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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7CD4F it is the complementary color #3832B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7CD4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7CD4F shade: #CCCD4A, #DDDF5D, #EEF170, #FFFF83 and #FFFF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7CD4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7CD4F shade: #C7CD4F, #B6BB3C, #A5A929, #949716 and #838503

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7CD4F shade: #C7CD4F, #CDB14F, #CD8F4F, #CD6D4F and #CD4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7CD4F shade: #C7CD4F, #A5CD4F, #83CD4F, #61CD4F and #4FCD5F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7CD4F shade matches the following richer shades: #C7CD4F, #D8DF3D and #E8F12B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7CD4F shade: #C7CD4F, #B7BB62, #A6A974, #969786 and #858598

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7CD4F shade: #CD8E4F, #CDB04F, #C9CD4F, #A7CD4F and #86CD4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7CD4F shade: #989E2C, #B8BE35, #C7CD4F, #D1D670 and #DBDF90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7CD4F shade: #C7CD4F, #4FCD6D and #9F4FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7CD4F shade: #C7CD4F, #4FC9CD and #CD4FC9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7CD4F shade: #C7CD4F, #4FCD6D, #544FCD and #CD4FB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7CD4F shade: #C7CD4F, #4FCD92, #544FCD and #CD4F8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

Complementary color

CMYK 68 / 72 / 0 / 31

HEX #3832B0

RGB 56 50 176

HSL 242.86, 0.56%, 0.44%

LAB 30.05, 42.24, -65.87

 

CMYK 0 / 0 / 64 / 20

HEX #CCCD4A

RGB 204 205 74

HSL 60.46, 0.57%, 0.55%

LAB 80.18, -16.47, 62.64

 

CMYK 1 / 0 / 58 / 13

HEX #DDDF5D

RGB 221 223 93

HSL 60.92, 0.67%, 0.62%

LAB 86.47, -17.15, 61.87

 

CMYK 1 / 0 / 54 / 5

HEX #EEF170

RGB 238 241 112

HSL 61.4, 0.82%, 0.69%

LAB 92.69, -17.73, 60.92

 

CMYK 0 / 0 / 49 / 0

HEX #FFFF83

RGB 255 255 131

HSL 60, 1%, 0.76%

LAB 97.8, -16.29, 58.65

 

CMYK 0 / 0 / 41 / 0

HEX #FFFF96

RGB 255 255 150

HSL 60, 1%, 0.79%

LAB 98.03, -14.53, 50.05

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 3 / 0 / 68 / 27

HEX #B6BB3C

RGB 182 187 60

HSL 62.36, 0.51%, 0.48%

LAB 73.42, -17.5, 60.69

 

CMYK 2 / 0 / 76 / 34

HEX #A5A929

RGB 165 169 41

HSL 61.88, 0.61%, 0.41%

LAB 66.93, -16.61, 60.76

 

CMYK 2 / 0 / 85 / 41

HEX #949716

RGB 148 151 22

HSL 61.4, 0.75%, 0.34%

LAB 60.33, -15.51, 59.87

 

CMYK 2 / 0 / 98 / 48

HEX #838503

RGB 131 133 3

HSL 60.92, 0.96%, 0.27%

LAB 53.61, -14.16, 57.53

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 0 / 14 / 61 / 20

HEX #CDB14F

RGB 205 177 79

HSL 46.67, 0.56%, 0.56%

LAB 72.88, -1.35, 52.66

 

CMYK 0 / 30 / 61 / 20

HEX #CD8F4F

RGB 205 143 79

HSL 30.48, 0.56%, 0.56%

LAB 64.31, 16.96, 42.89

 

CMYK 0 / 47 / 61 / 20

HEX #CD6D4F

RGB 205 109 79

HSL 14.29, 0.56%, 0.56%

LAB 56.57, 35.26, 33.6

 

CMYK 0 / 61 / 61 / 20

HEX #CD4F4F

RGB 205 79 79

HSL 0, 0.56%, 0.56%

LAB 50.85, 49.96, 26.41

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 20 / 0 / 61 / 20

HEX #A5CD4F

RGB 165 205 79

HSL 79.05, 0.56%, 0.56%

LAB 77.42, -31.87, 56.78

 

CMYK 36 / 0 / 61 / 20

HEX #83CD4F

RGB 131 205 79

HSL 95.24, 0.56%, 0.56%

LAB 75.48, -44.32, 54.1

 

CMYK 53 / 0 / 61 / 20

HEX #61CD4F

RGB 97 205 79

HSL 111.43, 0.56%, 0.56%

LAB 74.04, -54.74, 52.09

 

CMYK 61 / 0 / 54 / 20

HEX #4FCD5F

RGB 79 205 95

HSL 127.62, 0.56%, 0.56%

LAB 73.64, -57.22, 44.18

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 3 / 0 / 73 / 13

HEX #D8DF3D

RGB 216 223 61

HSL 62.59, 0.72%, 0.56%

LAB 85.86, -21.02, 73.36

 

CMYK 4 / 0 / 82 / 5

HEX #E8F12B

RGB 232 241 43

HSL 62.73, 0.88%, 0.56%

LAB 91.79, -23.72, 84.1

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 2 / 0 / 48 / 27

HEX #B7BB62

RGB 183 187 98

HSL 62.7, 0.4%, 0.56%

LAB 73.86, -14.2, 44.27

 

CMYK 2 / 0 / 31 / 34

HEX #A6A974

RGB 166 169 116

HSL 63.4, 0.24%, 0.56%

LAB 67.83, -9.69, 27.06

 

CMYK 1 / 0 / 11 / 41

HEX #969786

RGB 150 151 134

HSL 63.53, 0.08%, 0.56%

LAB 61.95, -3.49, 8.84

 

CMYK 13 / 13 / 0 / 40

HEX #858598

RGB 133 133 152

HSL 240, 0.08%, 0.56%

LAB 56.12, 3.98, -10.13

 

CMYK 0 / 31 / 61 / 20

HEX #CD8E4F

RGB 205 142 79

HSL 30, 0.56%, 0.56%

LAB 64.07, 17.5, 42.61

 

CMYK 0 / 14 / 61 / 20

HEX #CDB04F

RGB 205 176 79

HSL 46.19, 0.56%, 0.56%

LAB 72.62, -0.82, 52.37

 

CMYK 2 / 0 / 61 / 20

HEX #C9CD4F

RGB 201 205 79

HSL 61.9, 0.56%, 0.56%

LAB 79.98, -17.39, 60.3

 

CMYK 19 / 0 / 61 / 20

HEX #A7CD4F

RGB 167 205 79

HSL 78.1, 0.56%, 0.56%

LAB 77.54, -31.1, 56.96

 

CMYK 35 / 0 / 61 / 20

HEX #86CD4F

RGB 134 205 79

HSL 93.81, 0.56%, 0.56%

LAB 75.63, -43.29, 54.31

 

CMYK 4 / 0 / 72 / 38

HEX #989E2C

RGB 152 158 44

HSL 63.16, 0.56%, 0.4%

LAB 62.77, -16.49, 55.4

 

CMYK 3 / 0 / 72 / 25

HEX #B8BE35

RGB 184 190 53

HSL 62.63, 0.56%, 0.48%

LAB 74.36, -18.52, 64.24

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 2 / 0 / 48 / 16

HEX #D1D670

RGB 209 214 112

HSL 62.94, 0.55%, 0.64%

LAB 83.35, -15.99, 49.4

 

CMYK 2 / 0 / 35 / 13

HEX #DBDF90

RGB 219 223 144

HSL 63.04, 0.55%, 0.72%

LAB 86.92, -13.21, 38.3

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 61 / 0 / 47 / 20

HEX #4FCD6D

RGB 79 205 109

HSL 134.29, 0.56%, 0.56%

LAB 73.82, -55.21, 37.57

 

CMYK 22 / 61 / 0 / 20

HEX #9F4FCD

RGB 159 79 205

HSL 278.1, 0.56%, 0.56%

LAB 48.72, 54.16, -52.04

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 61 / 2 / 0 / 20

HEX #4FC9CD

RGB 79 201 205

HSL 181.9, 0.56%, 0.56%

LAB 74.73, -32.23, -12.1

 

CMYK 0 / 61 / 2 / 20

HEX #CD4FC9

RGB 205 79 201

HSL 301.9, 0.56%, 0.56%

LAB 54.85, 64.6, -39.62

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 61 / 0 / 47 / 20

HEX #4FCD6D

RGB 79 205 109

HSL 134.29, 0.56%, 0.56%

LAB 73.82, -55.21, 37.57

 

CMYK 59 / 61 / 0 / 20

HEX #544FCD

RGB 84 79 205

HSL 242.38, 0.56%, 0.56%

LAB 41.03, 38.47, -64.84

 

CMYK 0 / 61 / 14 / 20

HEX #CD4FB0

RGB 205 79 176

HSL 313.81, 0.56%, 0.56%

LAB 53.71, 60.64, -26.97

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 61 / 0 / 29 / 20

HEX #4FCD92

RGB 79 205 146

HSL 151.9, 0.56%, 0.56%

LAB 74.45, -48.5, 19.26

 

CMYK 59 / 61 / 0 / 20

HEX #544FCD

RGB 84 79 205

HSL 242.38, 0.56%, 0.56%

LAB 41.03, 38.47, -64.84

 

CMYK 0 / 61 / 33 / 20

HEX #CD4F8A

RGB 205 79 138

HSL 331.9, 0.56%, 0.56%

LAB 52.29, 55.49, -6.76

 

Description

Color code: HEX #C7CD4F | qconv.com Color code: HEX #C7CD4F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 205 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 205 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 61 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 61% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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