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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DAB92B it is the complementary color #2546D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DAB92B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DAB92B shade: #DFB926, #F0CB39, #FFDD4C, #FFEF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DAB92B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DAB92B shade: #DAB92B, #C9A718, #B89505, #A78300 and #967100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DAB92B shade: #DAB92B, #DA892B, #DA5A2B and #DA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DAB92B shade: #DAB92B, #CBDA2B, #9CDA2B, #6DDA2B and #3EDA2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DAB92B shade matches the following richer shades: #DAB92B and #EEC516

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DAB92B shade: #DAB92B, #C5AC3F, #B19F53, #9D9367 and #89867B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DAB92B shade: #DA592B, #DA882B, #DAB72B, #CEDA2B and #9FDA2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DAB92B shade: #97801B, #BA9D21, #DAB92B, #E0C44E and #E6D071

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DAB92B shade: #DAB92B, #2BDA2B and #712BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DAB92B shade: #DAB92B, #2BDAB7 and #B72BDA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DAB92B shade: #DAB92B, #2BDA2B, #2B4EDA and #DA2BDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DAB92B shade: #DAB92B, #2BDA5F, #2B4EDA and #DA2BA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

Complementary color

CMYK 83 / 67 / 0 / 17

HEX #2546D4

RGB 37 70 212

HSL 228.69, 0.7%, 0.49%

LAB 36.98, 40.86, -75.62

 

CMYK 0 / 17 / 83 / 13

HEX #DFB926

RGB 223 185 38

HSL 47.68, 0.74%, 0.51%

LAB 76.39, 0.3, 72.01

 

CMYK 0 / 15 / 76 / 6

HEX #F0CB39

RGB 240 203 57

HSL 47.87, 0.86%, 0.58%

LAB 82.66, -1.11, 72.42

 

CMYK 0 / 13 / 70 / 0

HEX #FFDD4C

RGB 255 221 76

HSL 48.6, 1%, 0.65%

LAB 88.68, -3.15, 71.92

 

CMYK 0 / 6 / 63 / 0

HEX #FFEF5F

RGB 255 239 95

HSL 54, 1%, 0.69%

LAB 93.37, -11.1, 69.3

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 0 / 17 / 88 / 21

HEX #C9A718

RGB 201 167 24

HSL 48.47, 0.79%, 0.44%

LAB 69.56, -0.2, 68.94

 

CMYK 0 / 19 / 97 / 28

HEX #B89505

RGB 184 149 5

HSL 48.27, 0.95%, 0.37%

LAB 63.09, 1.56, 66.45

 

CMYK 0 / 22 / 100 / 35

HEX #A78300

RGB 167 131 0

HSL 47.07, 1%, 0.33%

LAB 56.53, 3.62, 61.76

 

CMYK 0 / 25 / 100 / 41

HEX #967100

RGB 150 113 0

HSL 45.2, 1%, 0.29%

LAB 49.85, 5.84, 56.26

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 0 / 37 / 80 / 15

HEX #DA892B

RGB 218 137 43

HSL 32.23, 0.7%, 0.51%

LAB 64.14, 23.87, 59.48

 

CMYK 0 / 59 / 80 / 15

HEX #DA5A2B

RGB 218 90 43

HSL 16.11, 0.7%, 0.51%

LAB 54.44, 47.82, 50.47

 

CMYK 0 / 80 / 80 / 15

HEX #DA2B2B

RGB 218 43 43

HSL 0, 0.7%, 0.51%

LAB 48.02, 65.3, 44.24

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 7 / 0 / 80 / 15

HEX #CBDA2B

RGB 203 218 43

HSL 65.14, 0.7%, 0.51%

LAB 83.45, -24.67, 76.1

 

CMYK 28 / 0 / 80 / 15

HEX #9CDA2B

RGB 156 218 43

HSL 81.26, 0.7%, 0.51%

LAB 80.4, -43.26, 72.23

 

CMYK 50 / 0 / 80 / 15

HEX #6DDA2B

RGB 109 218 43

HSL 97.37, 0.7%, 0.51%

LAB 78.21, -58.91, 69.43

 

CMYK 72 / 0 / 80 / 15

HEX #3EDA2B

RGB 62 218 43

HSL 113.49, 0.7%, 0.51%

LAB 76.89, -69.69, 67.72

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 0 / 17 / 91 / 7

HEX #EEC516

RGB 238 197 22

HSL 48.61, 0.86%, 0.51%

LAB 80.83, 0.21, 79.61

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 0 / 13 / 68 / 23

HEX #C5AC3F

RGB 197 172 63

HSL 48.81, 0.54%, 0.51%

LAB 70.69, -3.14, 57.11

 

CMYK 0 / 10 / 53 / 31

HEX #B19F53

RGB 177 159 83

HSL 48.51, 0.38%, 0.51%

LAB 65.57, -3.42, 41.64

 

CMYK 0 / 6 / 34 / 38

HEX #9D9367

RGB 157 147 103

HSL 48.89, 0.22%, 0.51%

LAB 60.79, -3.2, 24.67

 

CMYK 0 / 2 / 10 / 46

HEX #89867B

RGB 137 134 123

HSL 47.14, 0.06%, 0.51%

LAB 55.89, -0.93, 6.31

 

CMYK 0 / 59 / 80 / 15

HEX #DA592B

RGB 218 89 43

HSL 15.77, 0.7%, 0.51%

LAB 54.26, 48.28, 50.3

 

CMYK 0 / 38 / 80 / 15

HEX #DA882B

RGB 218 136 43

HSL 31.89, 0.7%, 0.51%

LAB 63.91, 24.41, 59.27

 

CMYK 0 / 16 / 80 / 15

HEX #DAB72B

RGB 218 183 43

HSL 48, 0.7%, 0.51%

LAB 75.42, -0.68, 69.56

 

CMYK 6 / 0 / 80 / 15

HEX #CEDA2B

RGB 206 218 43

HSL 64.11, 0.7%, 0.51%

LAB 83.67, -23.43, 76.38

 

CMYK 27 / 0 / 80 / 15

HEX #9FDA2B

RGB 159 218 43

HSL 80.23, 0.7%, 0.51%

LAB 80.57, -42.14, 72.44

 

CMYK 0 / 15 / 82 / 41

HEX #97801B

RGB 151 128 27

HSL 48.87, 0.7%, 0.35%

LAB 54.13, -1.56, 53.27

 

CMYK 0 / 16 / 82 / 27

HEX #BA9D21

RGB 186 157 33

HSL 48.63, 0.7%, 0.43%

LAB 65.49, -1.3, 62.68

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 0 / 13 / 65 / 12

HEX #E0C44E

RGB 224 196 78

HSL 48.49, 0.7%, 0.59%

LAB 79.54, -3.27, 60.84

 

CMYK 0 / 10 / 51 / 10

HEX #E6D071

RGB 230 208 113

HSL 48.72, 0.7%, 0.67%

LAB 83.51, -4.41, 49.52

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 80 / 0 / 80 / 15

HEX #2BDA2B

RGB 43 218 43

HSL 120, 0.7%, 0.51%

LAB 76.58, -72.38, 67.32

 

CMYK 48 / 80 / 0 / 15

HEX #712BDA

RGB 113 43 218

HSL 264, 0.7%, 0.51%

LAB 38.38, 64.64, -76.57

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 80 / 0 / 16 / 15

HEX #2BDAB7

RGB 43 218 183

HSL 168, 0.7%, 0.51%

LAB 78.51, -50.29, 5.21

 

CMYK 16 / 80 / 0 / 15

HEX #B72BDA

RGB 183 43 218

HSL 288, 0.7%, 0.51%

LAB 48.08, 75.39, -60.34

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 80 / 0 / 80 / 15

HEX #2BDA2B

RGB 43 218 43

HSL 120, 0.7%, 0.51%

LAB 76.58, -72.38, 67.32

 

CMYK 80 / 64 / 0 / 15

HEX #2B4EDA

RGB 43 78 218

HSL 228, 0.7%, 0.51%

LAB 39.62, 38.47, -74.71

 

CMYK 0 / 80 / 0 / 15

HEX #DA2BDA

RGB 218 43 218

HSL 300, 0.7%, 0.51%

LAB 53.7, 81.7, -51.01

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 80 / 0 / 56 / 15

HEX #2BDA5F

RGB 43 218 95

HSL 137.83, 0.7%, 0.51%

LAB 76.97, -67.52, 47.98

 

CMYK 80 / 64 / 0 / 15

HEX #2B4EDA

RGB 43 78 218

HSL 228, 0.7%, 0.51%

LAB 39.62, 38.47, -74.71

 

CMYK 0 / 80 / 24 / 15

HEX #DA2BA5

RGB 218 43 165

HSL 318.17, 0.7%, 0.51%

LAB 51.09, 74.46, -24.39

 

Description

Color code: HEX #DAB92B | qconv.com Color code: HEX #DAB92B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 185 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 185 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 80 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 80% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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