549DF and #DF4987

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

Complementary color

CMYK 75 / 82 / 0 / 29

HEX #2D20B6

RGB 45 32 182

HSL 245.2, 0.7%, 0.42%

LAB 26.64, 52.56, -75.1

 

CMYK 4 / 0 / 70 / 13

HEX #D7DF44

RGB 215 223 68

HSL 63.1, 0.71%, 0.57%

LAB 85.83, -21.1, 70.91

 

CMYK 4 / 0 / 64 / 5

HEX #E8F157

RGB 232 241 87

HSL 63.51, 0.85%, 0.64%

LAB 92.02, -21.84, 70.51

 

CMYK 2 / 0 / 58 / 0

HEX #F9FF6A

RGB 249 255 106

HSL 62.42, 1%, 0.71%

LAB 97.11, -20.55, 68.67

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7D

RGB 255 255 125

HSL 60, 1%, 0.75%

LAB 97.74, -16.78, 61.29

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF90

RGB 255 255 144

HSL 60, 1%, 0.78%

LAB 97.95, -15.11, 52.8

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 6 / 0 / 74 / 20

HEX #C1CD36

RGB 193 205 54

HSL 64.77, 0.6%, 0.51%

LAB 79.19, -22.1, 68.74

 

CMYK 6 / 0 / 81 / 27

HEX #B0BB23

RGB 176 187 35

HSL 64.34, 0.68%, 0.44%

LAB 72.82, -21.16, 68.14

 

CMYK 6 / 0 / 91 / 34

HEX #9FA910

RGB 159 169 16

HSL 63.92, 0.83%, 0.36%

LAB 66.35, -20, 66.35

 

CMYK 6 / 0 / 100 / 41

HEX #8E9700

RGB 142 151 0

HSL 63.58, 1%, 0.3%

LAB 59.78, -18.63, 63.03

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 0 / 13 / 67 / 13

HEX #DFC349

RGB 223 195 73

HSL 48.8, 0.7%, 0.58%

LAB 79.16, -3.46, 62.49

 

CMYK 0 / 30 / 67 / 13

HEX #DF9B49

RGB 223 155 73

HSL 32.8, 0.7%, 0.58%

LAB 69.19, 17.68, 51.9

 

CMYK 0 / 48 / 67 / 13

HEX #DF7349

RGB 223 115 73

HSL 16.8, 0.7%, 0.58%

LAB 60.28, 38.81, 41.88

 

CMYK 0 / 67 / 67 / 13

HEX #DF4A49

RGB 223 74 73

HSL 0.4, 0.7%, 0.58%

LAB 53.02, 57.71, 33.28

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 24 / 0 / 67 / 13

HEX #A9DF49

RGB 169 223 73

HSL 81.6, 0.7%, 0.58%

LAB 82.75, -38.99, 64.95

 

CMYK 42 / 0 / 67 / 13

HEX #81DF49

RGB 129 223 73

HSL 97.6, 0.7%, 0.58%

LAB 80.7, -52.89, 62.17

 

CMYK 60 / 0 / 67 / 13

HEX #59DF49

RGB 89 223 73

HSL 113.6, 0.7%, 0.58%

LAB 79.26, -63.82, 60.21

 

CMYK 67 / 0 / 56 / 13

HEX #49DF62

RGB 73 223 98

HSL 130, 0.7%, 0.58%

LAB 79.08, -64.42, 49.25

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 7 / 0 / 77 / 6

HEX #E0F038

RGB 224 240 56

HSL 65.22, 0.86%, 0.58%

LAB 90.99, -26.09, 79.84

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 5 / 0 / 56 / 19

HEX #C4CE5A

RGB 196 206 90

HSL 65.17, 0.54%, 0.58%

LAB 79.96, -19.14, 55.4

 

CMYK 4 / 0 / 43 / 26

HEX #B5BC6C

RGB 181 188 108

HSL 65.25, 0.37%, 0.58%

LAB 74.11, -14.5, 39.55

 

CMYK 2 / 0 / 27 / 33

HEX #A7AB7D

RGB 167 171 125

HSL 65.22, 0.21%, 0.58%

LAB 68.62, -9.12, 23.28

 

CMYK 1 / 0 / 8 / 40

HEX #999A8E

RGB 153 154 142

HSL 65, 0.06%, 0.58%

LAB 63.21, -2.59, 6.17

 

CMYK 0 / 30 / 67 / 13

HEX #DF9B49

RGB 223 155 73

HSL 32.8, 0.7%, 0.58%

LAB 69.19, 17.68, 51.9

 

CMYK 0 / 13 / 67 / 13

HEX #DFC349

RGB 223 195 73

HSL 48.8, 0.7%, 0.58%

LAB 79.16, -3.46, 62.49

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 24 / 0 / 67 / 13

HEX #AADF49

RGB 170 223 73

HSL 81.2, 0.7%, 0.58%

LAB 82.81, -38.62, 65.03

 

CMYK 42 / 0 / 67 / 13

HEX #82DF49

RGB 130 223 73

HSL 97.2, 0.7%, 0.58%

LAB 80.74, -52.57, 62.23

 

CMYK 7 / 0 / 82 / 29

HEX #A8B520

RGB 168 181 32

HSL 65.23, 0.7%, 0.42%

LAB 70.51, -21.7, 66.67

 

CMYK 7 / 0 / 82 / 15

HEX #C9D826

RGB 201 216 38

HSL 65.06, 0.7%, 0.5%

LAB 82.74, -24.69, 76.65

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 4 / 0 / 53 / 10

HEX #DBE56C

RGB 219 229 108

HSL 64.96, 0.7%, 0.66%

LAB 88.06, -19.74, 57

 

CMYK 3 / 0 / 39 / 8

HEX #E3EB8F

RGB 227 235 143

HSL 65.22, 0.7%, 0.74%

LAB 90.66, -16.19, 43.71

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 67 / 0 / 48 / 13

HEX #49DF73

RGB 73 223 115

HSL 136.8, 0.7%, 0.58%

LAB 79.29, -62.06, 41.46

 

CMYK 22 / 67 / 0 / 13

HEX #AF49DF

RGB 175 73 223

HSL 280.8, 0.7%, 0.58%

LAB 50.93, 64.29, -58.66

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 67 / 6 / 0 / 13

HEX #49D2DF

RGB 73 210 223

HSL 185.2, 0.7%, 0.58%

LAB 77.78, -32.31, -17.23

 

CMYK 0 / 67 / 6 / 13

HEX #DF49D2

RGB 223 73 210

HSL 305.2, 0.7%, 0.58%

LAB 57.18, 72.67, -40.91

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 67 / 0 / 48 / 13

HEX #49DF73

RGB 73 223 115

HSL 136.8, 0.7%, 0.58%

LAB 79.29, -62.06, 41.46

 

CMYK 62 / 67 / 0 / 13

HEX #5549DF

RGB 85 73 223

HSL 244.8, 0.7%, 0.58%

LAB 41.25, 47.85, -74.81

 

CMYK 0 / 67 / 19 / 13

HEX #DF49B4

RGB 223 73 180

HSL 317.2, 0.7%, 0.58%

LAB 55.83, 68.32, -25.78

 

CMYK 6 / 0 / 67 / 13

HEX #D2DF49

RGB 210 223 73

HSL 65.2, 0.7%, 0.58%

LAB 85.48, -22.88, 68.62

 

CMYK 67 / 0 / 28 / 13

HEX #49DFA0

RGB 73 223 160

HSL 154.8, 0.7%, 0.58%

LAB 80.03, -53.9, 19.59

 

CMYK 62 / 67 / 0 / 13

HEX #5549DF

RGB 85 73 223

HSL 244.8, 0.7%, 0.58%

LAB 41.25, 47.85, -74.81

 

CMYK 0 / 67 / 39 / 13

HEX #DF4987

RGB 223 73 135

HSL 335.2, 0.7%, 0.58%

LAB 54.24, 62.93, -1.77

 

Description

Color code: HEX #D2DF49 | qconv.com Color code: HEX #D2DF49 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 223 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 223 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 67 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 67% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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