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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 9 / 0 / 88 / 33 it is the complementary color CMYK 57 / 64 / 0 / 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 9 / 0 / 88 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 9 / 0 / 88 / 33: CMYK 6 / 0 / 91 / 33, CMYK 6 / 0 / 81 / 26, CMYK 6 / 0 / 74 / 19, CMYK 6 / 0 / 68 / 12 and CMYK 6 / 0 / 62 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 9 / 0 / 88 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 9 / 0 / 88 / 33: CMYK 9 / 0 / 88 / 33, CMYK 10 / 0 / 99 / 40, CMYK 10 / 0 / 100 / 47, CMYK 11 / 0 / 100 / 54 and CMYK 12 / 0 / 100 / 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 88 / 33

HEX #9BAB15

RGB 155 171 21

HSL 66.4, 0.78%, 0.38%

LAB 66.63, -22.63, 65.53

 

Complementary color

CMYK 57 / 64 / 0 / 8

HEX #6454EA

RGB 100 84 234

HSL 246.4, 0.78%, 0.62%

LAB 45.62, 47.22, -73.86

 

CMYK 6 / 0 / 91 / 33

HEX #A0AB10

RGB 160 171 16

HSL 64.26, 0.83%, 0.37%

LAB 67, -20.57, 66.9

 

CMYK 6 / 0 / 81 / 26

HEX #B1BD23

RGB 177 189 35

HSL 64.68, 0.69%, 0.44%

LAB 73.46, -21.72, 68.72

 

CMYK 6 / 0 / 74 / 19

HEX #C2CF36

RGB 194 207 54

HSL 65.1, 0.61%, 0.51%

LAB 79.82, -22.66, 69.36

 

CMYK 6 / 0 / 68 / 12

HEX #D3E149

RGB 211 225 73

HSL 65.53, 0.72%, 0.58%

LAB 86.1, -23.44, 69.26

 

CMYK 6 / 0 / 62 / 5

HEX #E4F35C

RGB 228 243 92

HSL 65.96, 0.86%, 0.66%

LAB 92.3, -24.08, 68.73

 

CMYK 9 / 0 / 88 / 33

HEX #9BAB15

RGB 155 171 21

HSL 66.4, 0.78%, 0.38%

LAB 66.63, -22.63, 65.53

 

CMYK 10 / 0 / 99 / 40

HEX #8A9902

RGB 138 153 2

HSL 65.96, 0.97%, 0.3%

LAB 60.06, -21.39, 62.79

 

CMYK 10 / 0 / 100 / 47

HEX #798700

RGB 121 135 0

HSL 66.22, 1%, 0.26%

LAB 53.38, -19.84, 57.53

 

CMYK 11 / 0 / 100 / 54

HEX #687500

RGB 104 117 0

HSL 66.67, 1%, 0.23%

LAB 46.53, -18.22, 51.84

 

CMYK 12 / 0 / 100 / 61

HEX #576300

RGB 87 99 0

HSL 67.27, 1%, 0.19%

LAB 39.5, -16.56, 45.98

 

CMYK 9 / 0 / 88 / 33

HEX #9BAB15

RGB 155 171 21

HSL 66.4, 0.78%, 0.38%

LAB 66.63, -22.63, 65.53

 

CMYK 23 / 0 / 88 / 33

HEX #84AC15

RGB 132 172 21

HSL 75.89, 0.78%, 0.38%

LAB 65.33, -32.77, 63.8

 

CMYK 38 / 0 / 88 / 33

HEX #6AAC15

RGB 106 172 21

HSL 86.23, 0.78%, 0.38%

LAB 63.85, -42.74, 61.96

 

CMYK 53 / 0 / 88 / 33

HEX #51AC15

RGB 81 172 21

HSL 96.16, 0.78%, 0.38%

LAB 62.77, -50.89, 60.6

 

CMYK 67 / 0 / 88 / 33

HEX #38AC15

RGB 56 172 21

HSL 106.09, 0.78%, 0.38%

LAB 62, -57.17, 59.63

 

CMYK 9 / 0 / 88 / 33

HEX #9BAB15

RGB 155 171 21

HSL 66.4, 0.78%, 0.38%

LAB 66.63, -22.63, 65.53

 

CMYK 9 / 0 / 88 / 13

HEX #C9DE1B

RGB 201 222 27

HSL 66.46, 0.78%, 0.49%

LAB 84.35, -27.82, 80.22

 

CMYK 11 / 0 / 89 / 93

HEX #101202

RGB 16 18 2

HSL 67.5, 0.8%, 0.04%

LAB 4.94, -3.24, 6.52

 

CMYK 9 / 0 / 88 / 73

HEX #3F4508

RGB 63 69 8

HSL 65.9, 0.79%, 0.15%

LAB 27.66, -11.1, 32.89

 

CMYK 9 / 0 / 88 / 53

HEX #6D780F

RGB 109 120 15

HSL 66.29, 0.78%, 0.26%

LAB 47.9, -17.11, 49.85

 

CMYK 9 / 0 / 88 / 33

HEX #9BAB15

RGB 155 171 21

HSL 66.4, 0.78%, 0.38%

LAB 66.63, -22.63, 65.53

 

CMYK 88 / 0 / 62 / 33

HEX #15AC42

RGB 21 172 66

HSL 137.88, 0.78%, 0.38%

LAB 61.7, -58.59, 43.41

 

CMYK 26 / 88 / 0 / 33

HEX #7F15AC

RGB 127 21 172

HSL 282.12, 0.78%, 0.38%

LAB 34.04, 63.05, -56.62

 

CMYK 9 / 0 / 88 / 33

HEX #9BAB15

RGB 155 171 21

HSL 66.4, 0.78%, 0.38%

LAB 66.63, -22.63, 65.53

 

CMYK 88 / 9 / 0 / 33

HEX #159DAC

RGB 21 157 172

HSL 185.96, 0.78%, 0.38%

LAB 59.21, -27.7, -17.35

 

CMYK 0 / 88 / 9 / 33

HEX #AC159D

RGB 172 21 157

HSL 305.96, 0.78%, 0.38%

LAB 40.8, 68.39, -36.32

 

CMYK 9 / 0 / 88 / 33

HEX #9BAB15

RGB 155 171 21

HSL 66.4, 0.78%, 0.38%

LAB 66.63, -22.63, 65.53

 

CMYK 88 / 0 / 62 / 33

HEX #15AC42

RGB 21 172 66

HSL 137.88, 0.78%, 0.38%

LAB 61.7, -58.59, 43.41

 

CMYK 79 / 88 / 0 / 33

HEX #2415AC

RGB 36 21 172

HSL 245.96, 0.78%, 0.38%

LAB 23.3, 53.67, -74.68

 

CMYK 0 / 88 / 26 / 33

HEX #AC157F

RGB 172 21 127

HSL 317.88, 0.78%, 0.38%

LAB 39.31, 64.41, -20.3

 

CMYK 9 / 0 / 88 / 33

HEX #9BAB15

RGB 155 171 21

HSL 66.4, 0.78%, 0.38%

LAB 66.63, -22.63, 65.53

 

CMYK 88 / 0 / 35 / 33

HEX #15AC70

RGB 21 172 112

HSL 156.16, 0.78%, 0.38%

LAB 62.37, -50.73, 20.8

 

CMYK 79 / 88 / 0 / 33

HEX #2415AC

RGB 36 21 172

HSL 245.96, 0.78%, 0.38%

LAB 23.3, 53.67, -74.68

 

CMYK 0 / 88 / 53 / 33

HEX #AC1551

RGB 172 21 81

HSL 336.16, 0.78%, 0.38%

LAB 37.66, 59.84, 6.36

 

Description

Color code: CMYK 9 / 0 / 88 / 33 | qconv.com Color code: CMYK 9 / 0 / 88 / 33 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 171 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 171 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 88 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 88% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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