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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97801B it is the complementary color #687FE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97801B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97801B shade: #9C8016, #AD9229, #BEA43C, #CFB64F and #E0C862

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97801B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97801B shade: #97801B, #866E08, #755C00, #644A00 and #533800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97801B shade: #98811B, #985F1B, #983D1B and #981B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97801B shade: #98811B, #8D981B, #6C981B, #4A981B and #28981B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97801B shade matches the following richer shades: #98811B and #A68A0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97801B shade: #98811B, #897729, #7B6E38, #6C6546 and #5E5C55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97801B shade: #983C1B, #985D1B, #987F1B, #8F981B and #6E981B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97801B shade: #52450E, #756315, #98811B, #BB9E21 and #DAB92B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97801B shade: #97801B, #1B981B and #4D1B98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97801B shade: #97801B, #1B987F and #7F1B98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97801B shade: #97801B, #1B981B, #1B3498 and #981B98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97801B shade: #97801B, #1B9840, #1B3498 and #981B72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 82 / 41

HEX #97801B

RGB 151 128 27

HSL 48.87, 0.7%, 0.35%

LAB 54.13, -1.56, 53.27

 

Complementary color

CMYK 54 / 44 / 0 / 11

HEX #687FE4

RGB 104 127 228

HSL 228.87, 0.7%, 0.65%

LAB 55.81, 20.38, -54.02

 

CMYK 0 / 18 / 86 / 39

HEX #9C8016

RGB 156 128 22

HSL 47.46, 0.75%, 0.35%

LAB 54.62, 0.6, 55.4

 

CMYK 0 / 16 / 76 / 32

HEX #AD9229

RGB 173 146 41

HSL 47.73, 0.62%, 0.42%

LAB 61.31, -0.88, 55.77

 

CMYK 0 / 14 / 68 / 25

HEX #BEA43C

RGB 190 164 60

HSL 48, 0.52%, 0.49%

LAB 67.89, -2.11, 55.27

 

CMYK 0 / 12 / 62 / 19

HEX #CFB64F

RGB 207 182 79

HSL 48.28, 0.57%, 0.56%

LAB 74.37, -3.12, 54.36

 

CMYK 0 / 11 / 56 / 12

HEX #E0C862

RGB 224 200 98

HSL 48.57, 0.67%, 0.63%

LAB 80.76, -3.98, 53.27

 

CMYK 0 / 15 / 82 / 41

HEX #97801B

RGB 151 128 27

HSL 48.87, 0.7%, 0.35%

LAB 54.13, -1.56, 53.27

 

CMYK 0 / 18 / 94 / 47

HEX #866E08

RGB 134 110 8

HSL 48.57, 0.89%, 0.28%

LAB 47.28, 0.1, 51.89

 

CMYK 0 / 21 / 100 / 54

HEX #755C00

RGB 117 92 0

HSL 47.18, 1%, 0.23%

LAB 40.31, 2.17, 47.9

 

CMYK 0 / 26 / 100 / 61

HEX #644A00

RGB 100 74 0

HSL 44.4, 1%, 0.2%

LAB 33.15, 4.53, 42.01

 

CMYK 0 / 33 / 100 / 67

HEX #533800

RGB 83 56 0

HSL 40.48, 1%, 0.16%

LAB 25.77, 7.09, 35.29

 

CMYK 0 / 15 / 82 / 40

HEX #98811B

RGB 152 129 27

HSL 48.96, 0.7%, 0.35%

LAB 54.51, -1.65, 53.64

 

CMYK 0 / 38 / 82 / 40

HEX #985F1B

RGB 152 95 27

HSL 32.64, 0.7%, 0.35%

LAB 45.55, 17.72, 45.64

 

CMYK 0 / 60 / 82 / 40

HEX #983D1B

RGB 152 61 27

HSL 16.32, 0.7%, 0.35%

LAB 38.01, 36.3, 38.61

 

CMYK 0 / 82 / 82 / 40

HEX #981B1B

RGB 152 27 27

HSL 0, 0.7%, 0.35%

LAB 33, 49.91, 33.74

 

CMYK 0 / 15 / 82 / 40

HEX #98811B

RGB 152 129 27

HSL 48.96, 0.7%, 0.35%

LAB 54.51, -1.65, 53.64

 

CMYK 7 / 0 / 82 / 40

HEX #8D981B

RGB 141 152 27

HSL 65.28, 0.7%, 0.35%

LAB 60.07, -18.98, 58.13

 

CMYK 29 / 0 / 82 / 40

HEX #6C981B

RGB 108 152 27

HSL 81.12, 0.7%, 0.35%

LAB 57.77, -32.95, 55.23

 

CMYK 51 / 0 / 82 / 40

HEX #4A981B

RGB 74 152 27

HSL 97.44, 0.7%, 0.35%

LAB 56.08, -45.06, 53.05

 

CMYK 74 / 0 / 82 / 40

HEX #28981B

RGB 40 152 27

HSL 113.76, 0.7%, 0.35%

LAB 55.06, -53.37, 51.74

 

CMYK 0 / 15 / 82 / 40

HEX #98811B

RGB 152 129 27

HSL 48.96, 0.7%, 0.35%

LAB 54.51, -1.65, 53.64

 

CMYK 0 / 17 / 93 / 35

HEX #A68A0C

RGB 166 138 12

HSL 49.09, 0.87%, 0.35%

LAB 58.33, -0.54, 61.04

 

CMYK 0 / 15 / 82 / 40

HEX #98811B

RGB 152 129 27

HSL 48.96, 0.7%, 0.35%

LAB 54.51, -1.65, 53.64

 

CMYK 0 / 13 / 70 / 46

HEX #897729

RGB 137 119 41

HSL 48.75, 0.54%, 0.35%

LAB 50.3, -2.35, 43.71

 

CMYK 0 / 11 / 54 / 52

HEX #7B6E38

RGB 123 110 56

HSL 48.36, 0.37%, 0.35%

LAB 46.51, -2.53, 31.67

 

CMYK 0 / 6 / 35 / 58

HEX #6C6546

RGB 108 101 70

HSL 48.95, 0.21%, 0.35%

LAB 42.67, -2.45, 18.58

 

CMYK 0 / 2 / 10 / 63

HEX #5E5C55

RGB 94 92 85

HSL 46.67, 0.05%, 0.35%

LAB 39.05, -0.6, 4.31

 

CMYK 0 / 61 / 82 / 40

HEX #983C1B

RGB 152 60 27

HSL 15.84, 0.7%, 0.35%

LAB 37.82, 36.8, 38.43

 

CMYK 0 / 39 / 82 / 40

HEX #985D1B

RGB 152 93 27

HSL 31.68, 0.7%, 0.35%

LAB 45.06, 18.87, 45.19

 

CMYK 0 / 16 / 82 / 40

HEX #987F1B

RGB 152 127 27

HSL 48, 0.7%, 0.35%

LAB 53.96, -0.54, 53.16

 

CMYK 6 / 0 / 82 / 40

HEX #8F981B

RGB 143 152 27

HSL 64.32, 0.7%, 0.35%

LAB 60.23, -18.1, 58.33

 

CMYK 28 / 0 / 82 / 40

HEX #6E981B

RGB 110 152 27

HSL 80.16, 0.7%, 0.35%

LAB 57.89, -32.15, 55.38

 

CMYK 0 / 16 / 83 / 68

HEX #52450E

RGB 82 69 14

HSL 48.53, 0.71%, 0.19%

LAB 29.62, -1.07, 33.06

 

CMYK 0 / 15 / 82 / 54

HEX #756315

RGB 117 99 21

HSL 48.75, 0.7%, 0.27%

LAB 42.4, -1.35, 43.52

 

CMYK 0 / 15 / 82 / 40

HEX #98811B

RGB 152 129 27

HSL 48.96, 0.7%, 0.35%

LAB 54.51, -1.65, 53.64

 

CMYK 0 / 16 / 82 / 27

HEX #BB9E21

RGB 187 158 33

HSL 48.7, 0.7%, 0.43%

LAB 65.85, -1.39, 63.03

 

CMYK 0 / 15 / 80 / 15

HEX #DAB92B

RGB 218 185 43

HSL 48.69, 0.7%, 0.51%

LAB 75.93, -1.72, 70.01

 

CMYK 0 / 15 / 82 / 41

HEX #97801B

RGB 151 128 27

HSL 48.87, 0.7%, 0.35%

LAB 54.13, -1.56, 53.27

 

CMYK 82 / 0 / 82 / 40

HEX #1B981B

RGB 27 152 27

HSL 120, 0.7%, 0.35%

LAB 54.83, -55.34, 51.45

 

CMYK 49 / 82 / 0 / 40

HEX #4D1B98

RGB 77 27 152

HSL 264, 0.7%, 0.35%

LAB 25.65, 49.38, -58.5

 

CMYK 0 / 15 / 82 / 41

HEX #97801B

RGB 151 128 27

HSL 48.87, 0.7%, 0.35%

LAB 54.13, -1.56, 53.27

 

CMYK 82 / 0 / 16 / 40

HEX #1B987F

RGB 27 152 127

HSL 168, 0.7%, 0.35%

LAB 56.31, -38.44, 3.96

 

CMYK 16 / 82 / 0 / 40

HEX #7F1B98

RGB 127 27 152

HSL 288, 0.7%, 0.35%

LAB 33.06, 57.62, -46.12

 

CMYK 0 / 15 / 82 / 41

HEX #97801B

RGB 151 128 27

HSL 48.87, 0.7%, 0.35%

LAB 54.13, -1.56, 53.27

 

CMYK 82 / 0 / 82 / 40

HEX #1B981B

RGB 27 152 27

HSL 120, 0.7%, 0.35%

LAB 54.83, -55.34, 51.45

 

CMYK 82 / 66 / 0 / 40

HEX #1B3498

RGB 27 52 152

HSL 228, 0.7%, 0.35%

LAB 26.61, 29.34, -57.07

 

CMYK 0 / 82 / 0 / 40

HEX #981B98

RGB 152 27 152

HSL 300, 0.7%, 0.35%

LAB 37.35, 62.45, -39

 

CMYK 0 / 15 / 82 / 41

HEX #97801B

RGB 151 128 27

HSL 48.87, 0.7%, 0.35%

LAB 54.13, -1.56, 53.27

 

CMYK 82 / 0 / 58 / 40

HEX #1B9840

RGB 27 152 64

HSL 137.76, 0.7%, 0.35%

LAB 55.13, -51.63, 36.71

 

CMYK 82 / 66 / 0 / 40

HEX #1B3498

RGB 27 52 152

HSL 228, 0.7%, 0.35%

LAB 26.61, 29.34, -57.07

 

CMYK 0 / 82 / 25 / 40

HEX #981B72

RGB 152 27 114

HSL 318.24, 0.7%, 0.35%

LAB 35.35, 56.9, -18.59

 

Description

Color code: HEX #97801B | qconv.com Color code: HEX #97801B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 128 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 128 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 82 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 82% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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