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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 94 152 it is the complementary color RGB 11 161 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 94 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 244 94 152: RGB 249 94 147, RGB 255 112 166, RGB 255 130 185, RGB 255 148 204 and RGB 255 166 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 94 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 244 94 152: RGB 244 94 152, RGB 227 76 133, RGB 210 58 114, RGB 193 40 95 and RGB 176 22 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 38 / 4

HEX #F45E98

RGB 244 94 152

HSL 336.8, 0.87%, 0.66%

LAB 61.23, 62.46, -1.09

 

Complementary color

CMYK 93 / 0 / 36 / 37

HEX #0BA167

RGB 11 161 103

HSL 156.8, 0.87%, 0.34%

LAB 58.55, -49.15, 20.52

 

CMYK 0 / 62 / 41 / 2

HEX #F95E93

RGB 249 94 147

HSL 339.48, 0.93%, 0.67%

LAB 61.87, 63.45, 2.84

 

CMYK 0 / 56 / 35 / 0

HEX #FF70A6

RGB 255 112 166

HSL 337.34, 1%, 0.72%

LAB 66.21, 59.53, -1.62

 

CMYK 0 / 49 / 27 / 0

HEX #FF82B9

RGB 255 130 185

HSL 333.6, 1%, 0.75%

LAB 69.98, 53.42, -6.77

 

CMYK 0 / 42 / 20 / 0

HEX #FF94CC

RGB 255 148 204

HSL 328.6, 1%, 0.79%

LAB 74.06, 47.13, -11.25

 

CMYK 0 / 35 / 13 / 0

HEX #FFA6DF

RGB 255 166 223

HSL 321.57, 1%, 0.83%

LAB 78.38, 40.81, -15.16

 

CMYK 0 / 61 / 38 / 4

HEX #F45E98

RGB 244 94 152

HSL 336.8, 0.87%, 0.66%

LAB 61.23, 62.46, -1.09

 

CMYK 0 / 67 / 41 / 11

HEX #E34C85

RGB 227 76 133

HSL 337.35, 0.73%, 0.59%

LAB 55.27, 62.74, 1.01

 

CMYK 0 / 72 / 46 / 18

HEX #D23A72

RGB 210 58 114

HSL 337.89, 0.63%, 0.53%

LAB 49.43, 62.64, 3.56

 

CMYK 0 / 79 / 51 / 24

HEX #C1285F

RGB 193 40 95

HSL 338.43, 0.66%, 0.46%

LAB 43.77, 61.93, 6.74

 

CMYK 0 / 88 / 57 / 31

HEX #B0164C

RGB 176 22 76

HSL 338.96, 0.78%, 0.39%

LAB 38.42, 60.3, 10.76

 

CMYK 0 / 61 / 38 / 4

HEX #F45E98

RGB 244 94 152

HSL 336.8, 0.87%, 0.66%

LAB 61.23, 62.46, -1.09

 

CMYK 0 / 62 / 47 / 5

HEX #F35C80

RGB 243 92 128

HSL 345.7, 0.86%, 0.66%

LAB 60.13, 60.64, 11.25

 

CMYK 0 / 62 / 58 / 5

HEX #F35C66

RGB 243 92 102

HSL 356.03, 0.86%, 0.66%

LAB 59.59, 58.58, 25.59

 

CMYK 0 / 56 / 62 / 5

HEX #F36B5C

RGB 243 107 92

HSL 5.96, 0.86%, 0.66%

LAB 61.95, 51.25, 34.29

 

CMYK 0 / 45 / 62 / 5

HEX #F3855C

RGB 243 133 92

HSL 16.29, 0.86%, 0.66%

LAB 66.98, 38.51, 40.47

 

CMYK 0 / 61 / 38 / 4

HEX #F45E98

RGB 244 94 152

HSL 336.8, 0.87%, 0.66%

LAB 61.23, 62.46, -1.09

 

CMYK 0 / 63 / 38 / 84

HEX #280F19

RGB 40 15 25

HSL 336, 0.45%, 0.11%

LAB 7.79, 14.55, -1.16

 

CMYK 0 / 62 / 37 / 64

HEX #5B2339

RGB 91 35 57

HSL 336.43, 0.44%, 0.25%

LAB 22.73, 28.25, -1.29

 

CMYK 0 / 61 / 38 / 44

HEX #8E3758

RGB 142 55 88

HSL 337.24, 0.44%, 0.39%

LAB 36.34, 40.21, -0.74

 

CMYK 0 / 62 / 38 / 24

HEX #C14A78

RGB 193 74 120

HSL 336.81, 0.49%, 0.52%

LAB 49, 51.87, -1.05

 

CMYK 0 / 61 / 38 / 4

HEX #F45E98

RGB 244 94 152

HSL 336.8, 0.87%, 0.66%

LAB 61.23, 62.46, -1.09

 

CMYK 0 / 12 / 62 / 5

HEX #F3D55C

RGB 243 213 92

HSL 48.08, 0.86%, 0.66%

LAB 85.71, -3.19, 61.99

 

CMYK 62 / 12 / 0 / 5

HEX #5CD5F3

RGB 92 213 243

HSL 191.92, 0.86%, 0.66%

LAB 79.8, -25.03, -24.8

 

CMYK 0 / 61 / 38 / 4

HEX #F45E98

RGB 244 94 152

HSL 336.8, 0.87%, 0.66%

LAB 61.23, 62.46, -1.09

 

CMYK 37 / 0 / 62 / 5

HEX #99F35C

RGB 153 243 92

HSL 95.76, 0.86%, 0.66%

LAB 87.8, -51.68, 62.55

 

CMYK 62 / 37 / 0 / 5

HEX #5C99F3

RGB 92 153 243

HSL 215.76, 0.86%, 0.66%

LAB 62.95, 7.46, -51.01

 

CMYK 0 / 61 / 38 / 4

HEX #F45E98

RGB 244 94 152

HSL 336.8, 0.87%, 0.66%

LAB 61.23, 62.46, -1.09

 

CMYK 0 / 12 / 62 / 5

HEX #F3D55C

RGB 243 213 92

HSL 48.08, 0.86%, 0.66%

LAB 85.71, -3.19, 61.99

 

CMYK 62 / 0 / 25 / 5

HEX #5CF3B7

RGB 92 243 183

HSL 156.16, 0.86%, 0.66%

LAB 86.9, -53.79, 17.26

 

CMYK 62 / 49 / 0 / 5

HEX #5C7BF3

RGB 92 123 243

HSL 227.68, 0.86%, 0.66%

LAB 54.98, 25.44, -63.74

 

CMYK 0 / 61 / 38 / 4

HEX #F45E98

RGB 244 94 152

HSL 336.8, 0.87%, 0.66%

LAB 61.23, 62.46, -1.09

 

CMYK 6 / 0 / 62 / 5

HEX #E4F35C

RGB 228 243 92

HSL 65.96, 0.86%, 0.66%

LAB 92.3, -24.08, 68.73

 

CMYK 62 / 0 / 25 / 5

HEX #5CF3B7

RGB 92 243 183

HSL 156.16, 0.86%, 0.66%

LAB 86.9, -53.79, 17.26

 

CMYK 56 / 62 / 0 / 5

HEX #6B5CF3

RGB 107 92 243

HSL 245.96, 0.86%, 0.66%

LAB 48.57, 46.52, -74.07

 

Description

Color code: RGB 244 94 152 | qconv.com Color code: RGB 244 94 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 94 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 94 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 38 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 38% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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