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Color name
HEX #DA5C2B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA5C2B it is the complementary color #25A3D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA5C2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA5C2B shade: #DF5C26, #F06E39, #FF804C, #FF925F and #FFA472

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA5C2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA5C2B shade: #DA5C2B, #C94A18, #B83805, #A72600 and #961400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA5C2B shade: #DA5C2B, #DA2C2B and #DA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA5C2B shade: #DA5C2B, #DA8B2B, #DABA2B, #CADA2B and #9BDA2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA5C2B shade matches the following richer shades: #DA5C2B and #EE5316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA5C2B shade: #DA5C2B, #C5643F, #B16D53, #9D7667 and #897F7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA5C2B shade: #DA2B59, #DA2B2B, #DA592B, #DA882B and #DAB72B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA5C2B shade: #973D1B, #BA4C21, #DA5C2B, #E0774E and #E69271

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA5C2B shade: #DA5C2B, #88DA2B and #2B42DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA5C2B shade: #DA5C2B, #2BDA59 and #592BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA5C2B shade: #DA5C2B, #88DA2B, #2BABDA and #7C2BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA5C2B shade: #DA5C2B, #53DA2B, #2BABDA and #B12BDA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 80 / 15

HEX #DA5C2B

RGB 218 92 43

HSL 16.8, 0.7%, 0.51%

LAB 54.8, 46.89, 50.8

 

Complementary color

CMYK 83 / 23 / 0 / 17

HEX #25A3D4

RGB 37 163 212

HSL 196.8, 0.7%, 0.49%

LAB 62.79, -16.13, -34.24

 

CMYK 0 / 59 / 83 / 13

HEX #DF5C26

RGB 223 92 38

HSL 17.51, 0.74%, 0.51%

LAB 55.57, 48.57, 54.03

 

CMYK 0 / 54 / 76 / 6

HEX #F06E39

RGB 240 110 57

HSL 17.38, 0.86%, 0.58%

LAB 61.63, 46.98, 52.12

 

CMYK 0 / 50 / 70 / 0

HEX #FF804C

RGB 255 128 76

HSL 17.43, 1%, 0.65%

LAB 67.44, 44.67, 49.68

 

CMYK 0 / 43 / 63 / 0

HEX #FF925F

RGB 255 146 95

HSL 19.13, 1%, 0.69%

LAB 71.31, 36.7, 44.49

 

CMYK 0 / 36 / 55 / 0

HEX #FFA472

RGB 255 164 114

HSL 21.28, 1%, 0.72%

LAB 75.47, 28.75, 39.73

 

CMYK 0 / 58 / 80 / 15

HEX #DA5C2B

RGB 218 92 43

HSL 16.8, 0.7%, 0.51%

LAB 54.8, 46.89, 50.8

 

CMYK 0 / 63 / 88 / 21

HEX #C94A18

RGB 201 74 24

HSL 16.95, 0.79%, 0.44%

LAB 48.74, 48.43, 52.5

 

CMYK 0 / 70 / 97 / 28

HEX #B83805

RGB 184 56 5

HSL 17.09, 0.95%, 0.37%

LAB 42.81, 49.79, 53.02

 

CMYK 0 / 77 / 100 / 35

HEX #A72600

RGB 167 38 0

HSL 13.65, 1%, 0.33%

LAB 37.12, 50.69, 50.02

 

CMYK 0 / 87 / 100 / 41

HEX #961400

RGB 150 20 0

HSL 8, 1%, 0.29%

LAB 31.77, 50.56, 45.17

 

CMYK 0 / 58 / 80 / 15

HEX #DA5C2B

RGB 218 92 43

HSL 16.8, 0.7%, 0.51%

LAB 54.8, 46.89, 50.8

 

CMYK 0 / 80 / 80 / 15

HEX #DA2C2B

RGB 218 44 43

HSL 0.34, 0.7%, 0.51%

LAB 48.11, 65.04, 44.33

 

CMYK 0 / 80 / 80 / 15

HEX #DA2B2B

RGB 218 43 43

HSL 0, 0.7%, 0.51%

LAB 48.02, 65.3, 44.24

 

CMYK 0 / 58 / 80 / 15

HEX #DA5C2B

RGB 218 92 43

HSL 16.8, 0.7%, 0.51%

LAB 54.8, 46.89, 50.8

 

CMYK 0 / 36 / 80 / 15

HEX #DA8B2B

RGB 218 139 43

HSL 32.91, 0.7%, 0.51%

LAB 64.6, 22.8, 59.9

 

CMYK 0 / 15 / 80 / 15

HEX #DABA2B

RGB 218 186 43

HSL 49.03, 0.7%, 0.51%

LAB 76.19, -2.24, 70.24

 

CMYK 7 / 0 / 80 / 15

HEX #CADA2B

RGB 202 218 43

HSL 65.49, 0.7%, 0.51%

LAB 83.38, -25.08, 76

 

CMYK 29 / 0 / 80 / 15

HEX #9BDA2B

RGB 155 218 43

HSL 81.6, 0.7%, 0.51%

LAB 80.34, -43.63, 72.16

 

CMYK 0 / 58 / 80 / 15

HEX #DA5C2B

RGB 218 92 43

HSL 16.8, 0.7%, 0.51%

LAB 54.8, 46.89, 50.8

 

CMYK 0 / 65 / 91 / 7

HEX #EE5316

RGB 238 83 22

HSL 16.94, 0.86%, 0.51%

LAB 56.51, 57.41, 61.76

 

CMYK 0 / 58 / 80 / 15

HEX #DA5C2B

RGB 218 92 43

HSL 16.8, 0.7%, 0.51%

LAB 54.8, 46.89, 50.8

 

CMYK 0 / 49 / 68 / 23

HEX #C5643F

RGB 197 100 63

HSL 16.57, 0.54%, 0.51%

LAB 53.32, 35.78, 38.2

 

CMYK 0 / 38 / 53 / 31

HEX #B16D53

RGB 177 109 83

HSL 16.6, 0.38%, 0.51%

LAB 52.85, 24.28, 25.86

 

CMYK 0 / 25 / 34 / 38

HEX #9D7667

RGB 157 118 103

HSL 16.67, 0.22%, 0.51%

LAB 53.06, 13.13, 14.19

 

CMYK 0 / 7 / 10 / 46

HEX #897F7B

RGB 137 127 123

HSL 17.14, 0.06%, 0.51%

LAB 53.95, 3.05, 3.53

 

CMYK 0 / 80 / 59 / 15

HEX #DA2B59

RGB 218 43 89

HSL 344.23, 0.7%, 0.51%

LAB 48.7, 67.41, 18.03

 

CMYK 0 / 80 / 80 / 15

HEX #DA2B2B

RGB 218 43 43

HSL 0, 0.7%, 0.51%

LAB 48.02, 65.3, 44.24

 

CMYK 0 / 59 / 80 / 15

HEX #DA592B

RGB 218 89 43

HSL 15.77, 0.7%, 0.51%

LAB 54.26, 48.28, 50.3

 

CMYK 0 / 38 / 80 / 15

HEX #DA882B

RGB 218 136 43

HSL 31.89, 0.7%, 0.51%

LAB 63.91, 24.41, 59.27

 

CMYK 0 / 16 / 80 / 15

HEX #DAB72B

RGB 218 183 43

HSL 48, 0.7%, 0.51%

LAB 75.42, -0.68, 69.56

 

CMYK 0 / 60 / 82 / 41

HEX #973D1B

RGB 151 61 27

HSL 16.45, 0.7%, 0.35%

LAB 37.84, 35.91, 38.38

 

CMYK 0 / 59 / 82 / 27

HEX #BA4C21

RGB 186 76 33

HSL 16.86, 0.7%, 0.43%

LAB 46.6, 42.23, 45.86

 

CMYK 0 / 58 / 80 / 15

HEX #DA5C2B

RGB 218 92 43

HSL 16.8, 0.7%, 0.51%

LAB 54.8, 46.89, 50.8

 

CMYK 0 / 47 / 65 / 12

HEX #E0774E

RGB 224 119 78

HSL 16.85, 0.7%, 0.59%

LAB 61.3, 37.44, 40.47

 

CMYK 0 / 37 / 51 / 10

HEX #E69271

RGB 230 146 113

HSL 16.92, 0.7%, 0.67%

LAB 68.44, 28.29, 30.68

 

CMYK 0 / 58 / 80 / 15

HEX #DA5C2B

RGB 218 92 43

HSL 16.8, 0.7%, 0.51%

LAB 54.8, 46.89, 50.8

 

CMYK 38 / 0 / 80 / 15

HEX #88DA2B

RGB 136 218 43

HSL 88.11, 0.7%, 0.51%

LAB 79.36, -50.4, 70.9

 

CMYK 80 / 70 / 0 / 15

HEX #2B42DA

RGB 43 66 218

HSL 232.11, 0.7%, 0.51%

LAB 36.88, 45.83, -79.23

 

CMYK 0 / 58 / 80 / 15

HEX #DA5C2B

RGB 218 92 43

HSL 16.8, 0.7%, 0.51%

LAB 54.8, 46.89, 50.8

 

CMYK 80 / 0 / 59 / 15

HEX #2BDA59

RGB 43 218 89

HSL 135.77, 0.7%, 0.51%

LAB 76.91, -68.28, 50.62

 

CMYK 59 / 80 / 0 / 15

HEX #592BDA

RGB 89 43 218

HSL 255.77, 0.7%, 0.51%

LAB 35.82, 61.85, -80.87

 

CMYK 0 / 58 / 80 / 15

HEX #DA5C2B

RGB 218 92 43

HSL 16.8, 0.7%, 0.51%

LAB 54.8, 46.89, 50.8

 

CMYK 38 / 0 / 80 / 15

HEX #88DA2B

RGB 136 218 43

HSL 88.11, 0.7%, 0.51%

LAB 79.36, -50.4, 70.9

 

CMYK 80 / 22 / 0 / 15

HEX #2BABDA

RGB 43 171 218

HSL 196.11, 0.7%, 0.51%

LAB 65.52, -17.82, -33.33

 

CMYK 43 / 80 / 0 / 15

HEX #7C2BDA

RGB 124 43 218

HSL 267.77, 0.7%, 0.51%

LAB 39.71, 66.09, -74.33

 

CMYK 0 / 58 / 80 / 15

HEX #DA5C2B

RGB 218 92 43

HSL 16.8, 0.7%, 0.51%

LAB 54.8, 46.89, 50.8

 

CMYK 62 / 0 / 80 / 15

HEX #53DA2B

RGB 83 218 43

HSL 106.29, 0.7%, 0.51%

LAB 77.37, -65.58, 68.35

 

CMYK 80 / 22 / 0 / 15

HEX #2BABDA

RGB 43 171 218

HSL 196.11, 0.7%, 0.51%

LAB 65.52, -17.82, -33.33

 

CMYK 19 / 80 / 0 / 15

HEX #B12BDA

RGB 177 43 218

HSL 285.94, 0.7%, 0.51%

LAB 47.15, 74.35, -61.88

 

Description

Color code: HEX #DA5C2B | qconv.com Color code: HEX #DA5C2B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 92 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 92 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 80% 15% C M Y K

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Provide designers and agencies with accurate color values.

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