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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC2DA1 it is the complementary color #53D25E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC2DA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AC2DA1: #B12D9C, #C23FAF, #D351C2, #E463D5 and #F575E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC2DA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AC2DA1: #AC2DA1, #9B1B8E, #8A097B, #790068 and #680055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 6 / 33

HEX #AC2DA1

RGB 172 45 161

HSL 305.2, 0.59%, 0.43%

LAB 43.09, 62.99, -35.1

 

Complementary color

CMYK 60 / 0 / 55 / 18

HEX #53D25E

RGB 83 210 94

HSL 125.2, 0.59%, 0.57%

LAB 75.29, -58.3, 46.65

 

CMYK 0 / 75 / 12 / 31

HEX #B12D9C

RGB 177 45 156

HSL 309.55, 0.59%, 0.44%

LAB 43.69, 63.38, -31.11

 

CMYK 0 / 68 / 10 / 24

HEX #C23FAF

RGB 194 63 175

HSL 308.7, 0.52%, 0.5%

LAB 49.64, 64.04, -32.85

 

CMYK 0 / 62 / 8 / 17

HEX #D351C2

RGB 211 81 194

HSL 307.85, 0.6%, 0.57%

LAB 55.71, 64.15, -34.19

 

CMYK 0 / 57 / 7 / 11

HEX #E463D5

RGB 228 99 213

HSL 306.98, 0.7%, 0.64%

LAB 61.85, 63.92, -35.24

 

CMYK 0 / 52 / 5 / 4

HEX #F575E8

RGB 245 117 232

HSL 306.09, 0.86%, 0.71%

LAB 67.99, 63.48, -36.09

 

CMYK 0 / 74 / 6 / 33

HEX #AC2DA1

RGB 172 45 161

HSL 305.2, 0.59%, 0.43%

LAB 43.09, 62.99, -35.1

 

CMYK 0 / 83 / 8 / 39

HEX #9B1B8E

RGB 155 27 142

HSL 306.09, 0.7%, 0.36%

LAB 37.31, 61.5, -32.92

 

CMYK 0 / 93 / 11 / 46

HEX #8A097B

RGB 138 9 123

HSL 306.98, 0.88%, 0.29%

LAB 31.87, 58.68, -29.91

 

CMYK 0 / 100 / 14 / 53

HEX #790068

RGB 121 0 104

HSL 308.43, 1%, 0.24%

LAB 26.92, 54.04, -25.8

 

CMYK 0 / 100 / 18 / 59

HEX #680055

RGB 104 0 85

HSL 310.96, 1%, 0.2%

LAB 22.3, 47.93, -20.77

 

CMYK 0 / 74 / 6 / 33

HEX #AC2DA1

RGB 172 45 161

HSL 305.2, 0.59%, 0.43%

LAB 43.09, 62.99, -35.1

 

CMYK 0 / 75 / 19 / 32

HEX #AE2C8D

RGB 174 44 141

HSL 315.23, 0.6%, 0.43%

LAB 42.34, 60.84, -24.18

 

CMYK 0 / 75 / 31 / 32

HEX #AE2C78

RGB 174 44 120

HSL 324.92, 0.6%, 0.43%

LAB 41.46, 58.12, -12.63

 

CMYK 0 / 75 / 44 / 32

HEX #AE2C62

RGB 174 44 98

HSL 335.08, 0.6%, 0.43%

LAB 40.71, 55.73, -0.02

 

CMYK 0 / 75 / 56 / 32

HEX #AE2C4D

RGB 174 44 77

HSL 344.77, 0.6%, 0.43%

LAB 40.14, 53.89, 12.43

 

CMYK 0 / 74 / 6 / 33

HEX #AC2DA1

RGB 172 45 161

HSL 305.2, 0.59%, 0.43%

LAB 43.09, 62.99, -35.1

 

CMYK 0 / 74 / 6 / 13

HEX #DF3AD1

RGB 223 58 209

HSL 305.09, 0.72%, 0.55%

LAB 55.4, 77.43, -43.14

 

CMYK 0 / 74 / 5 / 93

HEX #130512

RGB 19 5 18

HSL 304.29, 0.58%, 0.05%

LAB 2.63, 6.38, -4.14

 

CMYK 0 / 74 / 6 / 73

HEX #461242

RGB 70 18 66

HSL 304.62, 0.59%, 0.17%

LAB 16.15, 31.29, -17.92

 

CMYK 0 / 74 / 7 / 53

HEX #792071

RGB 121 32 113

HSL 305.39, 0.58%, 0.3%

LAB 30.13, 47.6, -26.52

 

CMYK 0 / 74 / 6 / 33

HEX #AC2DA1

RGB 172 45 161

HSL 305.2, 0.59%, 0.43%

LAB 43.09, 62.99, -35.1

 

CMYK 0 / 53 / 75 / 32

HEX #AE512C

RGB 174 81 44

HSL 17.08, 0.6%, 0.43%

LAB 45.72, 35.51, 38.89

 

CMYK 75 / 0 / 24 / 32

HEX #2CAE85

RGB 44 174 133

HSL 161.08, 0.6%, 0.43%

LAB 63.75, -44.37, 11.26

 

CMYK 0 / 74 / 6 / 33

HEX #AC2DA1

RGB 172 45 161

HSL 305.2, 0.59%, 0.43%

LAB 43.09, 62.99, -35.1

 

CMYK 6 / 0 / 75 / 32

HEX #A3AE2C

RGB 163 174 44

HSL 65.08, 0.6%, 0.43%

LAB 68.2, -19.88, 60.89

 

CMYK 75 / 6 / 0 / 32

HEX #2CA3AE

RGB 44 163 174

HSL 185.08, 0.6%, 0.43%

LAB 61.47, -27.97, -15.02

 

CMYK 0 / 74 / 6 / 33

HEX #AC2DA1

RGB 172 45 161

HSL 305.2, 0.59%, 0.43%

LAB 43.09, 62.99, -35.1

 

CMYK 0 / 53 / 75 / 32

HEX #AE512C

RGB 174 81 44

HSL 17.08, 0.6%, 0.43%

LAB 45.72, 35.51, 38.89

 

CMYK 75 / 0 / 68 / 32

HEX #2CAE37

RGB 44 174 55

HSL 125.08, 0.6%, 0.43%

LAB 62.58, -57.74, 49.25

 

CMYK 75 / 21 / 0 / 32

HEX #2C89AE

RGB 44 137 174

HSL 197.08, 0.6%, 0.43%

LAB 53.47, -14.34, -27.25

 

CMYK 0 / 74 / 6 / 33

HEX #AC2DA1

RGB 172 45 161

HSL 305.2, 0.59%, 0.43%

LAB 43.09, 62.99, -35.1

 

CMYK 0 / 31 / 75 / 32

HEX #AE782C

RGB 174 120 44

HSL 35.08, 0.6%, 0.43%

LAB 54.67, 14.14, 48.14

 

CMYK 75 / 0 / 68 / 32

HEX #2CAE37

RGB 44 174 55

HSL 125.08, 0.6%, 0.43%

LAB 62.58, -57.74, 49.25

 

CMYK 75 / 44 / 0 / 32

HEX #2C62AE

RGB 44 98 174

HSL 215.08, 0.6%, 0.43%

LAB 41.73, 9.08, -45.75

 

Description

Color code: HEX #AC2DA1 | qconv.com Color code: HEX #AC2DA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 45 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 45 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 6 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 6% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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