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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CF3C9D it is the complementary color #30C362. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CF3C9D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CF3C9D shade: #D43C98, #E54EAB, #F660BE, #FF72D1 and #FF84E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CF3C9D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CF3C9D shade: #CF3C9D, #BE2A8A, #AD1877, #9C0664 and #8B0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CF3C9D shade: #CE3B9C, #CE3B74, #CE3B4C and #CE3B3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CF3C9D shade: #CE3B9C, #CE3BC3, #B03BCE, #893BCE and #613BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CF3C9D shade matches the following richer shades: #CE3B9C, #E127A2 and #F513A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CF3C9D shade: #CE3B9C, #BA4E95, #A6628F, #927689 and #7E8A82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CF3C9D shade: #B03BCE, #CE3BC4, #CE3B9D, #CE3B75 and #CE3B4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CF3C9D shade: #92246C, #B32C85, #CE3B9C, #D65CAC and #DE7DBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CF3C9D shade: #CF3C9D, #CE893B and #3BCEC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CF3C9D shade: #CF3C9D, #9DCE3B and #3B9DCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CF3C9D shade: #CF3C9D, #CE893B, #3BCE6C and #3B7FCE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CF3C9D shade: #CF3C9D, #CEB53B, #3BCE6C and #3B53CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 24 / 19

HEX #CF3C9D

RGB 207 60 157

HSL 320.41, 0.6%, 0.52%

LAB 50.61, 65.86, -20.57

 

Complementary color

CMYK 75 / 0 / 50 / 24

HEX #30C362

RGB 48 195 98

HSL 140.41, 0.6%, 0.48%

LAB 69.85, -58.75, 37.91

 

CMYK 0 / 72 / 28 / 17

HEX #D43C98

RGB 212 60 152

HSL 323.68, 0.64%, 0.53%

LAB 51.26, 66.52, -16.52

 

CMYK 0 / 66 / 25 / 10

HEX #E54EAB

RGB 229 78 171

HSL 323.05, 0.74%, 0.6%

LAB 57.12, 66.83, -18.5

 

CMYK 0 / 61 / 23 / 4

HEX #F660BE

RGB 246 96 190

HSL 322.4, 0.89%, 0.67%

LAB 63.07, 66.74, -20.11

 

CMYK 0 / 55 / 18 / 0

HEX #FF72D1

RGB 255 114 209

HSL 319.57, 1%, 0.72%

LAB 67.95, 64.12, -23.27

 

CMYK 0 / 48 / 11 / 0

HEX #FF84E4

RGB 255 132 228

HSL 313.17, 1%, 0.76%

LAB 71.8, 58.64, -27.89

 

CMYK 0 / 71 / 24 / 19

HEX #CF3C9D

RGB 207 60 157

HSL 320.41, 0.6%, 0.52%

LAB 50.61, 65.86, -20.57

 

CMYK 0 / 78 / 27 / 25

HEX #BE2A8A

RGB 190 42 138

HSL 321.08, 0.64%, 0.45%

LAB 44.85, 64.96, -18.24

 

CMYK 0 / 86 / 31 / 32

HEX #AD1877

RGB 173 24 119

HSL 321.74, 0.76%, 0.39%

LAB 39.36, 63.12, -15.22

 

CMYK 0 / 96 / 36 / 39

HEX #9C0664

RGB 156 6 100

HSL 322.4, 0.93%, 0.32%

LAB 34.23, 60.01, -11.31

 

CMYK 0 / 100 / 42 / 45

HEX #8B0051

RGB 139 0 81

HSL 325.04, 1%, 0.27%

LAB 29.62, 55.11, -6.21

 

CMYK 0 / 71 / 24 / 19

HEX #CE3B9C

RGB 206 59 156

HSL 320.41, 0.6%, 0.52%

LAB 50.28, 65.82, -20.5

 

CMYK 0 / 71 / 44 / 19

HEX #CE3B74

RGB 206 59 116

HSL 336.73, 0.6%, 0.52%

LAB 48.9, 61.34, 1.49

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 71 / 24 / 19

HEX #CE3B9C

RGB 206 59 156

HSL 320.41, 0.6%, 0.52%

LAB 50.28, 65.82, -20.5

 

CMYK 0 / 71 / 5 / 19

HEX #CE3BC3

RGB 206 59 195

HSL 304.49, 0.6%, 0.52%

LAB 52.05, 71.32, -40.57

 

CMYK 15 / 71 / 0 / 19

HEX #B03BCE

RGB 176 59 206

HSL 287.76, 0.6%, 0.52%

LAB 48.03, 66.75, -53.6

 

CMYK 33 / 71 / 0 / 19

HEX #893BCE

RGB 137 59 206

HSL 271.84, 0.6%, 0.52%

LAB 42.62, 59.02, -62.6

 

CMYK 53 / 71 / 0 / 19

HEX #613BCE

RGB 97 59 206

HSL 255.51, 0.6%, 0.52%

LAB 38.07, 52.13, -70.22

 

CMYK 0 / 71 / 24 / 19

HEX #CE3B9C

RGB 206 59 156

HSL 320.41, 0.6%, 0.52%

LAB 50.28, 65.82, -20.5

 

CMYK 0 / 83 / 28 / 12

HEX #E127A2

RGB 225 39 162

HSL 320.32, 0.76%, 0.52%

LAB 51.91, 76.58, -21.25

 

CMYK 0 / 92 / 31 / 4

HEX #F513A8

RGB 245 19 168

HSL 320.44, 0.92%, 0.52%

LAB 54.77, 84.54, -20.09

 

CMYK 0 / 71 / 24 / 19

HEX #CE3B9C

RGB 206 59 156

HSL 320.41, 0.6%, 0.52%

LAB 50.28, 65.82, -20.5

 

CMYK 0 / 58 / 20 / 27

HEX #BA4E95

RGB 186 78 149

HSL 320.56, 0.44%, 0.52%

LAB 49.57, 51.65, -17.7

 

CMYK 0 / 41 / 14 / 35

HEX #A6628F

RGB 166 98 143

HSL 320.29, 0.28%, 0.52%

LAB 50.48, 34.02, -13.01

 

CMYK 0 / 19 / 6 / 43

HEX #927689

RGB 146 118 137

HSL 319.29, 0.11%, 0.52%

LAB 52.81, 14.29, -6.22

 

CMYK 9 / 0 / 6 / 46

HEX #7E8A82

RGB 126 138 130

HSL 140, 0.05%, 0.52%

LAB 56.31, -5.99, 2.78

 

CMYK 15 / 71 / 0 / 19

HEX #B03BCE

RGB 176 59 206

HSL 287.76, 0.6%, 0.52%

LAB 48.03, 66.75, -53.6

 

CMYK 0 / 71 / 5 / 19

HEX #CE3BC4

RGB 206 59 196

HSL 304.08, 0.6%, 0.52%

LAB 52.1, 71.48, -41.07

 

CMYK 0 / 71 / 24 / 19

HEX #CE3B9D

RGB 206 59 157

HSL 320, 0.6%, 0.52%

LAB 50.32, 65.95, -21.03

 

CMYK 0 / 71 / 43 / 19

HEX #CE3B75

RGB 206 59 117

HSL 336.33, 0.6%, 0.52%

LAB 48.93, 61.44, 0.93

 

CMYK 0 / 71 / 62 / 19

HEX #CE3B4E

RGB 206 59 78

HSL 352.24, 0.6%, 0.52%

LAB 48.01, 58.35, 23.38

 

CMYK 0 / 75 / 26 / 43

HEX #92246C

RGB 146 36 108

HSL 320.73, 0.6%, 0.36%

LAB 34.91, 51.89, -15.55

 

CMYK 0 / 75 / 26 / 30

HEX #B32C85

RGB 179 44 133

HSL 320.44, 0.61%, 0.44%

LAB 42.88, 61.02, -18.39

 

CMYK 0 / 71 / 24 / 19

HEX #CE3B9C

RGB 206 59 156

HSL 320.41, 0.6%, 0.52%

LAB 50.28, 65.82, -20.5

 

CMYK 0 / 57 / 20 / 16

HEX #D65CAC

RGB 214 92 172

HSL 320.66, 0.6%, 0.6%

LAB 57.01, 56.88, -19.47

 

CMYK 0 / 44 / 15 / 13

HEX #DE7DBD

RGB 222 125 189

HSL 320.41, 0.6%, 0.68%

LAB 64.86, 45.85, -17.14

 

CMYK 0 / 71 / 24 / 19

HEX #CF3C9D

RGB 207 60 157

HSL 320.41, 0.6%, 0.52%

LAB 50.61, 65.86, -20.57

 

CMYK 0 / 33 / 71 / 19

HEX #CE893B

RGB 206 137 59

HSL 31.84, 0.6%, 0.52%

LAB 62.78, 19.44, 50.93

 

CMYK 71 / 0 / 5 / 19

HEX #3BCEC4

RGB 59 206 196

HSL 175.92, 0.6%, 0.52%

LAB 75.49, -39.97, -6.15

 

CMYK 0 / 71 / 24 / 19

HEX #CF3C9D

RGB 207 60 157

HSL 320.41, 0.6%, 0.52%

LAB 50.61, 65.86, -20.57

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 71 / 24 / 0 / 19

HEX #3B9DCE

RGB 59 157 206

HSL 200, 0.6%, 0.52%

LAB 61.22, -12.48, -33.31

 

CMYK 0 / 71 / 24 / 19

HEX #CF3C9D

RGB 207 60 157

HSL 320.41, 0.6%, 0.52%

LAB 50.61, 65.86, -20.57

 

CMYK 0 / 33 / 71 / 19

HEX #CE893B

RGB 206 137 59

HSL 31.84, 0.6%, 0.52%

LAB 62.78, 19.44, 50.93

 

CMYK 71 / 0 / 48 / 19

HEX #3BCE6C

RGB 59 206 108

HSL 140, 0.6%, 0.52%

LAB 73.65, -59.43, 37.75

 

CMYK 71 / 38 / 0 / 19

HEX #3B7FCE

RGB 59 127 206

HSL 212.24, 0.6%, 0.52%

LAB 52.47, 4.89, -47.07

 

CMYK 0 / 71 / 24 / 19

HEX #CF3C9D

RGB 207 60 157

HSL 320.41, 0.6%, 0.52%

LAB 50.61, 65.86, -20.57

 

CMYK 0 / 12 / 71 / 19

HEX #CEB53B

RGB 206 181 59

HSL 49.8, 0.6%, 0.52%

LAB 73.86, -4.18, 62.19

 

CMYK 71 / 0 / 48 / 19

HEX #3BCE6C

RGB 59 206 108

HSL 140, 0.6%, 0.52%

LAB 73.65, -59.43, 37.75

 

CMYK 71 / 60 / 0 / 19

HEX #3B53CE

RGB 59 83 206

HSL 230.2, 0.6%, 0.52%

LAB 40.53, 32.64, -66.31

 

Description

Color code: HEX #CF3C9D | qconv.com Color code: HEX #CF3C9D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 60 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 60 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 24 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 24% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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