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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 35 / 10 / 0 it is the complementary color CMYK 100 / 0 / 72 / 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 35 / 10 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 35 / 10 / 0: CMYK 0 / 35 / 12 / 0, CMYK 0 / 28 / 4 / 0, CMYK 0 / 21 / 0 / 0, CMYK 0 / 14 / 0 / 0 and CMYK 0 / 7 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 35 / 10 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 35 / 10 / 0: CMYK 0 / 35 / 10 / 0, CMYK 0 / 38 / 11 / 7, CMYK 0 / 41 / 13 / 13, CMYK 0 / 45 / 15 / 20 and CMYK 0 / 50 / 18 / 27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 10 / 0

HEX #FFA6E6

RGB 255 166 230

HSL 316.85, 1%, 0.83%

LAB 78.6, 41.94, -18.62

 

Complementary color

CMYK 100 / 0 / 72 / 65

HEX #005919

RGB 0 89 25

HSL 136.85, 1%, 0.17%

LAB 32.29, -37.97, 29.5

 

CMYK 0 / 35 / 12 / 0

HEX #FFA6E1

RGB 255 166 225

HSL 320.22, 1%, 0.83%

LAB 78.44, 41.13, -16.15

 

CMYK 0 / 28 / 4 / 0

HEX #FFB8F4

RGB 255 184 244

HSL 309.3, 1%, 0.86%

LAB 82.95, 34.92, -19.58

 

CMYK 0 / 21 / 0 / 0

HEX #FFCAFF

RGB 255 202 255

HSL 300, 1%, 0.9%

LAB 87.35, 27.42, -18.79

 

CMYK 0 / 14 / 0 / 0

HEX #FFDCFF

RGB 255 220 255

HSL 300, 1%, 0.93%

LAB 91.53, 17.99, -12.51

 

CMYK 0 / 7 / 0 / 0

HEX #FFEEFF

RGB 255 238 255

HSL 300, 1%, 0.97%

LAB 95.84, 8.66, -6.11

 

CMYK 0 / 35 / 10 / 0

HEX #FFA6E6

RGB 255 166 230

HSL 316.85, 1%, 0.83%

LAB 78.6, 41.94, -18.62

 

CMYK 0 / 38 / 11 / 7

HEX #EE94D3

RGB 238 148 211

HSL 318, 0.73%, 0.76%

LAB 72.27, 42.67, -18.01

 

CMYK 0 / 41 / 13 / 13

HEX #DD82C0

RGB 221 130 192

HSL 319.12, 0.57%, 0.69%

LAB 65.86, 43.43, -17.33

 

CMYK 0 / 45 / 15 / 20

HEX #CC70AD

RGB 204 112 173

HSL 320.22, 0.47%, 0.62%

LAB 59.38, 44.19, -16.56

 

CMYK 0 / 50 / 18 / 27

HEX #BB5E9A

RGB 187 94 154

HSL 321.29, 0.41%, 0.55%

LAB 52.84, 44.93, -15.66

 

CMYK 0 / 35 / 10 / 0

HEX #FFA6E6

RGB 255 166 230

HSL 316.85, 1%, 0.83%

LAB 78.6, 41.94, -18.62

 

CMYK 0 / 34 / 15 / 0

HEX #FFA8D9

RGB 255 168 217

HSL 326.21, 1%, 0.83%

LAB 78.62, 38.83, -11.54

 

CMYK 0 / 34 / 21 / 0

HEX #FFA8CA

RGB 255 168 202

HSL 336.55, 1%, 0.83%

LAB 78.19, 36.57, -4.03

 

CMYK 0 / 34 / 26 / 0

HEX #FFA8BC

RGB 255 168 188

HSL 346.21, 1%, 0.83%

LAB 77.81, 34.6, 3.05

 

CMYK 0 / 34 / 32 / 0

HEX #FFA8AE

RGB 255 168 174

HSL 355.86, 1%, 0.83%

LAB 77.47, 32.78, 10.19

 

CMYK 0 / 35 / 10 / 0

HEX #FFA6E6

RGB 255 166 230

HSL 316.85, 1%, 0.83%

LAB 78.6, 41.94, -18.62

 

CMYK 0 / 35 / 10 / 80

HEX #33212E

RGB 51 33 46

HSL 316.67, 0.21%, 0.16%

LAB 15.43, 11.27, -5.14

 

CMYK 0 / 35 / 10 / 60

HEX #66425C

RGB 102 66 92

HSL 316.67, 0.21%, 0.33%

LAB 32.91, 20.09, -9.05

 

CMYK 0 / 35 / 10 / 40

HEX #99648A

RGB 153 100 138

HSL 316.98, 0.21%, 0.5%

LAB 49.16, 27.45, -12.2

 

CMYK 0 / 35 / 10 / 20

HEX #CC85B8

RGB 204 133 184

HSL 316.9, 0.41%, 0.66%

LAB 64.22, 34.88, -15.5

 

CMYK 0 / 35 / 10 / 0

HEX #FFA6E6

RGB 255 166 230

HSL 316.85, 1%, 0.83%

LAB 78.6, 41.94, -18.62

 

CMYK 0 / 18 / 34 / 0

HEX #FFD0A8

RGB 255 208 168

HSL 27.59, 1%, 0.83%

LAB 86.6, 11.13, 26.11

 

CMYK 34 / 0 / 5 / 0

HEX #A8FFF3

RGB 168 255 243

HSL 171.72, 1%, 0.83%

LAB 94.45, -28.69, -2.59

 

CMYK 0 / 35 / 10 / 0

HEX #FFA6E6

RGB 255 166 230

HSL 316.85, 1%, 0.83%

LAB 78.6, 41.94, -18.62

 

CMYK 9 / 0 / 34 / 0

HEX #E7FFA8

RGB 231 255 168

HSL 76.55, 1%, 0.83%

LAB 96.55, -21.48, 39.05

 

CMYK 34 / 9 / 0 / 0

HEX #A8E7FF

RGB 168 231 255

HSL 196.55, 1%, 0.83%

LAB 88.3, -14.15, -17.97

 

CMYK 0 / 35 / 10 / 0

HEX #FFA6E6

RGB 255 166 230

HSL 316.85, 1%, 0.83%

LAB 78.6, 41.94, -18.62

 

CMYK 0 / 18 / 34 / 0

HEX #FFD0A8

RGB 255 208 168

HSL 27.59, 1%, 0.83%

LAB 86.6, 11.13, 26.11

 

CMYK 34 / 0 / 25 / 0

HEX #A8FFBF

RGB 168 255 191

HSL 135.86, 1%, 0.83%

LAB 93.28, -39.01, 22.47

 

CMYK 34 / 16 / 0 / 0

HEX #A8D6FF

RGB 168 214 255

HSL 208.28, 1%, 0.83%

LAB 83.78, -5.38, -24.82

 

CMYK 0 / 35 / 10 / 0

HEX #FFA6E6

RGB 255 166 230

HSL 316.85, 1%, 0.83%

LAB 78.6, 41.94, -18.62

 

CMYK 0 / 8 / 34 / 0

HEX #FFEAA8

RGB 255 234 168

HSL 45.52, 1%, 0.83%

LAB 92.99, -2.18, 34.69

 

CMYK 34 / 0 / 25 / 0

HEX #A8FFBF

RGB 168 255 191

HSL 135.86, 1%, 0.83%

LAB 93.28, -39.01, 22.47

 

CMYK 34 / 26 / 0 / 0

HEX #A8BCFF

RGB 168 188 255

HSL 226.21, 1%, 0.83%

LAB 76.99, 8.61, -35.24

 

Description

Color code: CMYK 0 / 35 / 10 / 0 | qconv.com Color code: CMYK 0 / 35 / 10 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 166 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 166 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 10 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 10% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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