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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 206 59 76 it is the complementary color RGB 49 196 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 206 59 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 206 59 76 shade: RGB 211 59 71, RGB 228 77 90, RGB 245 95 109, RGB 255 113 128 and RGB 255 131 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 206 59 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 206 59 76 shade: RGB 206 59 76, RGB 189 41 57, RGB 172 23 38, RGB 155 5 19 and RGB 138 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 206 59 76 shade: RGB 206 59 76 and RGB 206 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 206 59 76 shade: RGB 206 59 76, RGB 206 59 116, RGB 206 59 155, RGB 206 59 195 and RGB 177 59 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 206 59 76 shade matches the following richer shades: RGB 206 59 76, RGB 226 39 61 and RGB 246 20 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 206 59 76 shade: RGB 206 59 76, RGB 186 79 91, RGB 166 99 107, RGB 147 119 122 and RGB 127 138 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 206 59 76 shade: RGB 206 59 155, RGB 206 59 115, RGB 206 59 76, RGB 206 81 59 and RGB 206 120 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 206 59 76 shade: RGB 146 37 49, RGB 179 45 60, RGB 206 59 76, RGB 214 92 106 and RGB 223 125 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 206 59 76 shade: RGB 206 59 76, RGB 194 206 59 and RGB 59 135 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 206 59 76 shade: RGB 206 59 76, RGB 76 206 59 and RGB 59 76 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 206 59 76 shade: RGB 206 59 76, RGB 194 206 59, RGB 59 206 189 and RGB 71 59 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 206 59 76 shade: RGB 206 59 76, RGB 150 206 59, RGB 59 206 189 and RGB 115 59 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

Complementary color

CMYK 75 / 0 / 9 / 23

HEX #31C4B3

RGB 49 196 179

HSL 173.06, 0.6%, 0.48%

LAB 71.82, -41.36, -2.36

 

CMYK 0 / 72 / 66 / 17

HEX #D33B47

RGB 211 59 71

HSL 355.26, 0.63%, 0.53%

LAB 48.8, 59.47, 28.78

 

CMYK 0 / 66 / 61 / 11

HEX #E44D5A

RGB 228 77 90

HSL 354.83, 0.74%, 0.6%

LAB 54.6, 59.12, 25.56

 

CMYK 0 / 61 / 56 / 4

HEX #F55F6D

RGB 245 95 109

HSL 354.4, 0.88%, 0.67%

LAB 60.52, 58.46, 22.85

 

CMYK 0 / 56 / 50 / 0

HEX #FF7180

RGB 255 113 128

HSL 353.66, 1%, 0.72%

LAB 65.46, 55.3, 18.94

 

CMYK 0 / 49 / 42 / 0

HEX #FF8393

RGB 255 131 147

HSL 352.26, 1%, 0.76%

LAB 69.18, 48.53, 13.39

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 0 / 78 / 70 / 26

HEX #BD2939

RGB 189 41 57

HSL 353.51, 0.64%, 0.45%

LAB 42.31, 58.06, 28.27

 

CMYK 0 / 87 / 78 / 33

HEX #AC1726

RGB 172 23 38

HSL 353.96, 0.76%, 0.38%

LAB 36.97, 57.03, 32.72

 

CMYK 0 / 97 / 88 / 39

HEX #9B0513

RGB 155 5 19

HSL 354.4, 0.94%, 0.31%

LAB 32.09, 54.82, 37.56

 

CMYK 0 / 100 / 100 / 46

HEX #8A0000

RGB 138 0 0

HSL 0, 1%, 0.27%

LAB 27.85, 50.74, 41.01

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 0 / 71 / 71 / 19

HEX #CE3B3B

RGB 206 59 59

HSL 0, 0.6%, 0.52%

LAB 47.71, 57.32, 34.29

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 0 / 71 / 44 / 19

HEX #CE3B74

RGB 206 59 116

HSL 336.73, 0.6%, 0.52%

LAB 48.9, 61.34, 1.49

 

CMYK 0 / 71 / 25 / 19

HEX #CE3B9B

RGB 206 59 155

HSL 320.82, 0.6%, 0.52%

LAB 50.24, 65.69, -19.96

 

CMYK 0 / 71 / 5 / 19

HEX #CE3BC3

RGB 206 59 195

HSL 304.49, 0.6%, 0.52%

LAB 52.05, 71.32, -40.57

 

CMYK 14 / 71 / 0 / 19

HEX #B13BCE

RGB 177 59 206

HSL 288.16, 0.6%, 0.52%

LAB 48.17, 66.96, -53.36

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 0 / 83 / 73 / 11

HEX #E2273D

RGB 226 39 61

HSL 352.94, 0.76%, 0.52%

LAB 49.44, 69.1, 36.12

 

CMYK 0 / 92 / 81 / 4

HEX #F6142E

RGB 246 20 46

HSL 353.1, 0.93%, 0.52%

LAB 52.16, 76.94, 48.59

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 0 / 58 / 51 / 27

HEX #BA4F5B

RGB 186 79 91

HSL 353.27, 0.44%, 0.52%

LAB 47.99, 44.26, 14.91

 

CMYK 0 / 40 / 36 / 35

HEX #A6636B

RGB 166 99 107

HSL 352.84, 0.27%, 0.52%

LAB 49.61, 28.07, 7.14

 

CMYK 0 / 19 / 17 / 42

HEX #93777A

RGB 147 119 122

HSL 353.57, 0.11%, 0.52%

LAB 52.73, 11.4, 2.47

 

CMYK 8 / 0 / 1 / 46

HEX #7F8A89

RGB 127 138 137

HSL 174.55, 0.04%, 0.52%

LAB 56.58, -4.2, -0.85

 

CMYK 0 / 71 / 25 / 19

HEX #CE3B9B

RGB 206 59 155

HSL 320.82, 0.6%, 0.52%

LAB 50.24, 65.69, -19.96

 

CMYK 0 / 71 / 44 / 19

HEX #CE3B73

RGB 206 59 115

HSL 337.14, 0.6%, 0.52%

LAB 48.87, 61.25, 2.06

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 0 / 61 / 71 / 19

HEX #CE513B

RGB 206 81 59

HSL 8.98, 0.6%, 0.52%

LAB 51.06, 48.26, 38.15

 

CMYK 0 / 42 / 71 / 19

HEX #CE783B

RGB 206 120 59

HSL 24.9, 0.6%, 0.52%

LAB 58.85, 28.63, 46.76

 

CMYK 0 / 75 / 66 / 43

HEX #922531

RGB 146 37 49

HSL 353.39, 0.6%, 0.36%

LAB 33.26, 45.77, 20.17

 

CMYK 0 / 75 / 66 / 30

HEX #B32D3C

RGB 179 45 60

HSL 353.28, 0.6%, 0.44%

LAB 40.88, 53.94, 24.23

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 0 / 57 / 50 / 16

HEX #D65C6A

RGB 214 92 106

HSL 353.11, 0.6%, 0.6%

LAB 55.06, 49.19, 16.39

 

CMYK 0 / 44 / 39 / 13

HEX #DF7D88

RGB 223 125 136

HSL 353.27, 0.6%, 0.68%

LAB 63.45, 39, 10.92

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 6 / 0 / 71 / 19

HEX #C2CE3B

RGB 194 206 59

HSL 64.9, 0.6%, 0.52%

LAB 79.57, -21.94, 67.43

 

CMYK 71 / 34 / 0 / 19

HEX #3B87CE

RGB 59 135 206

HSL 208.98, 0.6%, 0.52%

LAB 54.78, 0.09, -43.42

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 63 / 0 / 71 / 19

HEX #4CCE3B

RGB 76 206 59

HSL 113.06, 0.6%, 0.52%

LAB 73.54, -62.04, 59.43

 

CMYK 71 / 63 / 0 / 19

HEX #3B4CCE

RGB 59 76 206

HSL 233.06, 0.6%, 0.52%

LAB 38.82, 37.04, -69.1

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 6 / 0 / 71 / 19

HEX #C2CE3B

RGB 194 206 59

HSL 64.9, 0.6%, 0.52%

LAB 79.57, -21.94, 67.43

 

CMYK 71 / 0 / 8 / 19

HEX #3BCEBD

RGB 59 206 189

HSL 173.06, 0.6%, 0.52%

LAB 75.29, -41.87, -2.66

 

CMYK 66 / 71 / 0 / 19

HEX #473BCE

RGB 71 59 206

HSL 244.9, 0.6%, 0.52%

LAB 35.84, 48.57, -73.96

 

CMYK 0 / 71 / 63 / 19

HEX #CE3B4C

RGB 206 59 76

HSL 353.06, 0.6%, 0.52%

LAB 47.97, 58.23, 24.54

 

CMYK 27 / 0 / 71 / 19

HEX #96CE3B

RGB 150 206 59

HSL 82.86, 0.6%, 0.52%

LAB 76.64, -39.46, 63.57

 

CMYK 71 / 0 / 8 / 19

HEX #3BCEBD

RGB 59 206 189

HSL 173.06, 0.6%, 0.52%

LAB 75.29, -41.87, -2.66

 

CMYK 44 / 71 / 0 / 19

HEX #733BCE

RGB 115 59 206

HSL 262.86, 0.6%, 0.52%

LAB 39.96, 55.05, -67.04

 

Description

Color code: RGB 206 59 76 | qconv.com Color code: RGB 206 59 76 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 59 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 59 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 63 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 63% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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