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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #F295764C it is the complementary color #0D6A894C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #F295764C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #F295764C shade: #F795714C, #FFA7844C, #FFB9974C, #FFCBAA4C and #FFDDBD4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #F295764C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #F295764C shade: #F295764C, #E183634C, #D071504C, #BF5F3D4C and #AE4D2A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #F295764C shade: #F29678 and #F27878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #F295764C shade: #F29678, #F2B778, #F2D978, #EBF278 and #CAF278

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #F295764C shade matches the following richer shades: #F29678 and #FE906C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #F295764C shade: #F29678, #E69C84, #DAA290, #CFA89C and #C3AEA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #F295764C shade: #F2789A, #F2787A, #F29678, #F2B778 and #F2D878

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #F295764C shade: #EB5C2C, #EF7952, #F29678, #F6B49D and #F9D1C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #F295764C shade: #F29576, #BBF278 and #788AF2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #F295764C shade: #F29576, #78F296 and #9678F2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #F295764C shade: #F29576, #BBF278, #78D4F2 and #AF78F2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #F295764C shade: #F29576, #96F278, #78D4F2 and #D478F2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 15 / 2

HEX #F295764C

RGBA 242 149 118 0.3

HSLA 15, 0.83%, 0.71%, 0.3

LABA 70.65, 31.84, 31.13, 0.3

 

Complementary color

CMYK 27 / 7 / 0 / 14

HEX #0D6A894C

RGBA 13 106 137 0.3

HSLA 195, 0.83%, 0.29%, 0.3

LABA 41.53, -13.24, -24.09, 0.3

 

CMYK 0 / 12 / 16 / 1

HEX #F795714C

RGBA 247 149 113 0.3

HSLA 16.12, 0.89%, 0.71%, 0.3

LABA 71.19, 33.35, 34.64, 0.3

 

CMYK 0 / 10 / 14 / 0

HEX #FFA7844C

RGBA 255 167 132 0.3

HSLA 17.07, 1%, 0.76%, 0.3

LABA 76.41, 28.72, 31.45, 0.3

 

CMYK 0 / 8 / 12 / 0

HEX #FFB9974C

RGBA 255 185 151 0.3

HSLA 19.62, 1%, 0.8%, 0.3

LABA 80.85, 21.21, 27.25, 0.3

 

CMYK 0 / 6 / 10 / 0

HEX #FFCBAA4C

RGBA 255 203 170 0.3

HSLA 23.29, 1%, 0.83%, 0.3

LABA 85.44, 13.97, 23.47, 0.3

 

CMYK 0 / 4 / 8 / 0

HEX #FFDDBD4C

RGBA 255 221 189 0.3

HSLA 29.09, 1%, 0.87%, 0.3

LABA 90.16, 7.07, 20.06, 0.3

 

CMYK 0 / 12 / 15 / 2

HEX #F295764C

RGBA 242 149 118 0.3

HSLA 15, 0.83%, 0.71%, 0.3

LABA 70.65, 31.84, 31.13, 0.3

 

CMYK 0 / 13 / 17 / 4

HEX #E183634C

RGBA 225 131 99 0.3

HSLA 15.24, 0.68%, 0.64%, 0.3

LABA 64.27, 33.06, 32.83, 0.3

 

CMYK 0 / 14 / 18 / 6

HEX #D071504C

RGBA 208 113 80 0.3

HSLA 15.47, 0.58%, 0.56%, 0.3

LABA 57.85, 34.41, 34.71, 0.3

 

CMYK 0 / 15 / 20 / 8

HEX #BF5F3D4C

RGBA 191 95 61 0.3

HSLA 15.69, 0.52%, 0.49%, 0.3

LABA 51.38, 35.89, 36.8, 0.3

 

CMYK 0 / 17 / 23 / 10

HEX #AE4D2A4C

RGBA 174 77 42 0.3

HSLA 15.91, 0.61%, 0.42%, 0.3

LABA 44.9, 37.47, 39.07, 0.3

 

CMYK 0 / 38 / 50 / 5

HEX #F29678

RGB 242 150 120

HSL 14.75, 0.82%, 0.71%

LAB 70.9, 31.49, 30.37

 

CMYK 0 / 50 / 50 / 5

HEX #F27878

RGB 242 120 120

HSL 0, 0.82%, 0.71%

LAB 64.7, 46.78, 22.12

 

CMYK 0 / 38 / 50 / 5

HEX #F29678

RGB 242 150 120

HSL 14.75, 0.82%, 0.71%

LAB 70.9, 31.49, 30.37

 

CMYK 0 / 24 / 50 / 5

HEX #F2B778

RGB 242 183 120

HSL 30.98, 0.82%, 0.71%

LAB 78.52, 14.09, 40.15

 

CMYK 0 / 10 / 50 / 5

HEX #F2D978

RGB 242 217 120

HSL 47.7, 0.82%, 0.71%

LAB 86.93, -3.54, 50.53

 

CMYK 3 / 0 / 50 / 5

HEX #EBF278

RGB 235 242 120

HSL 63.44, 0.82%, 0.71%

LAB 92.8, -18.74, 57.4

 

CMYK 17 / 0 / 50 / 5

HEX #CAF278

RGB 202 242 120

HSL 79.67, 0.82%, 0.71%

LAB 90.51, -31.39, 54.12

 

CMYK 0 / 38 / 50 / 5

HEX #F29678

RGB 242 150 120

HSL 14.75, 0.82%, 0.71%

LAB 70.9, 31.49, 30.37

 

CMYK 0 / 43 / 57 / 0

HEX #FE906C

RGB 254 144 108

HSL 14.79, 0.99%, 0.71%

LAB 70.94, 38.23, 37.18

 

CMYK 0 / 38 / 50 / 5

HEX #F29678

RGB 242 150 120

HSL 14.75, 0.82%, 0.71%

LAB 70.9, 31.49, 30.37

 

CMYK 0 / 32 / 43 / 10

HEX #E69C84

RGB 230 156 132

HSL 14.69, 0.66%, 0.71%

LAB 71.05, 24.83, 23.79

 

CMYK 0 / 26 / 34 / 15

HEX #DAA290

RGB 218 162 144

HSL 14.59, 0.5%, 0.71%

LAB 71.39, 18.33, 17.47

 

CMYK 0 / 19 / 25 / 19

HEX #CFA89C

RGB 207 168 156

HSL 14.12, 0.35%, 0.71%

LAB 72.01, 12.46, 11.58

 

CMYK 0 / 11 / 14 / 24

HEX #C3AEA8

RGB 195 174 168

HSL 13.33, 0.18%, 0.71%

LAB 72.69, 6.55, 5.83

 

CMYK 0 / 50 / 36 / 5

HEX #F2789A

RGB 242 120 154

HSL 343.28, 0.82%, 0.71%

LAB 65.47, 50.21, 3.9

 

CMYK 0 / 50 / 50 / 5

HEX #F2787A

RGB 242 120 122

HSL 359.02, 0.82%, 0.71%

LAB 64.74, 46.96, 21.04

 

CMYK 0 / 38 / 50 / 5

HEX #F29678

RGB 242 150 120

HSL 14.75, 0.82%, 0.71%

LAB 70.9, 31.49, 30.37

 

CMYK 0 / 24 / 50 / 5

HEX #F2B778

RGB 242 183 120

HSL 30.98, 0.82%, 0.71%

LAB 78.52, 14.09, 40.15

 

CMYK 0 / 11 / 50 / 5

HEX #F2D878

RGB 242 216 120

HSL 47.21, 0.82%, 0.71%

LAB 86.67, -3.03, 50.22

 

CMYK 0 / 61 / 81 / 8

HEX #EB5C2C

RGB 235 92 44

HSL 15.08, 0.83%, 0.55%

LAB 57.56, 53.03, 53.92

 

CMYK 0 / 49 / 66 / 6

HEX #EF7952

RGB 239 121 82

HSL 14.9, 0.83%, 0.63%

LAB 63.86, 42.42, 41.9

 

CMYK 0 / 38 / 50 / 5

HEX #F29678

RGB 242 150 120

HSL 14.75, 0.82%, 0.71%

LAB 70.9, 31.49, 30.37

 

CMYK 0 / 27 / 36 / 4

HEX #F6B49D

RGB 246 180 157

HSL 15.51, 0.83%, 0.79%

LAB 78.85, 21.06, 21.18

 

CMYK 0 / 16 / 22 / 2

HEX #F9D1C3

RGB 249 209 195

HSL 15.56, 0.82%, 0.87%

LAB 86.84, 11.92, 12.17

 

CMYK 0 / 38 / 51 / 5

HEX #F29576

RGB 242 149 118

HSL 15, 0.83%, 0.71%

LAB 70.65, 31.84, 31.13

 

CMYK 23 / 0 / 50 / 5

HEX #BBF278

RGB 187 242 120

HSL 87.05, 0.82%, 0.71%

LAB 89.59, -36.88, 52.79

 

CMYK 50 / 43 / 0 / 5

HEX #788AF2

RGB 120 138 242

HSL 231.15, 0.82%, 0.71%

LAB 60.41, 21.58, -54.41

 

CMYK 0 / 38 / 51 / 5

HEX #F29576

RGB 242 149 118

HSL 15, 0.83%, 0.71%

LAB 70.65, 31.84, 31.13

 

CMYK 50 / 0 / 38 / 5

HEX #78F296

RGB 120 242 150

HSL 134.75, 0.82%, 0.71%

LAB 86.85, -53.61, 34.16

 

CMYK 38 / 50 / 0 / 5

HEX #9678F2

RGB 150 120 242

HSL 254.75, 0.82%, 0.71%

LAB 58.35, 39.01, -57.56

 

CMYK 0 / 38 / 51 / 5

HEX #F29576

RGB 242 149 118

HSL 15, 0.83%, 0.71%

LAB 70.65, 31.84, 31.13

 

CMYK 23 / 0 / 50 / 5

HEX #BBF278

RGB 187 242 120

HSL 87.05, 0.82%, 0.71%

LAB 89.59, -36.88, 52.79

 

CMYK 50 / 12 / 0 / 5

HEX #78D4F2

RGB 120 212 242

HSL 194.75, 0.82%, 0.71%

LAB 80.45, -19.48, -23.19

 

CMYK 28 / 50 / 0 / 5

HEX #AF78F2

RGB 175 120 242

HSL 267.05, 0.82%, 0.71%

LAB 60.74, 45.22, -53.6

 

CMYK 0 / 38 / 51 / 5

HEX #F29576

RGB 242 149 118

HSL 15, 0.83%, 0.71%

LAB 70.65, 31.84, 31.13

 

CMYK 38 / 0 / 50 / 5

HEX #96F278

RGB 150 242 120

HSL 105.25, 0.82%, 0.71%

LAB 87.65, -49.38, 49.99

 

CMYK 50 / 12 / 0 / 5

HEX #78D4F2

RGB 120 212 242

HSL 194.75, 0.82%, 0.71%

LAB 80.45, -19.48, -23.19

 

CMYK 12 / 50 / 0 / 5

HEX #D478F2

RGB 212 120 242

HSL 285.25, 0.82%, 0.71%

LAB 64.84, 54.91, -46.86

 

Description

Color code: HEX #F295764C | qconv.com Color code: HEX #F295764C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 242 red, 149 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
242 149 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 15 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 15% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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