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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DC83684C it is the complementary color #237C974C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DC83684C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DC83684C shade: #E183634C, #F295764C, #FFA7894C, #FFB99C4C and #FFCBAF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DC83684C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DC83684C shade: #DC83684C, #CB71554C, #BA5F424C, #A94D2F4C and #983B1C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DC83684C shade: #DC856A and #DC6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DC83684C shade: #DC856A, #DCA36A, #DCC26A, #D7DC6A and #B9DC6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DC83684C shade matches the following richer shades: #DC856A, #EB7D5B and #FA754D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DC83684C shade: #DC856A, #CD8D79, #BE9588, #B09D97 and #A1A5A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DC83684C shade: #DC6A8E, #DC6A70, #DC836A, #DCA16A and #DCC06A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DC83684C shade: #C6522E, #D46949, #DC856A, #E4A08C and #ECBCAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DC83684C shade: #DC8368, #ADDC6A and #6A7FDC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DC83684C shade: #DC8368, #6ADC83 and #836ADC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DC83684C shade: #DC8368, #ADDC6A, #6AC3DC and #9A6ADC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DC83684C shade: #DC8368, #8BDC6A, #6AC3DC and #BC6ADC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 16 / 4

HEX #DC83684C

RGBA 220 131 104 0.3

HSLA 13.97, 0.62%, 0.64%, 0.3

LABA 63.71, 31.52, 29.22, 0.3

 

Complementary color

CMYK 23 / 5 / 0 / 12

HEX #237C974C

RGBA 35 124 151 0.3

HSLA 193.97, 0.62%, 0.36%, 0.3

LABA 48.27, -16.23, -21.96, 0.3

 

CMYK 0 / 13 / 17 / 4

HEX #E183634C

RGBA 225 131 99 0.3

HSLA 15.24, 0.68%, 0.64%, 0.3

LABA 64.27, 33.06, 32.83, 0.3

 

CMYK 0 / 12 / 15 / 2

HEX #F295764C

RGBA 242 149 118 0.3

HSLA 15, 0.83%, 0.71%, 0.3

LABA 70.65, 31.84, 31.13, 0.3

 

CMYK 0 / 10 / 14 / 0

HEX #FFA7894C

RGBA 255 167 137 0.3

HSLA 15.25, 1%, 0.77%, 0.3

LABA 76.5, 29.2, 28.89, 0.3

 

CMYK 0 / 8 / 12 / 0

HEX #FFB99C4C

RGBA 255 185 156 0.3

HSLA 17.58, 1%, 0.81%, 0.3

LABA 80.94, 21.75, 24.72, 0.3

 

CMYK 0 / 6 / 9 / 0

HEX #FFCBAF4C

RGBA 255 203 175 0.3

HSLA 21, 1%, 0.84%, 0.3

LABA 85.54, 14.59, 20.98, 0.3

 

CMYK 0 / 12 / 16 / 4

HEX #DC83684C

RGBA 220 131 104 0.3

HSLA 13.97, 0.62%, 0.64%, 0.3

LABA 63.71, 31.52, 29.22, 0.3

 

CMYK 0 / 13 / 17 / 6

HEX #CB71554C

RGBA 203 113 85 0.3

HSLA 14.24, 0.53%, 0.56%, 0.3

LABA 57.23, 32.8, 31.03, 0.3

 

CMYK 0 / 15 / 19 / 8

HEX #BA5F424C

RGBA 186 95 66 0.3

HSLA 14.5, 0.48%, 0.49%, 0.3

LABA 50.71, 34.21, 33.06, 0.3

 

CMYK 0 / 16 / 22 / 10

HEX #A94D2F4C

RGBA 169 77 47 0.3

HSLA 14.75, 0.56%, 0.42%, 0.3

LABA 44.16, 35.74, 35.34, 0.3

 

CMYK 0 / 18 / 24 / 12

HEX #983B1C4C

RGBA 152 59 28 0.3

HSLA 15, 0.69%, 0.35%, 0.3

LABA 37.64, 37.32, 37.75, 0.3

 

CMYK 0 / 40 / 52 / 14

HEX #DC856A

RGB 220 133 106

HSL 14.21, 0.62%, 0.64%

LAB 64.19, 30.63, 28.74

 

CMYK 0 / 52 / 52 / 14

HEX #DC6A6A

RGB 220 106 106

HSL 0, 0.62%, 0.64%

LAB 58.57, 44.55, 21.3

 

CMYK 0 / 40 / 52 / 14

HEX #DC856A

RGB 220 133 106

HSL 14.21, 0.62%, 0.64%

LAB 64.19, 30.63, 28.74

 

CMYK 0 / 26 / 52 / 14

HEX #DCA36A

RGB 220 163 106

HSL 30, 0.62%, 0.64%

LAB 71.18, 14.54, 37.68

 

CMYK 0 / 12 / 52 / 14

HEX #DCC26A

RGB 220 194 106

HSL 46.32, 0.62%, 0.64%

LAB 78.95, -1.88, 47.22

 

CMYK 2 / 0 / 52 / 14

HEX #D7DC6A

RGB 215 220 106

HSL 62.63, 0.62%, 0.64%

LAB 85.34, -17.09, 54.68

 

CMYK 16 / 0 / 52 / 14

HEX #B9DC6A

RGB 185 220 106

HSL 78.42, 0.62%, 0.64%

LAB 83.2, -28.86, 51.64

 

CMYK 0 / 40 / 52 / 14

HEX #DC856A

RGB 220 133 106

HSL 14.21, 0.62%, 0.64%

LAB 64.19, 30.63, 28.74

 

CMYK 0 / 47 / 61 / 8

HEX #EB7D5B

RGB 235 125 91

HSL 14.17, 0.78%, 0.64%

LAB 64.23, 39.45, 37.4

 

CMYK 0 / 53 / 69 / 2

HEX #FA754D

RGB 250 117 77

HSL 13.87, 0.95%, 0.64%

LAB 64.63, 48.2, 45.81

 

CMYK 0 / 40 / 52 / 14

HEX #DC856A

RGB 220 133 106

HSL 14.21, 0.62%, 0.64%

LAB 64.19, 30.63, 28.74

 

CMYK 0 / 31 / 41 / 20

HEX #CD8D79

RGB 205 141 121

HSL 14.29, 0.46%, 0.64%

LAB 64.49, 21.89, 20.49

 

CMYK 0 / 22 / 28 / 25

HEX #BE9588

RGB 190 149 136

HSL 14.44, 0.29%, 0.64%

LAB 65.14, 13.46, 12.74

 

CMYK 0 / 11 / 14 / 31

HEX #B09D97

RGB 176 157 151

HSL 14.4, 0.14%, 0.64%

LAB 66.2, 5.95, 5.67

 

CMYK 3 / 1 / 0 / 35

HEX #A1A5A6

RGB 161 165 166

HSL 192, 0.03%, 0.64%

LAB 67.46, -1.22, -1.02

 

CMYK 0 / 52 / 35 / 14

HEX #DC6A8E

RGB 220 106 142

HSL 341.05, 0.62%, 0.64%

LAB 59.41, 48.23, 1.62

 

CMYK 0 / 52 / 49 / 14

HEX #DC6A70

RGB 220 106 112

HSL 356.84, 0.62%, 0.64%

LAB 58.69, 45.09, 18

 

CMYK 0 / 40 / 52 / 14

HEX #DC836A

RGB 220 131 106

HSL 13.16, 0.62%, 0.64%

LAB 63.74, 31.69, 28.16

 

CMYK 0 / 27 / 52 / 14

HEX #DCA16A

RGB 220 161 106

HSL 28.95, 0.62%, 0.64%

LAB 70.7, 15.61, 37.07

 

CMYK 0 / 13 / 52 / 14

HEX #DCC06A

RGB 220 192 106

HSL 45.26, 0.62%, 0.64%

LAB 78.44, -0.84, 46.6

 

CMYK 0 / 59 / 77 / 22

HEX #C6522E

RGB 198 82 46

HSL 14.21, 0.62%, 0.48%

LAB 49.78, 44.32, 43.3

 

CMYK 0 / 50 / 66 / 17

HEX #D46949

RGB 212 105 73

HSL 13.81, 0.62%, 0.56%

LAB 56.67, 39.64, 37.25

 

CMYK 0 / 40 / 52 / 14

HEX #DC856A

RGB 220 133 106

HSL 14.21, 0.62%, 0.64%

LAB 64.19, 30.63, 28.74

 

CMYK 0 / 30 / 39 / 11

HEX #E4A08C

RGB 228 160 140

HSL 13.64, 0.62%, 0.72%

LAB 71.91, 22.8, 20.55

 

CMYK 0 / 20 / 27 / 7

HEX #ECBCAD

RGB 236 188 173

HSL 14.29, 0.62%, 0.8%

LAB 80.08, 15.08, 14.14

 

CMYK 0 / 40 / 53 / 14

HEX #DC8368

RGB 220 131 104

HSL 13.97, 0.62%, 0.64%

LAB 63.71, 31.52, 29.22

 

CMYK 21 / 0 / 52 / 14

HEX #ADDC6A

RGB 173 220 106

HSL 84.74, 0.62%, 0.64%

LAB 82.44, -33.37, 50.55

 

CMYK 52 / 42 / 0 / 14

HEX #6A7FDC

RGB 106 127 220

HSL 228.95, 0.62%, 0.64%

LAB 55.49, 18.29, -50.03

 

CMYK 0 / 40 / 53 / 14

HEX #DC8368

RGB 220 131 104

HSL 13.97, 0.62%, 0.64%

LAB 63.71, 31.52, 29.22

 

CMYK 52 / 0 / 40 / 14

HEX #6ADC83

RGB 106 220 131

HSL 133.16, 0.62%, 0.64%

LAB 79.55, -51.32, 34.05

 

CMYK 40 / 52 / 0 / 14

HEX #836ADC

RGB 131 106 220

HSL 253.16, 0.62%, 0.64%

LAB 52.18, 36.57, -55.22

 

CMYK 0 / 40 / 53 / 14

HEX #DC8368

RGB 220 131 104

HSL 13.97, 0.62%, 0.64%

LAB 63.71, 31.52, 29.22

 

CMYK 21 / 0 / 52 / 14

HEX #ADDC6A

RGB 173 220 106

HSL 84.74, 0.62%, 0.64%

LAB 82.44, -33.37, 50.55

 

CMYK 52 / 11 / 0 / 14

HEX #6AC3DC

RGB 106 195 220

HSL 193.16, 0.62%, 0.64%

LAB 74.36, -19.91, -20.69

 

CMYK 30 / 52 / 0 / 14

HEX #9A6ADC

RGB 154 106 220

HSL 265.26, 0.62%, 0.64%

LAB 54.39, 42.23, -51.55

 

CMYK 0 / 40 / 53 / 14

HEX #DC8368

RGB 220 131 104

HSL 13.97, 0.62%, 0.64%

LAB 63.71, 31.52, 29.22

 

CMYK 37 / 0 / 52 / 14

HEX #8BDC6A

RGB 139 220 106

HSL 102.63, 0.62%, 0.64%

LAB 80.58, -45.25, 47.88

 

CMYK 52 / 11 / 0 / 14

HEX #6AC3DC

RGB 106 195 220

HSL 193.16, 0.62%, 0.64%

LAB 74.36, -19.91, -20.69

 

CMYK 15 / 52 / 0 / 14

HEX #BC6ADC

RGB 188 106 220

HSL 283.16, 0.62%, 0.64%

LAB 58.19, 51.14, -45.28

 

Description

Color code: HEX #DC83684C | qconv.com Color code: HEX #DC83684C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 131 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 131 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 16 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 16% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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