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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DCE3B it is the complementary color #6231C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DCE3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DCE3B shade: #A2CE36, #B3E049, #C4F25C, #D5FF6F and #E6FF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DCE3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DCE3B shade: #9DCE3B, #8CBC28, #7BAA15, #6A9802 and #598600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DCE3B shade: #9DCE3B, #C5CE3B, #CEB03B, #CE883B and #CE613B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DCE3B shade: #9DCE3B, #75CE3B, #4ECE3B, #3BCE50 and #3BCE78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DCE3B shade matches the following richer shades: #9DCE3B, #A4E227 and #AAF614

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DCE3B shade: #9DCE3B, #96BA4F, #90A663, #899377 and #837F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DCE3B shade: #CEB13B, #C4CE3B, #9DCE3B, #76CE3B and #4FCE3B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DCE3B shade: #6E9225, #86B32D, #9DCE3B, #AED65C and #BEDF7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DCE3B shade: #9DCE3B, #3BCE89 and #C43BCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DCE3B shade: #9DCE3B, #3B9DCE and #CE3B9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DCE3B shade: #9DCE3B, #3BCE89, #6C3BCE and #CE3B80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DCE3B shade: #9DCE3B, #3BCEB6, #6C3BCE and #CE3B54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

Complementary color

CMYK 50 / 75 / 0 / 23

HEX #6231C4

RGB 98 49 196

HSL 260, 0.6%, 0.48%

LAB 35.55, 54.43, -68.51

 

CMYK 21 / 0 / 74 / 19

HEX #A2CE36

RGB 162 206 54

HSL 77.37, 0.61%, 0.51%

LAB 77.33, -35.14, 66.22

 

CMYK 20 / 0 / 67 / 12

HEX #B3E049

RGB 179 224 73

HSL 77.88, 0.71%, 0.58%

LAB 83.64, -35.65, 66.06

 

CMYK 19 / 0 / 62 / 5

HEX #C4F25C

RGB 196 242 92

HSL 78.4, 0.85%, 0.65%

LAB 89.87, -36.03, 65.48

 

CMYK 16 / 0 / 56 / 0

HEX #D5FF6F

RGB 213 255 111

HSL 77.5, 1%, 0.72%

LAB 94.66, -34.06, 63.14

 

CMYK 10 / 0 / 49 / 0

HEX #E6FF82

RGB 230 255 130

HSL 72, 1%, 0.75%

LAB 95.98, -25.98, 56.5

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 26 / 0 / 79 / 26

HEX #8CBC28

RGB 140 188 40

HSL 79.46, 0.65%, 0.45%

LAB 70.66, -36.23, 63.88

 

CMYK 28 / 0 / 88 / 33

HEX #7BAA15

RGB 123 170 21

HSL 78.93, 0.78%, 0.37%

LAB 64.17, -35.45, 62.6

 

CMYK 30 / 0 / 99 / 40

HEX #6A9802

RGB 106 152 2

HSL 78.4, 0.97%, 0.3%

LAB 57.58, -34.45, 59.95

 

CMYK 34 / 0 / 100 / 47

HEX #598600

RGB 89 134 0

HSL 80.15, 1%, 0.26%

LAB 50.89, -33.07, 54.69

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 4 / 0 / 71 / 19

HEX #C5CE3B

RGB 197 206 59

HSL 63.67, 0.6%, 0.52%

LAB 79.8, -20.69, 67.73

 

CMYK 0 / 15 / 71 / 19

HEX #CEB03B

RGB 206 176 59

HSL 47.76, 0.6%, 0.52%

LAB 72.55, -1.56, 60.9

 

CMYK 0 / 34 / 71 / 19

HEX #CE883B

RGB 206 136 59

HSL 31.43, 0.6%, 0.52%

LAB 62.55, 19.98, 50.68

 

CMYK 0 / 53 / 71 / 19

HEX #CE613B

RGB 206 97 59

HSL 15.51, 0.6%, 0.52%

LAB 54.01, 40.6, 41.47

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 43 / 0 / 71 / 19

HEX #75CE3B

RGB 117 206 59

HSL 96.33, 0.6%, 0.52%

LAB 74.98, -50.96, 61.35

 

CMYK 62 / 0 / 71 / 19

HEX #4ECE3B

RGB 78 206 59

HSL 112.24, 0.6%, 0.52%

LAB 73.6, -61.6, 59.5

 

CMYK 71 / 0 / 61 / 19

HEX #3BCE50

RGB 59 206 80

HSL 128.57, 0.6%, 0.52%

LAB 73.32, -63.26, 50.55

 

CMYK 71 / 0 / 42 / 19

HEX #3BCE78

RGB 59 206 120

HSL 144.9, 0.6%, 0.52%

LAB 73.82, -57.41, 31.92

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 27 / 0 / 83 / 11

HEX #A4E227

RGB 164 226 39

HSL 79.89, 0.76%, 0.52%

LAB 83.14, -43.88, 75.82

 

CMYK 31 / 0 / 92 / 4

HEX #AAF614

RGB 170 246 20

HSL 80.18, 0.93%, 0.52%

LAB 89.16, -50.58, 84.3

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 19 / 0 / 58 / 27

HEX #96BA4F

RGB 150 186 79

HSL 80.19, 0.44%, 0.52%

LAB 70.99, -28.75, 49.34

 

CMYK 13 / 0 / 40 / 35

HEX #90A663

RGB 144 166 99

HSL 79.7, 0.27%, 0.52%

LAB 65.04, -19.07, 32.16

 

CMYK 7 / 0 / 19 / 42

HEX #899377

RGB 137 147 119

HSL 81.43, 0.11%, 0.52%

LAB 59.45, -8.84, 13.63

 

CMYK 5 / 8 / 0 / 46

HEX #837F8A

RGB 131 127 138

HSL 261.82, 0.04%, 0.52%

LAB 53.86, 3.72, -5.4

 

CMYK 0 / 14 / 71 / 19

HEX #CEB13B

RGB 206 177 59

HSL 48.16, 0.6%, 0.52%

LAB 72.81, -2.09, 61.15

 

CMYK 5 / 0 / 71 / 19

HEX #C4CE3B

RGB 196 206 59

HSL 64.08, 0.6%, 0.52%

LAB 79.72, -21.11, 67.63

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 43 / 0 / 71 / 19

HEX #76CE3B

RGB 118 206 59

HSL 95.92, 0.6%, 0.52%

LAB 75.02, -50.64, 61.41

 

CMYK 62 / 0 / 71 / 19

HEX #4FCE3B

RGB 79 206 59

HSL 111.84, 0.6%, 0.52%

LAB 73.62, -61.38, 59.54

 

CMYK 25 / 0 / 75 / 43

HEX #6E9225

RGB 110 146 37

HSL 79.82, 0.6%, 0.36%

LAB 56.09, -28.8, 50.43

 

CMYK 25 / 0 / 75 / 30

HEX #86B32D

RGB 134 179 45

HSL 80.15, 0.6%, 0.44%

LAB 67.65, -34.22, 59.33

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 19 / 0 / 57 / 16

HEX #AED65C

RGB 174 214 92

HSL 79.67, 0.6%, 0.6%

LAB 80.66, -31.53, 54.89

 

CMYK 15 / 0 / 44 / 13

HEX #BEDF7D

RGB 190 223 125

HSL 80.2, 0.6%, 0.68%

LAB 84.59, -26.41, 44.33

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 71 / 0 / 33 / 19

HEX #3BCE89

RGB 59 206 137

HSL 151.84, 0.6%, 0.52%

LAB 74.11, -54.18, 23.48

 

CMYK 5 / 71 / 0 / 19

HEX #C43BCE

RGB 196 59 206

HSL 295.92, 0.6%, 0.52%

LAB 51.06, 70.93, -48.58

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 71 / 24 / 0 / 19

HEX #3B9DCE

RGB 59 157 206

HSL 200, 0.6%, 0.52%

LAB 61.22, -12.48, -33.31

 

CMYK 0 / 71 / 24 / 19

HEX #CE3B9D

RGB 206 59 157

HSL 320, 0.6%, 0.52%

LAB 50.32, 65.95, -21.03

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 71 / 0 / 33 / 19

HEX #3BCE89

RGB 59 206 137

HSL 151.84, 0.6%, 0.52%

LAB 74.11, -54.18, 23.48

 

CMYK 48 / 71 / 0 / 19

HEX #6C3BCE

RGB 108 59 206

HSL 260, 0.6%, 0.52%

LAB 39.19, 53.88, -68.33

 

CMYK 0 / 71 / 38 / 19

HEX #CE3B80

RGB 206 59 128

HSL 331.84, 0.6%, 0.52%

LAB 49.26, 62.55, -5.25

 

CMYK 24 / 0 / 71 / 19

HEX #9DCE3B

RGB 157 206 59

HSL 80, 0.6%, 0.52%

LAB 77.06, -36.8, 64.12

 

CMYK 71 / 0 / 12 / 19

HEX #3BCEB6

RGB 59 206 182

HSL 170.2, 0.6%, 0.52%

LAB 75.11, -43.72, 0.85

 

CMYK 48 / 71 / 0 / 19

HEX #6C3BCE

RGB 108 59 206

HSL 260, 0.6%, 0.52%

LAB 39.19, 53.88, -68.33

 

CMYK 0 / 71 / 59 / 19

HEX #CE3B54

RGB 206 59 84

HSL 349.8, 0.6%, 0.52%

LAB 48.12, 58.74, 19.9

 

Description

Color code: HEX #9DCE3B | qconv.com Color code: HEX #9DCE3B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 206 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 206 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 71 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 71% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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