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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D882C5 it is the complementary color #277D3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D882C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D882C5: #DD82C0, #EE94D3, #FFA6E6, #FFB8F9 and #FFCAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D882C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D882C5: #D882C5, #C770B2, #B65E9F, #A54C8C and #943A79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 9 / 15

HEX #D882C5

RGB 216 130 197

HSL 313.26, 0.52%, 0.68%

LAB 65.43, 42.64, -20.84

 

Complementary color

CMYK 69 / 0 / 54 / 51

HEX #277D3A

RGB 39 125 58

HSL 133.26, 0.52%, 0.32%

LAB 46.18, -40.69, 29.02

 

CMYK 0 / 41 / 13 / 13

HEX #DD82C0

RGB 221 130 192

HSL 319.12, 0.57%, 0.69%

LAB 65.86, 43.43, -17.33

 

CMYK 0 / 38 / 11 / 7

HEX #EE94D3

RGB 238 148 211

HSL 318, 0.73%, 0.76%

LAB 72.27, 42.67, -18.01

 

CMYK 0 / 35 / 10 / 0

HEX #FFA6E6

RGB 255 166 230

HSL 316.85, 1%, 0.83%

LAB 78.6, 41.94, -18.62

 

CMYK 0 / 28 / 2 / 0

HEX #FFB8F9

RGB 255 184 249

HSL 305.07, 1%, 0.86%

LAB 83.12, 35.8, -22.01

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 40 / 9 / 15

HEX #D882C5

RGB 216 130 197

HSL 313.26, 0.52%, 0.68%

LAB 65.43, 42.64, -20.84

 

CMYK 0 / 44 / 11 / 22

HEX #C770B2

RGB 199 112 178

HSL 314.48, 0.44%, 0.61%

LAB 58.92, 43.39, -20.18

 

CMYK 0 / 48 / 13 / 29

HEX #B65E9F

RGB 182 94 159

HSL 315.68, 0.38%, 0.54%

LAB 52.35, 44.13, -19.41

 

CMYK 0 / 54 / 15 / 35

HEX #A54C8C

RGB 165 76 140

HSL 316.85, 0.37%, 0.47%

LAB 45.72, 44.8, -18.48

 

CMYK 0 / 61 / 18 / 42

HEX #943A79

RGB 148 58 121

HSL 318, 0.44%, 0.4%

LAB 39.07, 45.3, -17.29

 

CMYK 0 / 40 / 9 / 15

HEX #D882C5

RGB 216 130 197

HSL 313.26, 0.52%, 0.68%

LAB 65.43, 42.64, -20.84

 

CMYK 0 / 40 / 15 / 16

HEX #D782B7

RGB 215 130 183

HSL 322.59, 0.52%, 0.68%

LAB 64.83, 40.01, -13.89

 

CMYK 0 / 40 / 21 / 16

HEX #D782A9

RGB 215 130 169

HSL 332.47, 0.52%, 0.68%

LAB 64.38, 37.85, -6.63

 

CMYK 0 / 40 / 28 / 16

HEX #D7829B

RGB 215 130 155

HSL 342.35, 0.52%, 0.68%

LAB 63.98, 35.86, 0.73

 

CMYK 0 / 40 / 35 / 16

HEX #D7828C

RGB 215 130 140

HSL 352.94, 0.52%, 0.68%

LAB 63.59, 33.91, 8.7

 

CMYK 0 / 40 / 9 / 15

HEX #D882C5

RGB 216 130 197

HSL 313.26, 0.52%, 0.68%

LAB 65.43, 42.64, -20.84

 

CMYK 0 / 42 / 8 / 95

HEX #0C070B

RGB 12 7 11

HSL 312, 0.26%, 0.04%

LAB 2.3, 1.9, -1.05

 

CMYK 0 / 40 / 10 / 75

HEX #3F2639

RGB 63 38 57

HSL 314.4, 0.25%, 0.2%

LAB 18.96, 15.35, -7.38

 

CMYK 0 / 39 / 9 / 55

HEX #724568

RGB 114 69 104

HSL 313.33, 0.25%, 0.36%

LAB 35.66, 25.1, -12.33

 

CMYK 0 / 40 / 9 / 35

HEX #A56396

RGB 165 99 150

HSL 313.64, 0.27%, 0.52%

LAB 50.83, 34.34, -16.63

 

CMYK 0 / 40 / 9 / 15

HEX #D882C5

RGB 216 130 197

HSL 313.26, 0.52%, 0.68%

LAB 65.43, 42.64, -20.84

 

CMYK 0 / 23 / 40 / 16

HEX #D7A682

RGB 215 166 130

HSL 25.41, 0.52%, 0.68%

LAB 71.78, 13.32, 25.58

 

CMYK 40 / 0 / 7 / 16

HEX #82D7C8

RGB 130 215 200

HSL 169.41, 0.52%, 0.68%

LAB 80.47, -29.23, -0.71

 

CMYK 0 / 40 / 9 / 15

HEX #D882C5

RGB 216 130 197

HSL 313.26, 0.52%, 0.68%

LAB 65.43, 42.64, -20.84

 

CMYK 8 / 0 / 40 / 16

HEX #C5D782

RGB 197 215 130

HSL 72.71, 0.52%, 0.68%

LAB 82.96, -19.3, 39.9

 

CMYK 40 / 8 / 0 / 16

HEX #82C5D7

RGB 130 197 215

HSL 192.71, 0.52%, 0.68%

LAB 75.81, -16.62, -15.68

 

CMYK 0 / 40 / 9 / 15

HEX #D882C5

RGB 216 130 197

HSL 313.26, 0.52%, 0.68%

LAB 65.43, 42.64, -20.84

 

CMYK 0 / 23 / 40 / 16

HEX #D7A682

RGB 215 166 130

HSL 25.41, 0.52%, 0.68%

LAB 71.78, 13.32, 25.58

 

CMYK 40 / 0 / 31 / 16

HEX #82D795

RGB 130 215 149

HSL 133.41, 0.52%, 0.68%

LAB 79.34, -39.61, 24.69

 

CMYK 40 / 16 / 0 / 16

HEX #82B4D7

RGB 130 180 215

HSL 204.71, 0.52%, 0.68%

LAB 71.07, -7.65, -22.87

 

CMYK 0 / 40 / 9 / 15

HEX #D882C5

RGB 216 130 197

HSL 313.26, 0.52%, 0.68%

LAB 65.43, 42.64, -20.84

 

CMYK 0 / 11 / 40 / 16

HEX #D7BF82

RGB 215 191 130

HSL 43.06, 0.52%, 0.68%

LAB 78.06, 0.01, 33.89

 

CMYK 40 / 0 / 31 / 16

HEX #82D795

RGB 130 215 149

HSL 133.41, 0.52%, 0.68%

LAB 79.34, -39.61, 24.69

 

CMYK 40 / 28 / 0 / 16

HEX #829BD7

RGB 130 155 215

HSL 222.35, 0.52%, 0.68%

LAB 64.24, 6.25, -33.39

 

Description

Color code: HEX #D882C5 | qconv.com Color code: HEX #D882C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 130 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 130 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 9 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 9% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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