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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 51 71 it is the complementary color RGB 141 204 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 51 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 114 51 71: RGB 119 51 66, RGB 136 69 85, RGB 153 87 104, RGB 170 105 123 and RGB 187 123 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 51 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 114 51 71: RGB 114 51 71, RGB 97 33 52, RGB 80 15 33, RGB 63 0 14 and RGB 46 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 38 / 55

HEX #723347

RGB 114 51 71

HSL 340.95, 0.38%, 0.32%

LAB 30.4, 30.08, 1.01

 

Complementary color

CMYK 31 / 0 / 10 / 20

HEX #8DCCB8

RGB 141 204 184

HSL 160.95, 0.38%, 0.68%

LAB 77.47, -24.37, 3.55

 

CMYK 0 / 57 / 45 / 53

HEX #773342

RGB 119 51 66

HSL 346.76, 0.4%, 0.33%

LAB 31.07, 31.35, 5.36

 

CMYK 0 / 49 / 38 / 47

HEX #884555

RGB 136 69 85

HSL 345.67, 0.33%, 0.4%

LAB 38.1, 30.36, 3.59

 

CMYK 0 / 43 / 32 / 40

HEX #995768

RGB 153 87 104

HSL 344.55, 0.28%, 0.47%

LAB 45.06, 29.37, 2.2

 

CMYK 0 / 38 / 28 / 33

HEX #AA697B

RGB 170 105 123

HSL 343.38, 0.28%, 0.54%

LAB 51.93, 28.44, 1.04

 

CMYK 0 / 34 / 24 / 27

HEX #BB7B8E

RGB 187 123 142

HSL 342.19, 0.32%, 0.61%

LAB 58.68, 27.59, 0.03

 

CMYK 0 / 55 / 38 / 55

HEX #723347

RGB 114 51 71

HSL 340.95, 0.38%, 0.32%

LAB 30.4, 30.08, 1.01

 

CMYK 0 / 66 / 46 / 62

HEX #612134

RGB 97 33 52

HSL 342.19, 0.49%, 0.25%

LAB 23.26, 30.89, 3.05

 

CMYK 0 / 81 / 59 / 69

HEX #500F21

RGB 80 15 33

HSL 343.38, 0.68%, 0.19%

LAB 16.29, 31.09, 6.11

 

CMYK 0 / 100 / 78 / 75

HEX #3F000E

RGB 63 0 14

HSL 346.67, 1%, 0.12%

LAB 9.71, 30.14, 9.39

 

CMYK 0 / 100 / 100 / 82

HEX #2E0000

RGB 46 0 0

HSL 0, 1%, 0.09%

LAB 5.25, 22.43, 8.29

 

CMYK 0 / 55 / 38 / 55

HEX #723347

RGB 114 51 71

HSL 340.95, 0.38%, 0.32%

LAB 30.4, 30.08, 1.01

 

CMYK 0 / 55 / 46 / 56

HEX #70323C

RGB 112 50 60

HSL 350.32, 0.38%, 0.32%

LAB 29.54, 28.49, 6.96

 

CMYK 0 / 55 / 55 / 56

HEX #703232

RGB 112 50 50

HSL 0, 0.38%, 0.32%

LAB 29.3, 27.44, 13.18

 

CMYK 0 / 46 / 55 / 56

HEX #703C32

RGB 112 60 50

HSL 9.68, 0.38%, 0.32%

LAB 31.59, 21.68, 16.23

 

CMYK 0 / 37 / 55 / 56

HEX #704732

RGB 112 71 50

HSL 20.32, 0.38%, 0.32%

LAB 34.36, 15.07, 19.81

 

CMYK 0 / 55 / 38 / 55

HEX #723347

RGB 114 51 71

HSL 340.95, 0.38%, 0.32%

LAB 30.4, 30.08, 1.01

 

CMYK 0 / 55 / 38 / 35

HEX #A54A67

RGB 165 74 103

HSL 340.88, 0.38%, 0.47%

LAB 44.05, 40.58, 1.56

 

CMYK 0 / 55 / 38 / 15

HEX #D86187

RGB 216 97 135

HSL 340.84, 0.6%, 0.61%

LAB 56.98, 50.42, 2.09

 

CMYK 0 / 58 / 42 / 95

HEX #0C0507

RGB 12 5 7

HSL 342.86, 0.41%, 0.03%

LAB 1.83, 2.14, -0.1

 

CMYK 0 / 56 / 38 / 75

HEX #3F1C27

RGB 63 28 39

HSL 341.14, 0.38%, 0.18%

LAB 15.66, 18.52, 0.43

 

CMYK 0 / 55 / 38 / 55

HEX #723347

RGB 114 51 71

HSL 340.95, 0.38%, 0.32%

LAB 30.4, 30.08, 1.01

 

CMYK 0 / 7 / 55 / 56

HEX #706832

RGB 112 104 50

HSL 52.26, 0.38%, 0.32%

LAB 43.62, -4.7, 31.2

 

CMYK 55 / 14 / 0 / 56

HEX #326070

RGB 50 96 112

HSL 195.48, 0.38%, 0.32%

LAB 38.22, -10.8, -13.9

 

CMYK 0 / 55 / 38 / 55

HEX #723347

RGB 114 51 71

HSL 340.95, 0.38%, 0.32%

LAB 30.4, 30.08, 1.01

 

CMYK 37 / 0 / 55 / 56

HEX #477032

RGB 71 112 50

HSL 99.68, 0.38%, 0.32%

LAB 43, -26.68, 29.7

 

CMYK 55 / 37 / 0 / 56

HEX #324770

RGB 50 71 112

HSL 219.68, 0.38%, 0.32%

LAB 30.29, 4.87, -26.2

 

CMYK 0 / 55 / 38 / 55

HEX #723347

RGB 114 51 71

HSL 340.95, 0.38%, 0.32%

LAB 30.4, 30.08, 1.01

 

CMYK 0 / 7 / 55 / 56

HEX #706832

RGB 112 104 50

HSL 52.26, 0.38%, 0.32%

LAB 43.62, -4.7, 31.2

 

CMYK 55 / 0 / 19 / 56

HEX #32705B

RGB 50 112 91

HSL 159.68, 0.38%, 0.32%

LAB 42.8, -25.55, 5.65

 

CMYK 55 / 48 / 0 / 56

HEX #323A70

RGB 50 58 112

HSL 232.26, 0.38%, 0.32%

LAB 26.37, 13.67, -32.41

 

CMYK 0 / 55 / 38 / 55

HEX #723347

RGB 114 51 71

HSL 340.95, 0.38%, 0.32%

LAB 30.4, 30.08, 1.01

 

CMYK 9 / 0 / 55 / 56

HEX #667032

RGB 102 112 50

HSL 69.68, 0.38%, 0.32%

LAB 45.14, -13.76, 32.76

 

CMYK 55 / 0 / 19 / 56

HEX #32705B

RGB 50 112 91

HSL 159.68, 0.38%, 0.32%

LAB 42.8, -25.55, 5.65

 

CMYK 46 / 55 / 0 / 56

HEX #3C3270

RGB 60 50 112

HSL 249.68, 0.38%, 0.32%

LAB 24.99, 21.62, -34.58

 

Description

Color code: RGB 114 51 71 | qconv.com Color code: RGB 114 51 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 51 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 51 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 38 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 38% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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