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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA8D2B it is the complementary color #2572D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA8D2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA8D2B shade: #DF8D26, #F09F39, #FFB14C, #FFC35F and #FFD572

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA8D2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA8D2B shade: #DA8D2B, #C97B18, #B86905, #A75700 and #964500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA8D2B shade: #DA8D2B, #DA5D2B, #DA2E2B and #DA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA8D2B shade: #DA8D2B, #DABC2B, #C8DA2B, #99DA2B and #6ADA2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA8D2B shade matches the following richer shades: #DA8D2B and #EE8F16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA8D2B shade: #DA8D2B, #C58A3F, #B18853, #9D8567 and #89837B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA8D2B shade: #DA2E2B, #DA5C2B, #DA8B2B, #DAB92B and #CBDA2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA8D2B shade: #97601B, #BA7721, #DA8D2B, #E09F4E and #E6B271

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA8D2B shade: #DA8D2B, #56DA2B and #452BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA8D2B shade: #DA8D2B, #2BDA8B and #8B2BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA8D2B shade: #DA8D2B, #56DA2B, #2B79DA and #AE2BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA8D2B shade: #DA8D2B, #2BDA33, #2B79DA and #DA2BD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 80 / 15

HEX #DA8D2B

RGB 218 141 43

HSL 33.6, 0.7%, 0.51%

LAB 65.07, 21.73, 60.32

 

Complementary color

CMYK 83 / 46 / 0 / 17

HEX #2572D4

RGB 37 114 212

HSL 213.6, 0.7%, 0.49%

LAB 48.49, 12.65, -56.89

 

CMYK 0 / 37 / 83 / 13

HEX #DF8D26

RGB 223 141 38

HSL 33.41, 0.74%, 0.51%

LAB 65.65, 23.69, 62.85

 

CMYK 0 / 34 / 76 / 6

HEX #F09F39

RGB 240 159 57

HSL 33.44, 0.86%, 0.58%

LAB 71.97, 21.93, 62.34

 

CMYK 0 / 31 / 70 / 0

HEX #FFB14C

RGB 255 177 76

HSL 33.85, 1%, 0.65%

LAB 78.01, 19.54, 61.04

 

CMYK 0 / 24 / 63 / 0

HEX #FFC35F

RGB 255 195 95

HSL 37.5, 1%, 0.69%

LAB 82.44, 11.22, 57.36

 

CMYK 0 / 16 / 55 / 0

HEX #FFD572

RGB 255 213 114

HSL 42.13, 1%, 0.72%

LAB 87.03, 3.26, 53.79

 

CMYK 0 / 35 / 80 / 15

HEX #DA8D2B

RGB 218 141 43

HSL 33.6, 0.7%, 0.51%

LAB 65.07, 21.73, 60.32

 

CMYK 0 / 39 / 88 / 21

HEX #C97B18

RGB 201 123 24

HSL 33.56, 0.79%, 0.44%

LAB 58.65, 23.65, 60.3

 

CMYK 0 / 43 / 97 / 28

HEX #B86905

RGB 184 105 5

HSL 33.52, 0.95%, 0.37%

LAB 52.18, 25.82, 58.85

 

CMYK 0 / 48 / 100 / 35

HEX #A75700

RGB 167 87 0

HSL 31.26, 1%, 0.33%

LAB 45.68, 28.26, 54.63

 

CMYK 0 / 54 / 100 / 41

HEX #964500

RGB 150 69 0

HSL 27.6, 1%, 0.29%

LAB 39.14, 30.75, 49.38

 

CMYK 0 / 35 / 80 / 15

HEX #DA8D2B

RGB 218 141 43

HSL 33.6, 0.7%, 0.51%

LAB 65.07, 21.73, 60.32

 

CMYK 0 / 57 / 80 / 15

HEX #DA5D2B

RGB 218 93 43

HSL 17.14, 0.7%, 0.51%

LAB 54.98, 46.42, 50.98

 

CMYK 0 / 79 / 80 / 15

HEX #DA2E2B

RGB 218 46 43

HSL 1.03, 0.7%, 0.51%

LAB 48.3, 64.5, 44.52

 

CMYK 0 / 80 / 80 / 15

HEX #DA2B2B

RGB 218 43 43

HSL 0, 0.7%, 0.51%

LAB 48.02, 65.3, 44.24

 

CMYK 0 / 35 / 80 / 15

HEX #DA8D2B

RGB 218 141 43

HSL 33.6, 0.7%, 0.51%

LAB 65.07, 21.73, 60.32

 

CMYK 0 / 14 / 80 / 15

HEX #DABC2B

RGB 218 188 43

HSL 49.71, 0.7%, 0.51%

LAB 76.71, -3.28, 70.69

 

CMYK 8 / 0 / 80 / 15

HEX #C8DA2B

RGB 200 218 43

HSL 66.17, 0.7%, 0.51%

LAB 83.23, -25.91, 75.82

 

CMYK 30 / 0 / 80 / 15

HEX #99DA2B

RGB 153 218 43

HSL 82.29, 0.7%, 0.51%

LAB 80.23, -44.37, 72.01

 

CMYK 51 / 0 / 80 / 15

HEX #6ADA2B

RGB 106 218 43

HSL 98.4, 0.7%, 0.51%

LAB 78.1, -59.77, 69.29

 

CMYK 0 / 35 / 80 / 15

HEX #DA8D2B

RGB 218 141 43

HSL 33.6, 0.7%, 0.51%

LAB 65.07, 21.73, 60.32

 

CMYK 0 / 40 / 91 / 7

HEX #EE8F16

RGB 238 143 22

HSL 33.61, 0.86%, 0.51%

LAB 67.93, 28.58, 69.95

 

CMYK 0 / 35 / 80 / 15

HEX #DA8D2B

RGB 218 141 43

HSL 33.6, 0.7%, 0.51%

LAB 65.07, 21.73, 60.32

 

CMYK 0 / 30 / 68 / 23

HEX #C58A3F

RGB 197 138 63

HSL 33.58, 0.54%, 0.51%

LAB 62, 15.24, 47.91

 

CMYK 0 / 23 / 53 / 31

HEX #B18853

RGB 177 136 83

HSL 33.83, 0.38%, 0.51%

LAB 59.51, 9.19, 34.28

 

CMYK 0 / 15 / 34 / 38

HEX #9D8567

RGB 157 133 103

HSL 33.33, 0.22%, 0.51%

LAB 57, 4.59, 19.58

 

CMYK 0 / 4 / 10 / 46

HEX #89837B

RGB 137 131 123

HSL 34.29, 0.06%, 0.51%

LAB 55.05, 0.77, 5.12

 

CMYK 0 / 79 / 80 / 15

HEX #DA2E2B

RGB 218 46 43

HSL 1.03, 0.7%, 0.51%

LAB 48.3, 64.5, 44.52

 

CMYK 0 / 58 / 80 / 15

HEX #DA5C2B

RGB 218 92 43

HSL 16.8, 0.7%, 0.51%

LAB 54.8, 46.89, 50.8

 

CMYK 0 / 36 / 80 / 15

HEX #DA8B2B

RGB 218 139 43

HSL 32.91, 0.7%, 0.51%

LAB 64.6, 22.8, 59.9

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 7 / 0 / 80 / 15

HEX #CBDA2B

RGB 203 218 43

HSL 65.14, 0.7%, 0.51%

LAB 83.45, -24.67, 76.1

 

CMYK 0 / 36 / 82 / 41

HEX #97601B

RGB 151 96 27

HSL 33.39, 0.7%, 0.35%

LAB 45.67, 16.69, 45.69

 

CMYK 0 / 36 / 82 / 27

HEX #BA7721

RGB 186 119 33

HSL 33.73, 0.7%, 0.43%

LAB 55.83, 19.57, 54.23

 

CMYK 0 / 35 / 80 / 15

HEX #DA8D2B

RGB 218 141 43

HSL 33.6, 0.7%, 0.51%

LAB 65.07, 21.73, 60.32

 

CMYK 0 / 29 / 65 / 12

HEX #E09F4E

RGB 224 159 78

HSL 33.29, 0.7%, 0.59%

LAB 70.31, 16.26, 50.81

 

CMYK 0 / 23 / 51 / 10

HEX #E6B271

RGB 230 178 113

HSL 33.33, 0.7%, 0.67%

LAB 75.98, 11.24, 40.29

 

CMYK 0 / 35 / 80 / 15

HEX #DA8D2B

RGB 218 141 43

HSL 33.6, 0.7%, 0.51%

LAB 65.07, 21.73, 60.32

 

CMYK 61 / 0 / 80 / 15

HEX #56DA2B

RGB 86 218 43

HSL 105.26, 0.7%, 0.51%

LAB 77.46, -64.9, 68.46

 

CMYK 68 / 80 / 0 / 15

HEX #452BDA

RGB 69 43 218

HSL 248.91, 0.7%, 0.51%

LAB 34.1, 59.99, -83.77

 

CMYK 0 / 35 / 80 / 15

HEX #DA8D2B

RGB 218 141 43

HSL 33.6, 0.7%, 0.51%

LAB 65.07, 21.73, 60.32

 

CMYK 80 / 0 / 36 / 15

HEX #2BDA8B

RGB 43 218 139

HSL 152.91, 0.7%, 0.51%

LAB 77.59, -60.25, 27.1

 

CMYK 36 / 80 / 0 / 15

HEX #8B2BDA

RGB 139 43 218

HSL 272.91, 0.7%, 0.51%

LAB 41.66, 68.24, -71.07

 

CMYK 0 / 35 / 80 / 15

HEX #DA8D2B

RGB 218 141 43

HSL 33.6, 0.7%, 0.51%

LAB 65.07, 21.73, 60.32

 

CMYK 61 / 0 / 80 / 15

HEX #56DA2B

RGB 86 218 43

HSL 105.26, 0.7%, 0.51%

LAB 77.46, -64.9, 68.46

 

CMYK 80 / 44 / 0 / 15

HEX #2B79DA

RGB 43 121 218

HSL 213.26, 0.7%, 0.51%

LAB 50.98, 11.1, -56.28

 

CMYK 20 / 80 / 0 / 15

HEX #AE2BDA

RGB 174 43 218

HSL 284.91, 0.7%, 0.51%

LAB 46.7, 73.84, -62.64

 

CMYK 0 / 35 / 80 / 15

HEX #DA8D2B

RGB 218 141 43

HSL 33.6, 0.7%, 0.51%

LAB 65.07, 21.73, 60.32

 

CMYK 80 / 0 / 77 / 15

HEX #2BDA33

RGB 43 218 51

HSL 122.74, 0.7%, 0.51%

LAB 76.62, -71.89, 65.01

 

CMYK 80 / 44 / 0 / 15

HEX #2B79DA

RGB 43 121 218

HSL 213.26, 0.7%, 0.51%

LAB 50.98, 11.1, -56.28

 

CMYK 0 / 80 / 4 / 15

HEX #DA2BD1

RGB 218 43 209

HSL 303.09, 0.7%, 0.51%

LAB 53.21, 80.36, -46.66

 

Description

Color code: HEX #DA8D2B | qconv.com Color code: HEX #DA8D2B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 141 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 141 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 80% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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