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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DE4C8A it is the complementary color #21B375. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DE4C8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DE4C8A: #E34C85, #F45E98, #FF70AB, #FF82BE and #FF94D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DE4C8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DE4C8A: #DE4C8A, #CD3A77, #BC2864, #AB1651 and #9A043E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 38 / 13

HEX #DE4C8A

RGB 222 76 138

HSL 334.52, 0.69%, 0.58%

LAB 54.59, 61.79, -3.05

Complementary color

CMYK 82 / 0 / 35 / 30

HEX #21B375

RGB 33 179 117

HSL 154.52, 0.69%, 0.42%

LAB 64.84, -51.27, 21.47

 

CMYK 0 / 67 / 41 / 11

HEX #E34C85

RGB 227 76 133

HSL 337.35, 0.73%, 0.59%

LAB 55.27, 62.74, 1.01

 

CMYK 0 / 61 / 38 / 4

HEX #F45E98

RGB 244 94 152

HSL 336.8, 0.87%, 0.66%

LAB 61.23, 62.46, -1.09

 

CMYK 0 / 56 / 33 / 0

HEX #FF70AB

RGB 255 112 171

HSL 335.24, 1%, 0.72%

LAB 66.36, 60.11, -4.25

 

CMYK 0 / 49 / 25 / 0

HEX #FF82BE

RGB 255 130 190

HSL 331.2, 1%, 0.75%

LAB 70.14, 54.08, -9.34

 

CMYK 0 / 42 / 18 / 0

HEX #FF94D1

RGB 255 148 209

HSL 325.79, 1%, 0.79%

LAB 74.22, 47.86, -13.77

 

CMYK 0 / 66 / 38 / 13

HEX #DE4C8A

RGB 222 76 138

HSL 334.52, 0.69%, 0.58%

LAB 54.59, 61.79, -3.05

RAL® 4001

CMYK 0 / 72 / 42 / 20

HEX #CD3A77

RGB 205 58 119

HSL 335.1, 0.6%, 0.52%

LAB 48.68, 61.7, -0.67

 

CMYK 0 / 79 / 47 / 26

HEX #BC2864

RGB 188 40 100

HSL 335.68, 0.65%, 0.45%

LAB 42.96, 61.02, 2.33

 

CMYK 0 / 87 / 53 / 33

HEX #AB1651

RGB 171 22 81

HSL 336.24, 0.77%, 0.38%

LAB 37.53, 59.39, 6.14

 

CMYK 0 / 97 / 60 / 40

HEX #9A043E

RGB 154 4 62

HSL 336.8, 0.95%, 0.31%

LAB 32.49, 56.54, 10.96

 

CMYK 0 / 66 / 38 / 13

HEX #DE4C8A

RGB 222 76 138

HSL 334.52, 0.69%, 0.58%

LAB 54.59, 61.79, -3.05

RAL® 4001

CMYK 0 / 67 / 49 / 13

HEX #DD4A71

RGB 221 74 113

HSL 344.08, 0.68%, 0.58%

LAB 53.45, 59.87, 10.17

 

CMYK 0 / 67 / 60 / 13

HEX #DD4A58

RGB 221 74 88

HSL 354.29, 0.68%, 0.58%

LAB 52.92, 57.96, 24.33

 

CMYK 0 / 62 / 67 / 13

HEX #DD534A

RGB 221 83 74

HSL 3.67, 0.68%, 0.58%

LAB 54.08, 53.37, 33.92

 

CMYK 0 / 51 / 67 / 13

HEX #DD6C4A

RGB 221 108 74

HSL 13.88, 0.68%, 0.58%

LAB 58.59, 41.63, 39.31

 

CMYK 0 / 66 / 38 / 13

HEX #DE4C8A

RGB 222 76 138

HSL 334.52, 0.69%, 0.58%

LAB 54.59, 61.79, -3.05

RAL® 4001

CMYK 0 / 67 / 39 / 93

HEX #12060B

RGB 18 6 11

HSL 335, 0.5%, 0.05%

LAB 2.56, 4.34, -0.62

 

CMYK 0 / 65 / 38 / 73

HEX #45182B

RGB 69 24 43

HSL 334.67, 0.48%, 0.18%

LAB 15.97, 23.94, -1.88

 

CMYK 0 / 66 / 38 / 53

HEX #78294B

RGB 120 41 75

HSL 334.18, 0.49%, 0.32%

LAB 29.63, 37.84, -2.63

 

CMYK 0 / 65 / 38 / 33

HEX #AB3B6A

RGB 171 59 106

HSL 334.82, 0.49%, 0.45%

LAB 42.5, 49.92, -2.45

 

CMYK 0 / 66 / 38 / 13

HEX #DE4C8A

RGB 222 76 138

HSL 334.52, 0.69%, 0.58%

LAB 54.59, 61.79, -3.05

RAL® 4001

CMYK 0 / 15 / 67 / 13

HEX #DDBB4A

RGB 221 187 74

HSL 46.12, 0.68%, 0.58%

LAB 76.93, -0.1, 59.69

 

CMYK 67 / 11 / 0 / 13

HEX #4AC5DD

RGB 74 197 221

HSL 189.8, 0.68%, 0.58%

LAB 73.94, -26.44, -21.97

 

CMYK 0 / 66 / 38 / 13

HEX #DE4C8A

RGB 222 76 138

HSL 334.52, 0.69%, 0.58%

LAB 54.59, 61.79, -3.05

RAL® 4001

CMYK 38 / 0 / 67 / 13

HEX #8ADD4A

RGB 138 221 74

HSL 93.88, 0.68%, 0.58%

LAB 80.52, -49.08, 61.72

 

CMYK 67 / 38 / 0 / 13

HEX #4A8ADD

RGB 74 138 221

HSL 213.88, 0.68%, 0.58%

LAB 56.93, 5.84, -48.41

 

CMYK 0 / 66 / 38 / 13

HEX #DE4C8A

RGB 222 76 138

HSL 334.52, 0.69%, 0.58%

LAB 54.59, 61.79, -3.05

RAL® 4001

CMYK 0 / 15 / 67 / 13

HEX #DDBB4A

RGB 221 187 74

HSL 46.12, 0.68%, 0.58%

LAB 76.93, -0.1, 59.69

 

CMYK 67 / 0 / 29 / 13

HEX #4ADD9D

RGB 74 221 157

HSL 153.88, 0.68%, 0.58%

LAB 79.39, -53.57, 20.27

 

CMYK 67 / 51 / 0 / 13

HEX #4A6CDD

RGB 74 108 221

HSL 226.12, 0.68%, 0.58%

LAB 48.76, 24.26, -61.48

 

CMYK 0 / 66 / 38 / 13

HEX #DE4C8A

RGB 222 76 138

HSL 334.52, 0.69%, 0.58%

LAB 54.59, 61.79, -3.05

RAL® 4001

CMYK 5 / 0 / 67 / 13

HEX #D3DD4A

RGB 211 221 74

HSL 64.08, 0.68%, 0.58%

LAB 85.03, -21.45, 67.8

 

CMYK 67 / 0 / 29 / 13

HEX #4ADD9D

RGB 74 221 157

HSL 153.88, 0.68%, 0.58%

LAB 79.39, -53.57, 20.27

 

CMYK 62 / 67 / 0 / 13

HEX #534ADD

RGB 83 74 221

HSL 243.67, 0.68%, 0.58%

LAB 41.15, 46.37, -73.84

 

Description

Color code: HEX #DE4C8A | qconv.com Color code: HEX #DE4C8A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 76 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 76 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 38 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 38% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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