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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 8 / 22 / 30 it is the complementary color CMYK 34 / 22 / 0 / 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 8 / 22 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 8 / 22 / 30: CMYK 0 / 11 / 27 / 28, CMYK 0 / 9 / 24 / 21, CMYK 0 / 8 / 21 / 15, CMYK 0 / 7 / 19 / 8 and CMYK 0 / 6 / 17 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 8 / 22 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 8 / 22 / 30: CMYK 0 / 8 / 22 / 30, CMYK 0 / 10 / 26 / 36, CMYK 0 / 12 / 30 / 43, CMYK 0 / 14 / 36 / 50 and CMYK 0 / 17 / 43 / 56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 22 / 30

HEX #B3A48B

RGB 179 164 139

HSL 37.5, 0.21%, 0.62%

LAB 68.02, 1.36, 14.96

 

Complementary color

CMYK 34 / 22 / 0 / 55

HEX #4C5B74

RGB 76 91 116

HSL 217.5, 0.21%, 0.38%

LAB 38.34, 0.82, -16.05

 

CMYK 0 / 11 / 27 / 28

HEX #B8A486

RGB 184 164 134

HSL 36, 0.26%, 0.62%

LAB 68.36, 2.59, 18.25

 

CMYK 0 / 9 / 24 / 21

HEX #C9B699

RGB 201 182 153

HSL 36.25, 0.31%, 0.69%

LAB 74.93, 2.21, 17.24

 

CMYK 0 / 8 / 21 / 15

HEX #DAC8AC

RGB 218 200 172

HSL 36.52, 0.38%, 0.76%

LAB 81.4, 1.87, 16.3

 

CMYK 0 / 7 / 19 / 8

HEX #EBDABF

RGB 235 218 191

HSL 36.82, 0.52%, 0.84%

LAB 87.76, 1.56, 15.4

 

CMYK 0 / 6 / 17 / 1

HEX #FCECD2

RGB 252 236 210

HSL 37.14, 0.88%, 0.91%

LAB 94.03, 1.28, 14.55

 

CMYK 0 / 8 / 22 / 30

HEX #B3A48B

RGB 179 164 139

HSL 37.5, 0.21%, 0.62%

LAB 68.02, 1.36, 14.96

 

CMYK 0 / 10 / 26 / 36

HEX #A29278

RGB 162 146 120

HSL 37.14, 0.18%, 0.55%

LAB 61.3, 1.73, 15.97

 

CMYK 0 / 12 / 30 / 43

HEX #918065

RGB 145 128 101

HSL 36.82, 0.18%, 0.48%

LAB 54.45, 2.16, 17.06

 

CMYK 0 / 14 / 36 / 50

HEX #806E52

RGB 128 110 82

HSL 36.52, 0.22%, 0.41%

LAB 47.43, 2.67, 18.25

 

CMYK 0 / 17 / 43 / 56

HEX #6F5C3F

RGB 111 92 63

HSL 36.25, 0.28%, 0.34%

LAB 40.23, 3.32, 19.57

 

CMYK 0 / 8 / 22 / 30

HEX #B3A48B

RGB 179 164 139

HSL 37.5, 0.21%, 0.62%

LAB 68.02, 1.36, 14.96

 

CMYK 0 / 5 / 23 / 30

HEX #B2A989

RGB 178 169 137

HSL 46.83, 0.21%, 0.62%

LAB 69.22, -2.03, 17.71

 

CMYK 0 / 1 / 23 / 30

HEX #B2B089

RGB 178 176 137

HSL 57.07, 0.21%, 0.62%

LAB 71.09, -5.76, 20.29

 

CMYK 3 / 0 / 23 / 30

HEX #ADB289

RGB 173 178 137

HSL 67.32, 0.21%, 0.62%

LAB 71.24, -8.74, 20.42

 

CMYK 7 / 0 / 23 / 30

HEX #A6B289

RGB 166 178 137

HSL 77.56, 0.21%, 0.62%

LAB 70.7, -11.41, 19.6

 

CMYK 0 / 8 / 22 / 30

HEX #B3A48B

RGB 179 164 139

HSL 37.5, 0.21%, 0.62%

LAB 68.02, 1.36, 14.96

 

CMYK 0 / 8 / 22 / 10

HEX #E6D3B3

RGB 230 211 179

HSL 37.65, 0.5%, 0.8%

LAB 85.34, 1.6, 18.25

 

CMYK 0 / 8 / 23 / 90

HEX #1A1814

RGB 26 24 20

HSL 40, 0.13%, 0.09%

LAB 8.34, 0.05, 3.02

 

CMYK 0 / 8 / 22 / 70

HEX #4D473C

RGB 77 71 60

HSL 38.82, 0.12%, 0.27%

LAB 30.43, 0.4, 7.53

 

CMYK 0 / 9 / 23 / 50

HEX #807563

RGB 128 117 99

HSL 37.24, 0.13%, 0.45%

LAB 49.75, 1.11, 11.48

 

CMYK 0 / 8 / 22 / 30

HEX #B3A48B

RGB 179 164 139

HSL 37.5, 0.21%, 0.62%

LAB 68.02, 1.36, 14.96

 

CMYK 19 / 0 / 23 / 30

HEX #91B289

RGB 145 178 137

HSL 108.29, 0.21%, 0.62%

LAB 69.23, -19.13, 17.34

 

CMYK 18 / 23 / 0 / 30

HEX #9289B2

RGB 146 137 178

HSL 253.17, 0.21%, 0.62%

LAB 59.17, 11.94, -20.3

 

CMYK 0 / 8 / 22 / 30

HEX #B3A48B

RGB 179 164 139

HSL 37.5, 0.21%, 0.62%

LAB 68.02, 1.36, 14.96

 

CMYK 23 / 0 / 9 / 30

HEX #89B2A2

RGB 137 178 162

HSL 156.59, 0.21%, 0.62%

LAB 69.3, -17.13, 3.68

 

CMYK 9 / 23 / 0 / 30

HEX #A289B2

RGB 162 137 178

HSL 276.59, 0.21%, 0.62%

LAB 60.59, 17.26, -18.01

 

CMYK 0 / 8 / 22 / 30

HEX #B3A48B

RGB 179 164 139

HSL 37.5, 0.21%, 0.62%

LAB 68.02, 1.36, 14.96

 

CMYK 19 / 0 / 23 / 30

HEX #91B289

RGB 145 178 137

HSL 108.29, 0.21%, 0.62%

LAB 69.23, -19.13, 17.34

 

CMYK 23 / 14 / 0 / 30

HEX #8999B2

RGB 137 153 178

HSL 216.59, 0.21%, 0.62%

LAB 62.77, -0.08, -14.9

 

CMYK 4 / 23 / 0 / 30

HEX #AA89B2

RGB 170 137 178

HSL 288.29, 0.21%, 0.62%

LAB 61.35, 19.98, -16.78

 

CMYK 0 / 8 / 22 / 30

HEX #B3A48B

RGB 179 164 139

HSL 37.5, 0.21%, 0.62%

LAB 68.02, 1.36, 14.96

 

CMYK 23 / 0 / 20 / 30

HEX #89B28E

RGB 137 178 142

HSL 127.32, 0.21%, 0.62%

LAB 68.83, -21.04, 13.99

 

CMYK 23 / 14 / 0 / 30

HEX #8999B2

RGB 137 153 178

HSL 216.59, 0.21%, 0.62%

LAB 62.77, -0.08, -14.9

 

CMYK 0 / 23 / 3 / 30

HEX #B289AD

RGB 178 137 173

HSL 307.32, 0.21%, 0.62%

LAB 61.98, 21.77, -12.93

 

Description

Color code: CMYK 0 / 8 / 22 / 30 | qconv.com Color code: CMYK 0 / 8 / 22 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 164 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 164 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 22 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 22% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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