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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D86186 it is the complementary color #279E79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D86186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #D86186: #DD6181, #EE7394, #FF85A7, #FF97BA and #FFA9CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D86186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #D86186: #D86186, #C74F73, #B63D60, #A52B4D and #94193A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 38 / 15

HEX #D86186

RGB 216 97 134

HSL 341.34, 0.6%, 0.61%

LAB 56.95, 50.31, 2.64

 

Complementary color

CMYK 75 / 0 / 23 / 38

HEX #279E79

RGB 39 158 121

HSL 161.34, 0.6%, 0.39%

LAB 58.29, -41.2, 10.21

 

CMYK 0 / 56 / 42 / 13

HEX #DD6181

RGB 221 97 129

HSL 344.52, 0.65%, 0.62%

LAB 57.57, 51.43, 6.55

 

CMYK 0 / 52 / 38 / 7

HEX #EE7394

RGB 238 115 148

HSL 343.9, 0.78%, 0.69%

LAB 63.82, 50.61, 4.86

 

CMYK 0 / 48 / 35 / 0

HEX #FF85A7

RGB 255 133 167

HSL 343.28, 1%, 0.76%

LAB 70.05, 49.75, 3.41

 

CMYK 0 / 41 / 27 / 0

HEX #FF97BA

RGB 255 151 186

HSL 339.81, 1%, 0.8%

LAB 74.15, 43.11, -1.19

 

CMYK 0 / 34 / 20 / 0

HEX #FFA9CD

RGB 255 169 205

HSL 334.88, 1%, 0.83%

LAB 78.49, 36.49, -5.22

 

CMYK 0 / 55 / 38 / 15

HEX #D86186

RGB 216 97 134

HSL 341.34, 0.6%, 0.61%

LAB 56.95, 50.31, 2.64

 

CMYK 0 / 60 / 42 / 22

HEX #C74F73

RGB 199 79 115

HSL 342, 0.52%, 0.55%

LAB 50.65, 51.01, 4.49

 

CMYK 0 / 66 / 47 / 29

HEX #B63D60

RGB 182 61 96

HSL 342.64, 0.5%, 0.48%

LAB 44.41, 51.49, 6.76

 

CMYK 0 / 74 / 53 / 35

HEX #A52B4D

RGB 165 43 77

HSL 343.28, 0.59%, 0.41%

LAB 38.31, 51.54, 9.63

 

CMYK 0 / 83 / 61 / 42

HEX #94193A

RGB 148 25 58

HSL 343.9, 0.71%, 0.34%

LAB 32.47, 50.8, 13.37

 

CMYK 0 / 55 / 38 / 15

HEX #D86186

RGB 216 97 134

HSL 341.34, 0.6%, 0.61%

LAB 56.95, 50.31, 2.64

 

CMYK 0 / 56 / 47 / 16

HEX #D75F71

RGB 215 95 113

HSL 351, 0.6%, 0.61%

LAB 55.91, 48.75, 13.47

 

CMYK 0 / 55 / 56 / 16

HEX #D7615F

RGB 215 97 95

HSL 1, 0.6%, 0.61%

LAB 55.91, 46.24, 23.97

 

CMYK 0 / 46 / 56 / 16

HEX #D7755F

RGB 215 117 95

HSL 11, 0.6%, 0.61%

LAB 59.89, 36.18, 29.15

 

CMYK 0 / 36 / 56 / 16

HEX #D7895F

RGB 215 137 95

HSL 21, 0.6%, 0.61%

LAB 64.29, 25.56, 34.75

 

CMYK 0 / 55 / 38 / 15

HEX #D86186

RGB 216 97 134

HSL 341.34, 0.6%, 0.61%

LAB 56.95, 50.31, 2.64

 

CMYK 0 / 58 / 42 / 95

HEX #0C0507

RGB 12 5 7

HSL 342.86, 0.41%, 0.03%

LAB 1.83, 2.14, -0.1

 

CMYK 0 / 56 / 38 / 75

HEX #3F1C27

RGB 63 28 39

HSL 341.14, 0.38%, 0.18%

LAB 15.66, 18.52, 0.43

 

CMYK 0 / 55 / 38 / 55

HEX #723347

RGB 114 51 71

HSL 340.95, 0.38%, 0.32%

LAB 30.4, 30.08, 1.01

 

CMYK 0 / 55 / 38 / 35

HEX #A54A66

RGB 165 74 102

HSL 341.54, 0.38%, 0.47%

LAB 44.03, 40.46, 2.14

 

CMYK 0 / 55 / 38 / 15

HEX #D86186

RGB 216 97 134

HSL 341.34, 0.6%, 0.61%

LAB 56.95, 50.31, 2.64

 

CMYK 0 / 7 / 56 / 16

HEX #D7C95F

RGB 215 201 95

HSL 53, 0.6%, 0.61%

LAB 80.21, -8.44, 53.82

 

CMYK 56 / 16 / 0 / 16

HEX #5FB5D7

RGB 95 181 215

HSL 197, 0.6%, 0.61%

LAB 69.74, -16.37, -25.04

 

CMYK 0 / 55 / 38 / 15

HEX #D86186

RGB 216 97 134

HSL 341.34, 0.6%, 0.61%

LAB 56.95, 50.31, 2.64

 

CMYK 38 / 0 / 56 / 16

HEX #85D75F

RGB 133 215 95

HSL 101, 0.6%, 0.61%

LAB 78.7, -46.31, 50.68

 

CMYK 56 / 38 / 0 / 16

HEX #5F85D7

RGB 95 133 215

HSL 221, 0.6%, 0.61%

LAB 56.2, 10.73, -46.14

 

CMYK 0 / 55 / 38 / 15

HEX #D86186

RGB 216 97 134

HSL 341.34, 0.6%, 0.61%

LAB 56.95, 50.31, 2.64

 

CMYK 0 / 7 / 56 / 16

HEX #D7C95F

RGB 215 201 95

HSL 53, 0.6%, 0.61%

LAB 80.21, -8.44, 53.82

 

CMYK 56 / 0 / 18 / 16

HEX #5FD7B1

RGB 95 215 177

HSL 161, 0.6%, 0.61%

LAB 78.58, -42.75, 8.66

 

CMYK 56 / 49 / 0 / 16

HEX #5F6DD7

RGB 95 109 215

HSL 233, 0.6%, 0.61%

LAB 49.83, 25.34, -56.3

 

CMYK 0 / 55 / 38 / 15

HEX #D86186

RGB 216 97 134

HSL 341.34, 0.6%, 0.61%

LAB 56.95, 50.31, 2.64

 

CMYK 10 / 0 / 56 / 16

HEX #C1D75F

RGB 193 215 95

HSL 71, 0.6%, 0.61%

LAB 82.25, -24.34, 55.7

 

CMYK 56 / 0 / 18 / 16

HEX #5FD7B1

RGB 95 215 177

HSL 161, 0.6%, 0.61%

LAB 78.58, -42.75, 8.66

 

CMYK 46 / 56 / 0 / 16

HEX #755FD7

RGB 117 95 215

HSL 251, 0.6%, 0.61%

LAB 48.1, 38.39, -59

 

Description

Color code: HEX #D86186 | qconv.com Color code: HEX #D86186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 97 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 97 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 38 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 38% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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