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Color name
HEX #AC154FCE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC154FCE it is the complementary color #53EAB0CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC154FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC154FCE shade: #B1154ACE, #C2275DCE, #D33970CE, #E44B83CE and #F55D96CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC154FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC154FCE shade: #AC154FCE, #9B033CCE, #8A0029CE, #790016CE and #680003CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC154FCE shade: #AC154F, #AC1527 and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC154FCE shade: #AC154F, #AC1578, #AC15A1, #8F15AC and #6715AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC154FCE shade matches the following richer shades: #AC154F and #BC064C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC154FCE shade: #AC154F, #9D2553, #8D3557, #7D445A and #6E545E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC154FCE shade: #AC15A2, #AC157A, #AC1552, #AC1529 and #AC2915

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC154FCE shade: #630C2E, #88113E, #AC154F, #D11A60 and #E52F75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC154FCE shade: #AC154F, #AC8E15 and #158EAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC154FCE shade: #AC154F, #52AC15 and #1552AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC154FCE shade: #AC154F, #AC8E15, #15AC70 and #1534AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC154FCE shade: #AC154F, #9DAC15, #15AC70 and #2415AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 44 / 26

HEX #AC154FCE

RGBA 172 21 79 0.81

HSLA 336.95, 0.78%, 0.38%, 0.81

LABA 37.61, 59.69, 7.57, 0.81

 

Complementary color

CMYK 52 / 0 / 20 / 7

HEX #53EAB0CE

RGBA 83 234 176 0.81

HSLA 156.95, 0.78%, 0.62%, 0.81

LABA 83.87, -53.22, 16.63, 0.81

 

CMYK 0 / 71 / 47 / 25

HEX #B1154ACE

RGBA 177 21 74 0.81

HSLA 339.62, 0.79%, 0.39%, 0.81

LABA 38.51, 60.61, 12.2, 0.81

 

CMYK 0 / 65 / 42 / 19

HEX #C2275DCE

RGBA 194 39 93 0.81

HSLA 339.1, 0.67%, 0.46%, 0.81

LABA 43.82, 62.32, 8.08, 0.81

 

CMYK 0 / 59 / 38 / 14

HEX #D33970CE

RGBA 211 57 112 0.81

HSLA 338.57, 0.64%, 0.53%, 0.81

LABA 49.43, 63.08, 4.81, 0.81

 

CMYK 0 / 54 / 34 / 9

HEX #E44B83CE

RGBA 228 75 131 0.81

HSLA 338.04, 0.74%, 0.59%, 0.81

LABA 55.24, 63.22, 2.17, 0.81

 

CMYK 0 / 50 / 31 / 3

HEX #F55D96CE

RGBA 245 93 150 0.81

HSLA 337.5, 0.88%, 0.66%, 0.81

LABA 61.17, 62.97, 0, 0.81

 

CMYK 0 / 71 / 44 / 26

HEX #AC154FCE

RGBA 172 21 79 0.81

HSLA 336.95, 0.78%, 0.38%, 0.81

LABA 37.61, 59.69, 7.57, 0.81

 

CMYK 0 / 79 / 50 / 32

HEX #9B033CCE

RGBA 155 3 60 0.81

HSLA 337.5, 0.96%, 0.31%, 0.81

LABA 32.61, 56.8, 12.49, 0.81

 

CMYK 0 / 81 / 57 / 37

HEX #8A0029CE

RGBA 138 0 41 0.81

HSLA 342.17, 1%, 0.27%, 0.81

LABA 28.28, 51.91, 18.77, 0.81

 

CMYK 0 / 81 / 66 / 43

HEX #790016CE

RGBA 121 0 22 0.81

HSLA 349.09, 1%, 0.24%, 0.81

LABA 24.07, 46.67, 25.45, 0.81

 

CMYK 0 / 81 / 79 / 48

HEX #680003CE

RGBA 104 0 3 0.81

HSLA 358.27, 1%, 0.2%, 0.81

LABA 19.84, 41.51, 29.15, 0.81

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

CMYK 0 / 88 / 77 / 33

HEX #AC1527

RGB 172 21 39

HSL 352.85, 0.78%, 0.38%

LAB 36.84, 57.47, 31.98

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

CMYK 0 / 88 / 30 / 33

HEX #AC1578

RGB 172 21 120

HSL 320.66, 0.78%, 0.38%

LAB 39.01, 63.59, -16.41

 

CMYK 0 / 88 / 6 / 33

HEX #AC15A1

RGB 172 21 161

HSL 304.37, 0.78%, 0.38%

LAB 41.03, 68.97, -38.37

 

CMYK 17 / 88 / 0 / 33

HEX #8F15AC

RGB 143 21 172

HSL 288.48, 0.78%, 0.38%

LAB 36.66, 65.6, -52.25

 

CMYK 40 / 88 / 0 / 33

HEX #6715AC

RGB 103 21 172

HSL 272.58, 0.78%, 0.38%

LAB 30.4, 59.65, -62.72

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

CMYK 0 / 97 / 60 / 26

HEX #BC064C

RGB 188 6 76

HSL 336.92, 0.94%, 0.38%

LAB 40.15, 65.46, 13.53

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

CMYK 0 / 76 / 47 / 38

HEX #9D2553

RGB 157 37 83

HSL 337, 0.62%, 0.38%

LAB 36.21, 51.78, 2.59

 

CMYK 0 / 62 / 38 / 45

HEX #8D3557

RGB 141 53 87

HSL 336.82, 0.45%, 0.38%

LAB 35.79, 40.71, -0.94

 

CMYK 0 / 46 / 28 / 51

HEX #7D445A

RGB 125 68 90

HSL 336.84, 0.3%, 0.38%

LAB 36.43, 27.4, -2.2

 

CMYK 0 / 24 / 15 / 57

HEX #6E545E

RGB 110 84 94

HSL 336.92, 0.13%, 0.38%

LAB 38.66, 12.55, -1.64

 

CMYK 0 / 88 / 6 / 33

HEX #AC15A2

RGB 172 21 162

HSL 303.97, 0.78%, 0.38%

LAB 41.08, 69.12, -38.88

 

CMYK 0 / 88 / 29 / 33

HEX #AC157A

RGB 172 21 122

HSL 319.87, 0.78%, 0.38%

LAB 39.09, 63.82, -17.52

 

CMYK 0 / 88 / 52 / 33

HEX #AC1552

RGB 172 21 82

HSL 335.76, 0.78%, 0.38%

LAB 37.69, 59.92, 5.76

 

CMYK 0 / 88 / 76 / 33

HEX #AC1529

RGB 172 21 41

HSL 352.05, 0.78%, 0.38%

LAB 36.87, 57.55, 30.79

 

CMYK 0 / 76 / 88 / 33

HEX #AC2915

RGB 172 41 21

HSL 7.95, 0.78%, 0.38%

LAB 38.57, 51.61, 43.39

 

CMYK 0 / 88 / 54 / 61

HEX #630C2E

RGB 99 12 46

HSL 336.55, 0.78%, 0.22%

LAB 20.49, 39.23, 3.31

 

CMYK 0 / 88 / 54 / 47

HEX #88113E

RGB 136 17 62

HSL 337.31, 0.78%, 0.3%

LAB 29.37, 49.74, 6.03

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

CMYK 0 / 88 / 54 / 18

HEX #D11A60

RGB 209 26 96

HSL 337.05, 0.78%, 0.46%

LAB 45.82, 69.25, 9.46

 

CMYK 0 / 79 / 49 / 10

HEX #E52F75

RGB 229 47 117

HSL 336.92, 0.78%, 0.54%

LAB 51.81, 71.28, 5.62

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

CMYK 0 / 17 / 88 / 33

HEX #AC8E15

RGB 172 142 21

HSL 48.08, 0.78%, 0.38%

LAB 60.04, 0.19, 60.78

 

CMYK 88 / 17 / 0 / 33

HEX #158EAC

RGB 21 142 172

HSL 191.92, 0.78%, 0.38%

LAB 54.54, -19.98, -24.49

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

CMYK 52 / 0 / 88 / 33

HEX #52AC15

RGB 82 172 21

HSL 95.76, 0.78%, 0.38%

LAB 62.8, -50.6, 60.65

 

CMYK 88 / 52 / 0 / 33

HEX #1552AC

RGB 21 82 172

HSL 215.76, 0.78%, 0.38%

LAB 36.31, 16.48, -53.32

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

CMYK 0 / 17 / 88 / 33

HEX #AC8E15

RGB 172 142 21

HSL 48.08, 0.78%, 0.38%

LAB 60.04, 0.19, 60.78

 

CMYK 88 / 0 / 35 / 33

HEX #15AC70

RGB 21 172 112

HSL 156.16, 0.78%, 0.38%

LAB 62.37, -50.73, 20.8

 

CMYK 88 / 70 / 0 / 33

HEX #1534AC

RGB 21 52 172

HSL 227.68, 0.78%, 0.38%

LAB 28.36, 36.53, -66.31

 

CMYK 0 / 88 / 54 / 33

HEX #AC154F

RGB 172 21 79

HSL 336.95, 0.78%, 0.38%

LAB 37.61, 59.69, 7.57

 

CMYK 9 / 0 / 88 / 33

HEX #9DAC15

RGB 157 172 21

HSL 65.96, 0.78%, 0.38%

LAB 67.07, -22.27, 65.95

 

CMYK 88 / 0 / 35 / 33

HEX #15AC70

RGB 21 172 112

HSL 156.16, 0.78%, 0.38%

LAB 62.37, -50.73, 20.8

 

CMYK 79 / 88 / 0 / 33

HEX #2415AC

RGB 36 21 172

HSL 245.96, 0.78%, 0.38%

LAB 23.3, 53.67, -74.68

 

Description

Color code: HEX #AC154FCE | qconv.com Color code: HEX #AC154FCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 21 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 21 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 44 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 44% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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