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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1AC6B it is the complementary color #2E5394. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1AC6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1AC6B shade: #D6AC66, #E7BE79, #F8D08C, #FFE29F and #FFF4B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1AC6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1AC6B shade: #D1AC6B, #C09A58, #AF8845, #9E7632 and #8D641F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1AC6B shade: #D1AC6B, #D1916B, #D1756B and #D16B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1AC6B shade: #D1AC6B, #D1C86B, #BFD16B, #A4D16B and #88D16B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1AC6B shade matches the following richer shades: #D1AC6B, #E1B15B and #F1B54B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1AC6B shade: #D1AC6B, #C2A87A, #B2A48A, #A29F9A and #939BA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1AC6B shade: #D1756B, #D1906B, #D1AC6B, #D1C76B and #C0D16B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1AC6B shade: #B38637, #C89B4B, #D1AC6B, #DBBE8A and #E5CFAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1AC6B shade: #D1AC6B, #7CD16B and #836BD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1AC6B shade: #D1AC6B, #6BD1AC and #AC6BD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1AC6B shade: #D1AC6B, #7CD16B, #6B90D1 and #C06BD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1AC6B shade: #D1AC6B, #6BD178, #6B90D1 and #D16BC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

Complementary color

CMYK 69 / 44 / 0 / 42

HEX #2E5394

RGB 46 83 148

HSL 218.24, 0.53%, 0.38%

LAB 35.8, 9.29, -39.71

 

CMYK 0 / 20 / 52 / 16

HEX #D6AC66

RGB 214 172 102

HSL 37.5, 0.58%, 0.62%

LAB 72.73, 6.88, 41.53

 

CMYK 0 / 18 / 48 / 9

HEX #E7BE79

RGB 231 190 121

HSL 37.64, 0.7%, 0.69%

LAB 79.15, 6.05, 40.21

 

CMYK 0 / 16 / 44 / 3

HEX #F8D08C

RGB 248 208 140

HSL 37.78, 0.89%, 0.76%

LAB 85.48, 5.33, 38.95

 

CMYK 0 / 11 / 38 / 0

HEX #FFE29F

RGB 255 226 159

HSL 41.88, 1%, 0.81%

LAB 90.85, 0.84, 36.42

 

CMYK 0 / 4 / 30 / 0

HEX #FFF4B2

RGB 255 244 178

HSL 51.43, 1%, 0.85%

LAB 95.65, -6, 33.2

 

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

CMYK 0 / 20 / 54 / 25

HEX #C09A58

RGB 192 154 88

HSL 38.08, 0.45%, 0.55%

LAB 65.77, 6.13, 39.68

 

CMYK 0 / 22 / 61 / 31

HEX #AF8845

RGB 175 136 69

HSL 37.92, 0.43%, 0.48%

LAB 59.11, 7.16, 41.06

 

CMYK 0 / 25 / 68 / 38

HEX #9E7632

RGB 158 118 50

HSL 37.78, 0.52%, 0.41%

LAB 52.35, 8.4, 42.37

 

CMYK 0 / 29 / 78 / 45

HEX #8D641F

RGB 141 100 31

HSL 37.64, 0.64%, 0.34%

LAB 45.46, 9.93, 43.39

 

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

CMYK 0 / 31 / 49 / 18

HEX #D1916B

RGB 209 145 107

HSL 22.35, 0.53%, 0.62%

LAB 65.65, 19.86, 29.83

 

CMYK 0 / 44 / 49 / 18

HEX #D1756B

RGB 209 117 107

HSL 5.88, 0.53%, 0.62%

LAB 59.29, 34.92, 21.43

 

CMYK 0 / 49 / 49 / 18

HEX #D16B6B

RGB 209 107 107

HSL 0, 0.53%, 0.62%

LAB 57.2, 40.12, 18.61

 

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

CMYK 0 / 4 / 49 / 18

HEX #D1C86B

RGB 209 200 107

HSL 54.71, 0.53%, 0.62%

LAB 79.57, -9.39, 47.26

 

CMYK 9 / 0 / 49 / 18

HEX #BFD16B

RGB 191 209 107

HSL 70.59, 0.53%, 0.62%

LAB 80.59, -21.13, 48.16

 

CMYK 22 / 0 / 49 / 18

HEX #A4D16B

RGB 164 209 107

HSL 86.47, 0.53%, 0.62%

LAB 78.78, -31.49, 45.55

 

CMYK 35 / 0 / 49 / 18

HEX #88D16B

RGB 136 209 107

HSL 102.94, 0.53%, 0.62%

LAB 77.22, -41.36, 43.27

 

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

CMYK 0 / 21 / 60 / 12

HEX #E1B15B

RGB 225 177 91

HSL 38.51, 0.69%, 0.62%

LAB 74.96, 7.94, 49.9

 

CMYK 0 / 25 / 69 / 5

HEX #F1B54B

RGB 241 181 75

HSL 38.31, 0.86%, 0.62%

LAB 77.43, 11.56, 60.4

 

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

CMYK 0 / 13 / 37 / 24

HEX #C2A87A

RGB 194 168 122

HSL 38.33, 0.37%, 0.62%

LAB 70.09, 2.87, 27.27

 

CMYK 0 / 8 / 22 / 30

HEX #B2A48A

RGB 178 164 138

HSL 39, 0.21%, 0.62%

LAB 67.91, 0.83, 15.34

 

CMYK 0 / 2 / 5 / 36

HEX #A29F9A

RGB 162 159 154

HSL 37.5, 0.04%, 0.62%

LAB 65.6, 0.16, 2.98

 

CMYK 13 / 8 / 0 / 34

HEX #939BA9

RGB 147 155 169

HSL 218.18, 0.11%, 0.62%

LAB 63.76, 0.06, -8.28

 

CMYK 0 / 44 / 49 / 18

HEX #D1756B

RGB 209 117 107

HSL 5.88, 0.53%, 0.62%

LAB 59.29, 34.92, 21.43

 

CMYK 0 / 31 / 49 / 18

HEX #D1906B

RGB 209 144 107

HSL 21.76, 0.53%, 0.62%

LAB 65.41, 20.4, 29.52

 

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

CMYK 0 / 5 / 49 / 18

HEX #D1C76B

RGB 209 199 107

HSL 54.12, 0.53%, 0.62%

LAB 79.31, -8.88, 46.94

 

CMYK 8 / 0 / 49 / 18

HEX #C0D16B

RGB 192 209 107

HSL 70, 0.53%, 0.62%

LAB 80.67, -20.74, 48.26

 

CMYK 0 / 25 / 69 / 30

HEX #B38637

RGB 179 134 55

HSL 38.23, 0.53%, 0.46%

LAB 58.89, 9.11, 47.71

 

CMYK 0 / 23 / 63 / 22

HEX #C89B4B

RGB 200 155 75

HSL 38.4, 0.53%, 0.54%

LAB 66.7, 8.01, 47.47

 

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

CMYK 0 / 13 / 37 / 14

HEX #DBBE8A

RGB 219 190 138

HSL 38.52, 0.53%, 0.7%

LAB 78.3, 3.04, 30.08

 

CMYK 0 / 10 / 26 / 10

HEX #E5CFAA

RGB 229 207 170

HSL 37.63, 0.53%, 0.78%

LAB 84.06, 2.05, 21.2

 

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

CMYK 41 / 0 / 49 / 18

HEX #7CD16B

RGB 124 209 107

HSL 110, 0.53%, 0.62%

LAB 76.65, -45.22, 42.44

 

CMYK 37 / 49 / 0 / 18

HEX #836BD1

RGB 131 107 209

HSL 254.12, 0.53%, 0.62%

LAB 51.77, 32.97, -49.62

 

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

CMYK 49 / 0 / 18 / 18

HEX #6BD1AC

RGB 107 209 172

HSL 158.24, 0.53%, 0.62%

LAB 77.1, -38.51, 9.27

 

CMYK 18 / 49 / 0 / 18

HEX #AC6BD1

RGB 172 107 209

HSL 278.24, 0.53%, 0.62%

LAB 55.98, 43.92, -42.69

 

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

CMYK 41 / 0 / 49 / 18

HEX #7CD16B

RGB 124 209 107

HSL 110, 0.53%, 0.62%

LAB 76.65, -45.22, 42.44

 

CMYK 49 / 31 / 0 / 18

HEX #6B90D1

RGB 107 144 209

HSL 218.24, 0.53%, 0.62%

LAB 59.59, 5.04, -37.38

 

CMYK 8 / 49 / 0 / 18

HEX #C06BD1

RGB 192 107 209

HSL 290, 0.53%, 0.62%

LAB 58.34, 49.51, -38.81

 

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

CMYK 49 / 0 / 43 / 18

HEX #6BD178

RGB 107 209 120

HSL 127.65, 0.53%, 0.62%

LAB 76.12, -48.32, 35.17

 

CMYK 49 / 31 / 0 / 18

HEX #6B90D1

RGB 107 144 209

HSL 218.24, 0.53%, 0.62%

LAB 59.59, 5.04, -37.38

 

CMYK 0 / 49 / 6 / 18

HEX #D16BC4

RGB 209 107 196

HSL 307.65, 0.53%, 0.62%

LAB 59.94, 52.04, -28.79

 

Description

Color code: HEX #D1AC6B | qconv.com Color code: HEX #D1AC6B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 172 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 172 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 49 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 49% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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