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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1916B it is the complementary color #2E6E94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1916B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1916B shade: #D69166, #E7A379, #F8B58C, #FFC79F and #FFD9B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1916B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1916B shade: #D1916B, #C07F58, #AF6D45, #9E5B32 and #8D491F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1916B shade: #D1916B, #D1756B and #D16B6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1916B shade: #D1916B, #D1AD6B, #D1C86B, #BFD16B and #A3D16B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1916B shade matches the following richer shades: #D1916B, #E18D5B and #F1894B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1916B shade: #D1916B, #C2957A, #B2998A, #A29D9A and #93A1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1916B shade: #D16B7C, #D1756B, #D1906B, #D1AC6B and #D1C76B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1916B shade: #B36537, #C87A4B, #D1916B, #DBA88A and #E5C0AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1916B shade: #D1916B, #97D16B and #6B6ED1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1916B shade: #D1916B, #6BD190 and #906BD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1916B shade: #D1916B, #97D16B, #6BACD1 and #A56BD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1916B shade: #D1916B, #78D16B, #6BACD1 and #C46BD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 49 / 18

HEX #D1916B

RGB 209 145 107

HSL 22.35, 0.53%, 0.62%

LAB 65.65, 19.86, 29.83

 

Complementary color

CMYK 69 / 26 / 0 / 42

HEX #2E6E94

RGB 46 110 148

HSL 202.35, 0.53%, 0.38%

LAB 44.05, -7.66, -26.7

 

CMYK 0 / 32 / 52 / 16

HEX #D69166

RGB 214 145 102

HSL 23.04, 0.58%, 0.62%

LAB 66.14, 21.43, 33.29

 

CMYK 0 / 29 / 48 / 9

HEX #E7A379

RGB 231 163 121

HSL 22.91, 0.7%, 0.69%

LAB 72.6, 20.37, 31.82

 

CMYK 0 / 27 / 44 / 3

HEX #F8B58C

RGB 248 181 140

HSL 22.78, 0.89%, 0.76%

LAB 78.98, 19.44, 30.45

 

CMYK 0 / 22 / 38 / 0

HEX #FFC79F

RGB 255 199 159

HSL 25, 1%, 0.81%

LAB 84.28, 14.77, 27.67

 

CMYK 0 / 15 / 30 / 0

HEX #FFD9B2

RGB 255 217 178

HSL 30.39, 1%, 0.85%

LAB 88.97, 7.7, 24.13

 

CMYK 0 / 31 / 49 / 18

HEX #D1916B

RGB 209 145 107

HSL 22.35, 0.53%, 0.62%

LAB 65.65, 19.86, 29.83

 

CMYK 0 / 34 / 54 / 25

HEX #C07F58

RGB 192 127 88

HSL 22.5, 0.45%, 0.55%

LAB 59.06, 20.98, 31.38

 

CMYK 0 / 38 / 61 / 31

HEX #AF6D45

RGB 175 109 69

HSL 22.64, 0.43%, 0.48%

LAB 52.38, 22.27, 33.07

 

CMYK 0 / 42 / 68 / 38

HEX #9E5B32

RGB 158 91 50

HSL 22.78, 0.52%, 0.41%

LAB 45.61, 23.78, 34.9

 

CMYK 0 / 48 / 78 / 45

HEX #8D491F

RGB 141 73 31

HSL 22.91, 0.64%, 0.34%

LAB 38.77, 25.53, 36.76

 

CMYK 0 / 31 / 49 / 18

HEX #D1916B

RGB 209 145 107

HSL 22.35, 0.53%, 0.62%

LAB 65.65, 19.86, 29.83

 

CMYK 0 / 44 / 49 / 18

HEX #D1756B

RGB 209 117 107

HSL 5.88, 0.53%, 0.62%

LAB 59.29, 34.92, 21.43

 

CMYK 0 / 49 / 49 / 18

HEX #D16B6B

RGB 209 107 107

HSL 0, 0.53%, 0.62%

LAB 57.2, 40.12, 18.61

 

CMYK 0 / 31 / 49 / 18

HEX #D1916B

RGB 209 145 107

HSL 22.35, 0.53%, 0.62%

LAB 65.65, 19.86, 29.83

 

CMYK 0 / 17 / 49 / 18

HEX #D1AD6B

RGB 209 173 107

HSL 38.82, 0.53%, 0.62%

LAB 72.56, 4.73, 38.65

 

CMYK 0 / 4 / 49 / 18

HEX #D1C86B

RGB 209 200 107

HSL 54.71, 0.53%, 0.62%

LAB 79.57, -9.39, 47.26

 

CMYK 9 / 0 / 49 / 18

HEX #BFD16B

RGB 191 209 107

HSL 70.59, 0.53%, 0.62%

LAB 80.59, -21.13, 48.16

 

CMYK 22 / 0 / 49 / 18

HEX #A3D16B

RGB 163 209 107

HSL 87.06, 0.53%, 0.62%

LAB 78.72, -31.86, 45.46

 

CMYK 0 / 31 / 49 / 18

HEX #D1916B

RGB 209 145 107

HSL 22.35, 0.53%, 0.62%

LAB 65.65, 19.86, 29.83

 

CMYK 0 / 37 / 60 / 12

HEX #E18D5B

RGB 225 141 91

HSL 22.39, 0.69%, 0.62%

LAB 66.38, 27.17, 39.73

 

CMYK 0 / 43 / 69 / 5

HEX #F1894B

RGB 241 137 75

HSL 22.41, 0.86%, 0.62%

LAB 67.35, 34.68, 49.54

 

CMYK 0 / 31 / 49 / 18

HEX #D1916B

RGB 209 145 107

HSL 22.35, 0.53%, 0.62%

LAB 65.65, 19.86, 29.83

 

CMYK 0 / 23 / 37 / 24

HEX #C2957A

RGB 194 149 122

HSL 22.5, 0.37%, 0.62%

LAB 65.25, 13.22, 20.77

 

CMYK 0 / 14 / 22 / 30

HEX #B2998A

RGB 178 153 138

HSL 22.5, 0.21%, 0.62%

LAB 65.03, 6.85, 11.3

 

CMYK 0 / 3 / 5 / 36

HEX #A29D9A

RGB 162 157 154

HSL 22.5, 0.04%, 0.62%

LAB 65.06, 1.26, 2.2

 

CMYK 13 / 5 / 0 / 34

HEX #93A1A9

RGB 147 161 169

HSL 201.82, 0.11%, 0.62%

LAB 65.4, -3.26, -5.84

 

CMYK 0 / 49 / 41 / 18

HEX #D16B7C

RGB 209 107 124

HSL 350, 0.53%, 0.62%

LAB 57.58, 41.86, 9.26

 

CMYK 0 / 44 / 49 / 18

HEX #D1756B

RGB 209 117 107

HSL 5.88, 0.53%, 0.62%

LAB 59.29, 34.92, 21.43

 

CMYK 0 / 31 / 49 / 18

HEX #D1906B

RGB 209 144 107

HSL 21.76, 0.53%, 0.62%

LAB 65.41, 20.4, 29.52

 

CMYK 0 / 18 / 49 / 18

HEX #D1AC6B

RGB 209 172 107

HSL 38.24, 0.53%, 0.62%

LAB 72.31, 5.26, 38.34

 

CMYK 0 / 5 / 49 / 18

HEX #D1C76B

RGB 209 199 107

HSL 54.12, 0.53%, 0.62%

LAB 79.31, -8.88, 46.94

 

CMYK 0 / 44 / 69 / 30

HEX #B36537

RGB 179 101 55

HSL 22.26, 0.53%, 0.46%

LAB 50.88, 27.45, 38.98

 

CMYK 0 / 39 / 63 / 22

HEX #C87A4B

RGB 200 122 75

HSL 22.56, 0.53%, 0.54%

LAB 58.7, 26.02, 38.19

 

CMYK 0 / 31 / 49 / 18

HEX #D1916B

RGB 209 145 107

HSL 22.35, 0.53%, 0.62%

LAB 65.65, 19.86, 29.83

 

CMYK 0 / 23 / 37 / 14

HEX #DBA88A

RGB 219 168 138

HSL 22.22, 0.53%, 0.7%

LAB 72.83, 14.76, 22.73

 

CMYK 0 / 16 / 26 / 10

HEX #E5C0AA

RGB 229 192 170

HSL 22.37, 0.53%, 0.78%

LAB 80.33, 9.92, 16

 

CMYK 0 / 31 / 49 / 18

HEX #D1916B

RGB 209 145 107

HSL 22.35, 0.53%, 0.62%

LAB 65.65, 19.86, 29.83

 

CMYK 28 / 0 / 49 / 18

HEX #97D16B

RGB 151 209 107

HSL 94.12, 0.53%, 0.62%

LAB 78.02, -36.21, 44.43

 

CMYK 49 / 47 / 0 / 18

HEX #6B6ED1

RGB 107 110 209

HSL 238.24, 0.53%, 0.62%

LAB 50.55, 25.4, -51.7

 

CMYK 0 / 31 / 49 / 18

HEX #D1916B

RGB 209 145 107

HSL 22.35, 0.53%, 0.62%

LAB 65.65, 19.86, 29.83

 

CMYK 49 / 0 / 31 / 18

HEX #6BD190

RGB 107 209 144

HSL 141.76, 0.53%, 0.62%

LAB 76.52, -44.22, 23.31

 

CMYK 31 / 49 / 0 / 18

HEX #906BD1

RGB 144 107 209

HSL 261.76, 0.53%, 0.62%

LAB 53, 36.33, -47.59

 

CMYK 0 / 31 / 49 / 18

HEX #D1916B

RGB 209 145 107

HSL 22.35, 0.53%, 0.62%

LAB 65.65, 19.86, 29.83

 

CMYK 28 / 0 / 49 / 18

HEX #97D16B

RGB 151 209 107

HSL 94.12, 0.53%, 0.62%

LAB 78.02, -36.21, 44.43

 

CMYK 49 / 18 / 0 / 18

HEX #6BACD1

RGB 107 172 209

HSL 201.76, 0.53%, 0.62%

LAB 67.45, -10.7, -25.21

 

CMYK 21 / 49 / 0 / 18

HEX #A56BD1

RGB 165 107 209

HSL 274.12, 0.53%, 0.62%

LAB 55.19, 41.99, -43.98

 

CMYK 0 / 31 / 49 / 18

HEX #D1916B

RGB 209 145 107

HSL 22.35, 0.53%, 0.62%

LAB 65.65, 19.86, 29.83

 

CMYK 43 / 0 / 49 / 18

HEX #78D16B

RGB 120 209 107

HSL 112.35, 0.53%, 0.62%

LAB 76.47, -46.45, 42.18

 

CMYK 49 / 18 / 0 / 18

HEX #6BACD1

RGB 107 172 209

HSL 201.76, 0.53%, 0.62%

LAB 67.45, -10.7, -25.21

 

CMYK 6 / 49 / 0 / 18

HEX #C46BD1

RGB 196 107 209

HSL 292.35, 0.53%, 0.62%

LAB 58.84, 50.64, -37.99

 

Description

Color code: HEX #D1916B | qconv.com Color code: HEX #D1916B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 145 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 145 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 49 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 49% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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