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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE51C7 it is the complementary color #31AE38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE51C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE51C7 shade: #D351C2, #E463D5, #F575E8, #FF87FB and #FF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE51C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE51C7 shade: #CE51C7, #BD3FB4, #AC2DA1, #9B1B8E and #8A097B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE51C7 shade: #CD4FC6, #CD4FA4, #CD4F82, #CD4F60 and #CD4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE51C7 shade: #CD4FC6, #B24FCD, #904FCD, #6F4FCD and #4F4FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE51C7 shade matches the following richer shades: #CD4FC6, #DF3DD6 and #F12BE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE51C7 shade: #CD4FC6, #BB62B6, #A974A6, #978696 and #859886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE51C7 shade: #904FCD, #B24FCD, #CD4FC7, #CD4FA5 and #CD4F84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE51C7 shade: #9E2C98, #BE35B6, #CD4FC6, #D670D0 and #DF90DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE51C7 shade: #CE51C7, #CD6F4F and #4FCDA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE51C7 shade: #CE51C7, #C7CD4F and #4FC7CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE51C7 shade: #CE51C7, #CD6F4F, #4FCD56 and #4FAECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE51C7 shade: #CE51C7, #CD954F, #4FCD56 and #4F88CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 3 / 19

HEX #CE51C7

RGB 206 81 199

HSL 303.36, 0.56%, 0.56%

LAB 55.21, 63.68, -37.91

 

Complementary color

CMYK 72 / 0 / 68 / 32

HEX #31AE38

RGB 49 174 56

HSL 123.36, 0.56%, 0.44%

LAB 62.69, -56.8, 48.99

 

CMYK 0 / 62 / 8 / 17

HEX #D351C2

RGB 211 81 194

HSL 307.85, 0.6%, 0.57%

LAB 55.71, 64.15, -34.19

 

CMYK 0 / 57 / 7 / 11

HEX #E463D5

RGB 228 99 213

HSL 306.98, 0.7%, 0.64%

LAB 61.85, 63.92, -35.24

 

CMYK 0 / 52 / 5 / 4

HEX #F575E8

RGB 245 117 232

HSL 306.09, 0.86%, 0.71%

LAB 67.99, 63.48, -36.09

 

CMYK 0 / 47 / 2 / 0

HEX #FF87FB

RGB 255 135 251

HSL 302, 1%, 0.76%

LAB 73.25, 60.97, -38.23

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 61 / 3 / 19

HEX #CE51C7

RGB 206 81 199

HSL 303.36, 0.56%, 0.56%

LAB 55.21, 63.68, -37.91

 

CMYK 0 / 67 / 5 / 26

HEX #BD3FB4

RGB 189 63 180

HSL 304.29, 0.5%, 0.49%

LAB 49.09, 63.61, -36.7

 

CMYK 0 / 74 / 6 / 33

HEX #AC2DA1

RGB 172 45 161

HSL 305.2, 0.59%, 0.43%

LAB 43.09, 62.99, -35.1

 

CMYK 0 / 83 / 8 / 39

HEX #9B1B8E

RGB 155 27 142

HSL 306.09, 0.7%, 0.36%

LAB 37.31, 61.5, -32.92

 

CMYK 0 / 93 / 11 / 46

HEX #8A097B

RGB 138 9 123

HSL 306.98, 0.88%, 0.29%

LAB 31.87, 58.68, -29.91

 

CMYK 0 / 61 / 3 / 20

HEX #CD4FC6

RGB 205 79 198

HSL 303.33, 0.56%, 0.56%

LAB 54.71, 64.1, -38.13

 

CMYK 0 / 61 / 20 / 20

HEX #CD4FA4

RGB 205 79 164

HSL 319.52, 0.56%, 0.56%

LAB 53.22, 58.89, -20.71

 

CMYK 0 / 61 / 37 / 20

HEX #CD4F82

RGB 205 79 130

HSL 335.71, 0.56%, 0.56%

LAB 52.04, 54.55, -2.36

 

CMYK 0 / 61 / 53 / 20

HEX #CD4F60

RGB 205 79 96

HSL 351.9, 0.56%, 0.56%

LAB 51.17, 51.22, 16.75

 

CMYK 0 / 61 / 61 / 20

HEX #CD4F4F

RGB 205 79 79

HSL 0, 0.56%, 0.56%

LAB 50.85, 49.96, 26.41

 

CMYK 0 / 61 / 3 / 20

HEX #CD4FC6

RGB 205 79 198

HSL 303.33, 0.56%, 0.56%

LAB 54.71, 64.1, -38.13

 

CMYK 13 / 61 / 0 / 20

HEX #B24FCD

RGB 178 79 205

HSL 287.14, 0.56%, 0.56%

LAB 51.23, 58.7, -47.9

 

CMYK 30 / 61 / 0 / 20

HEX #904FCD

RGB 144 79 205

HSL 270.95, 0.56%, 0.56%

LAB 46.88, 50.67, -55.09

 

CMYK 46 / 61 / 0 / 20

HEX #6F4FCD

RGB 111 79 205

HSL 255.24, 0.56%, 0.56%

LAB 43.33, 43.49, -61.01

 

CMYK 61 / 61 / 0 / 20

HEX #4F4FCD

RGB 79 79 205

HSL 240, 0.56%, 0.56%

LAB 40.67, 37.65, -65.44

 

CMYK 0 / 61 / 3 / 20

HEX #CD4FC6

RGB 205 79 198

HSL 303.33, 0.56%, 0.56%

LAB 54.71, 64.1, -38.13

 

CMYK 0 / 73 / 4 / 13

HEX #DF3DD6

RGB 223 61 214

HSL 303.33, 0.72%, 0.56%

LAB 55.97, 77.28, -45.09

 

CMYK 0 / 82 / 5 / 5

HEX #F12BE6

RGB 241 43 230

HSL 303.33, 0.88%, 0.56%

LAB 58.17, 87.72, -50.46

 

CMYK 0 / 61 / 3 / 20

HEX #CD4FC6

RGB 205 79 198

HSL 303.33, 0.56%, 0.56%

LAB 54.71, 64.1, -38.13

 

CMYK 0 / 48 / 3 / 27

HEX #BB62B6

RGB 187 98 182

HSL 303.37, 0.4%, 0.56%

LAB 54.74, 47.59, -29.06

 

CMYK 0 / 31 / 2 / 34

HEX #A974A6

RGB 169 116 166

HSL 303.4, 0.24%, 0.56%

LAB 55.76, 29.16, -18.42

 

CMYK 0 / 11 / 1 / 41

HEX #978696

RGB 151 134 150

HSL 303.53, 0.08%, 0.56%

LAB 57.88, 9.41, -6.19

 

CMYK 13 / 0 / 12 / 40

HEX #859886

RGB 133 152 134

HSL 123.16, 0.08%, 0.56%

LAB 60.93, -10.35, 7.21

 

CMYK 30 / 61 / 0 / 20

HEX #904FCD

RGB 144 79 205

HSL 270.95, 0.56%, 0.56%

LAB 46.88, 50.67, -55.09

 

CMYK 13 / 61 / 0 / 20

HEX #B24FCD

RGB 178 79 205

HSL 287.14, 0.56%, 0.56%

LAB 51.23, 58.7, -47.9

 

CMYK 0 / 61 / 3 / 20

HEX #CD4FC7

RGB 205 79 199

HSL 302.86, 0.56%, 0.56%

LAB 54.76, 64.27, -38.62

 

CMYK 0 / 61 / 20 / 20

HEX #CD4FA5

RGB 205 79 165

HSL 319.05, 0.56%, 0.56%

LAB 53.26, 59.03, -21.24

 

CMYK 0 / 61 / 36 / 20

HEX #CD4F84

RGB 205 79 132

HSL 334.76, 0.56%, 0.56%

LAB 52.1, 54.78, -3.46

 

CMYK 0 / 72 / 4 / 38

HEX #9E2C98

RGB 158 44 152

HSL 303.16, 0.56%, 0.4%

LAB 40.14, 58.68, -34.5

 

CMYK 0 / 72 / 4 / 25

HEX #BE35B6

RGB 190 53 182

HSL 303.5, 0.56%, 0.48%

LAB 48.1, 67.72, -39.43

 

CMYK 0 / 61 / 3 / 20

HEX #CD4FC6

RGB 205 79 198

HSL 303.33, 0.56%, 0.56%

LAB 54.71, 64.1, -38.13

 

CMYK 0 / 48 / 3 / 16

HEX #D670D0

RGB 214 112 208

HSL 303.53, 0.55%, 0.64%

LAB 62.03, 53.1, -32.28

 

CMYK 0 / 35 / 2 / 13

HEX #DF90DB

RGB 223 144 219

HSL 303.04, 0.55%, 0.72%

LAB 70, 41.35, -26.03

 

CMYK 0 / 61 / 3 / 19

HEX #CE51C7

RGB 206 81 199

HSL 303.36, 0.56%, 0.56%

LAB 55.21, 63.68, -37.91

 

CMYK 0 / 46 / 61 / 20

HEX #CD6F4F

RGB 205 111 79

HSL 15.24, 0.56%, 0.56%

LAB 56.99, 34.21, 34.12

 

CMYK 61 / 0 / 21 / 20

HEX #4FCDA1

RGB 79 205 161

HSL 159.05, 0.56%, 0.56%

LAB 74.76, -45.24, 11.7

 

CMYK 0 / 61 / 3 / 19

HEX #CE51C7

RGB 206 81 199

HSL 303.36, 0.56%, 0.56%

LAB 55.21, 63.68, -37.91

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 61 / 3 / 0 / 20

HEX #4FC7CD

RGB 79 199 205

HSL 182.86, 0.56%, 0.56%

LAB 74.14, -31.28, -12.98

 

CMYK 0 / 61 / 3 / 19

HEX #CE51C7

RGB 206 81 199

HSL 303.36, 0.56%, 0.56%

LAB 55.21, 63.68, -37.91

 

CMYK 0 / 46 / 61 / 20

HEX #CD6F4F

RGB 205 111 79

HSL 15.24, 0.56%, 0.56%

LAB 56.99, 34.21, 34.12

 

CMYK 61 / 0 / 58 / 20

HEX #4FCD56

RGB 79 205 86

HSL 123.33, 0.56%, 0.56%

LAB 73.54, -58.36, 48.25

 

CMYK 61 / 15 / 0 / 20

HEX #4FAECD

RGB 79 174 205

HSL 194.76, 0.56%, 0.56%

LAB 66.78, -18.74, -24.13

 

CMYK 0 / 61 / 3 / 19

HEX #CE51C7

RGB 206 81 199

HSL 303.36, 0.56%, 0.56%

LAB 55.21, 63.68, -37.91

 

CMYK 0 / 27 / 61 / 20

HEX #CD954F

RGB 205 149 79

HSL 33.33, 0.56%, 0.56%

LAB 65.78, 13.69, 44.6

 

CMYK 61 / 0 / 58 / 20

HEX #4FCD56

RGB 79 205 86

HSL 123.33, 0.56%, 0.56%

LAB 73.54, -58.36, 48.25

 

CMYK 61 / 34 / 0 / 20

HEX #4F88CD

RGB 79 136 205

HSL 212.86, 0.56%, 0.56%

LAB 55.76, 2.47, -41.24

 

Description

Color code: HEX #CE51C7 | qconv.com Color code: HEX #CE51C7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 81 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 81 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 3 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 3% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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