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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 22 / 28 / 25 it is the complementary color CMYK 45 / 9 / 0 / 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 22 / 28 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 22 / 28 / 25: CMYK 0 / 24 / 32 / 23, CMYK 0 / 22 / 29 / 16, CMYK 0 / 20 / 26 / 10, CMYK 0 / 18 / 23 / 3 and CMYK 0 / 13 / 18 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 22 / 28 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 22 / 28 / 25: CMYK 0 / 22 / 28 / 25, CMYK 0 / 25 / 32 / 32, CMYK 0 / 28 / 36 / 38, CMYK 0 / 32 / 42 / 45 and CMYK 0 / 37 / 50 / 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 28 / 25

HEX #BF958A

RGB 191 149 138

HSL 12.45, 0.29%, 0.65%

LAB 65.28, 14.13, 11.84

 

Complementary color

CMYK 45 / 9 / 0 / 54

HEX #406A75

RGB 64 106 117

HSL 192.45, 0.29%, 0.35%

LAB 42.28, -11.46, -10.74

 

CMYK 0 / 24 / 32 / 23

HEX #C49585

RGB 196 149 133

HSL 15.24, 0.35%, 0.65%

LAB 65.69, 15.41, 15.28

 

CMYK 0 / 22 / 29 / 16

HEX #D5A798

RGB 213 167 152

HSL 14.75, 0.42%, 0.72%

LAB 72.26, 14.74, 14.22

 

CMYK 0 / 20 / 26 / 10

HEX #E6B9AB

RGB 230 185 171

HSL 14.24, 0.54%, 0.79%

LAB 78.73, 14.15, 13.24

 

CMYK 0 / 18 / 23 / 3

HEX #F7CBBE

RGB 247 203 190

HSL 13.68, 0.78%, 0.86%

LAB 85.1, 13.61, 12.32

 

CMYK 0 / 13 / 18 / 0

HEX #FFDDD1

RGB 255 221 209

HSL 15.65, 1%, 0.91%

LAB 90.59, 9.9, 10.21

 

CMYK 0 / 22 / 28 / 25

HEX #BF958A

RGB 191 149 138

HSL 12.45, 0.29%, 0.65%

LAB 65.28, 14.13, 11.84

 

CMYK 0 / 25 / 32 / 32

HEX #AE8377

RGB 174 131 119

HSL 13.09, 0.25%, 0.57%

LAB 58.57, 14.81, 12.91

 

CMYK 0 / 28 / 36 / 38

HEX #9D7164

RGB 157 113 100

HSL 13.68, 0.23%, 0.5%

LAB 51.72, 15.6, 14.09

 

CMYK 0 / 32 / 42 / 45

HEX #8C5F51

RGB 140 95 81

HSL 14.24, 0.27%, 0.43%

LAB 44.74, 16.52, 15.42

 

CMYK 0 / 37 / 50 / 52

HEX #7B4D3E

RGB 123 77 62

HSL 14.75, 0.33%, 0.36%

LAB 37.6, 17.62, 16.97

 

CMYK 0 / 22 / 28 / 25

HEX #BF958A

RGB 191 149 138

HSL 12.45, 0.29%, 0.65%

LAB 65.28, 14.13, 11.84

 

CMYK 0 / 17 / 27 / 25

HEX #BF9E8B

RGB 191 158 139

HSL 21.92, 0.29%, 0.65%

LAB 67.57, 9.32, 14.5

 

CMYK 0 / 13 / 27 / 25

HEX #BFA78B

RGB 191 167 139

HSL 32.31, 0.29%, 0.65%

LAB 69.88, 4.42, 17.71

 

CMYK 0 / 8 / 27 / 25

HEX #BFB08B

RGB 191 176 139

HSL 42.69, 0.29%, 0.65%

LAB 72.22, -0.43, 20.93

 

CMYK 0 / 4 / 27 / 25

HEX #BFB88B

RGB 191 184 139

HSL 51.92, 0.29%, 0.65%

LAB 74.33, -4.67, 23.81

 

CMYK 0 / 22 / 28 / 25

HEX #BF958A

RGB 191 149 138

HSL 12.45, 0.29%, 0.65%

LAB 65.28, 14.13, 11.84

 

CMYK 0 / 22 / 28 / 5

HEX #F2BDAF

RGB 242 189 175

HSL 12.54, 0.72%, 0.82%

LAB 80.94, 17.06, 14.37

 

CMYK 0 / 21 / 29 / 85

HEX #261E1B

RGB 38 30 27

HSL 16.36, 0.17%, 0.13%

LAB 12.09, 3.26, 3.51

 

CMYK 0 / 22 / 28 / 65

HEX #594540

RGB 89 69 64

HSL 12, 0.16%, 0.3%

LAB 31.23, 7.72, 6.29

 

CMYK 0 / 22 / 28 / 45

HEX #8C6D65

RGB 140 109 101

HSL 12.31, 0.16%, 0.47%

LAB 48.82, 11.04, 9.17

 

CMYK 0 / 22 / 28 / 25

HEX #BF958A

RGB 191 149 138

HSL 12.45, 0.29%, 0.65%

LAB 65.28, 14.13, 11.84

 

CMYK 11 / 0 / 27 / 25

HEX #AABF8B

RGB 170 191 139

HSL 84.23, 0.29%, 0.65%

LAB 74.62, -16.31, 23.92

 

CMYK 27 / 21 / 0 / 25

HEX #8B96BF

RGB 139 150 191

HSL 227.31, 0.29%, 0.65%

LAB 62.56, 5.39, -22.52

 

CMYK 0 / 22 / 28 / 25

HEX #BF958A

RGB 191 149 138

HSL 12.45, 0.29%, 0.65%

LAB 65.28, 14.13, 11.84

 

CMYK 27 / 0 / 21 / 25

HEX #8BBF96

RGB 139 191 150

HSL 132.69, 0.29%, 0.65%

LAB 72.86, -25.38, 15.3

 

CMYK 21 / 27 / 0 / 25

HEX #968BBF

RGB 150 139 191

HSL 252.69, 0.29%, 0.65%

LAB 60.53, 15.11, -25.57

 

CMYK 0 / 22 / 28 / 25

HEX #BF958A

RGB 191 149 138

HSL 12.45, 0.29%, 0.65%

LAB 65.28, 14.13, 11.84

 

CMYK 11 / 0 / 27 / 25

HEX #AABF8B

RGB 170 191 139

HSL 84.23, 0.29%, 0.65%

LAB 74.62, -16.31, 23.92

 

CMYK 27 / 5 / 0 / 25

HEX #8BB5BF

RGB 139 181 191

HSL 191.54, 0.29%, 0.65%

LAB 71.08, -11.65, -9.66

 

CMYK 16 / 27 / 0 / 25

HEX #A08BBF

RGB 160 139 191

HSL 264.23, 0.29%, 0.65%

LAB 61.39, 18.3, -24.16

 

CMYK 0 / 22 / 28 / 25

HEX #BF958A

RGB 191 149 138

HSL 12.45, 0.29%, 0.65%

LAB 65.28, 14.13, 11.84

 

CMYK 19 / 0 / 27 / 25

HEX #9BBF8B

RGB 155 191 139

HSL 101.54, 0.29%, 0.65%

LAB 73.61, -21.78, 22.38

 

CMYK 27 / 5 / 0 / 25

HEX #8BB5BF

RGB 139 181 191

HSL 191.54, 0.29%, 0.65%

LAB 71.08, -11.65, -9.66

 

CMYK 8 / 27 / 0 / 25

HEX #B08BBF

RGB 176 139 191

HSL 282.69, 0.29%, 0.65%

LAB 62.89, 23.52, -21.74

 

Description

Color code: CMYK 0 / 22 / 28 / 25 | qconv.com Color code: CMYK 0 / 22 / 28 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 191 red, 149 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
191 149 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 28 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 28% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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