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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7B446 it is the complementary color #384BB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7B446. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C7B446: #CCB441, #DDC654, #EED867, #FFEA7A and #FFFC8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7B446. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C7B446: #C7B446, #B6A233, #A59020, #947E0D and #836C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 65 / 22

HEX #C7B446

RGB 199 180 70

HSL 51.16, 0.54%, 0.53%

LAB 73.04, -6.07, 56.67

Complementary color

CMYK 70 / 59 / 0 / 27

HEX #384BB9

RGB 56 75 185

HSL 231.16, 0.54%, 0.47%

LAB 36.7, 29.83, -60.32

 

CMYK 0 / 12 / 68 / 20

HEX #CCB441

RGB 204 180 65

HSL 49.64, 0.58%, 0.53%

LAB 73.46, -4.21, 59.34

 

CMYK 0 / 10 / 62 / 13

HEX #DDC654

RGB 221 198 84

HSL 49.93, 0.67%, 0.6%

LAB 79.84, -5.19, 58.5

 

CMYK 0 / 9 / 57 / 7

HEX #EED867

RGB 238 216 103

HSL 50.22, 0.8%, 0.67%

LAB 86.14, -6.01, 57.47

 

CMYK 0 / 8 / 52 / 0

HEX #FFEA7A

RGB 255 234 122

HSL 50.53, 1%, 0.74%

LAB 92.36, -6.72, 56.34

 

CMYK 0 / 1 / 45 / 0

HEX #FFFC8D

RGB 255 252 141

HSL 58.42, 1%, 0.78%

LAB 97.15, -13.94, 53.23

 

CMYK 0 / 10 / 65 / 22

HEX #C7B446

RGB 199 180 70

HSL 51.16, 0.54%, 0.53%

LAB 73.04, -6.07, 56.67

RAL® 1012

CMYK 0 / 11 / 72 / 29

HEX #B6A233

RGB 182 162 51

HSL 50.84, 0.56%, 0.46%

LAB 66.54, -5.03, 57.32

 

CMYK 0 / 13 / 81 / 35

HEX #A59020

RGB 165 144 32

HSL 50.53, 0.68%, 0.39%

LAB 59.93, -3.77, 57.33

 

CMYK 0 / 15 / 91 / 42

HEX #947E0D

RGB 148 126 13

HSL 50.22, 0.84%, 0.32%

LAB 53.22, -2.22, 56.11

 

CMYK 0 / 18 / 100 / 49

HEX #836C00

RGB 131 108 0

HSL 49.47, 1%, 0.26%

LAB 46.38, -0.35, 52.87

 

CMYK 0 / 10 / 65 / 22

HEX #C7B446

RGB 199 180 70

HSL 51.16, 0.54%, 0.53%

LAB 73.04, -6.07, 56.67

RAL® 1012

CMYK 1 / 0 / 65 / 22

HEX #C5C746

RGB 197 199 70

HSL 60.93, 0.54%, 0.53%

LAB 77.97, -16.63, 61.78

 

CMYK 12 / 0 / 65 / 22

HEX #B0C746

RGB 176 199 70

HSL 70.7, 0.54%, 0.53%

LAB 76.39, -25.3, 59.64

 

CMYK 23 / 0 / 65 / 22

HEX #9AC746

RGB 154 199 70

HSL 80.93, 0.54%, 0.53%

LAB 74.93, -34.03, 57.65

 

CMYK 34 / 0 / 65 / 22

HEX #84C746

RGB 132 199 70

HSL 91.16, 0.54%, 0.53%

LAB 73.67, -42.18, 55.94

 

CMYK 0 / 10 / 65 / 22

HEX #C7B446

RGB 199 180 70

HSL 51.16, 0.54%, 0.53%

LAB 73.04, -6.07, 56.67

RAL® 1012

CMYK 0 / 10 / 65 / 2

HEX #FAE258

RGB 250 226 88

HSL 51.11, 0.94%, 0.66%

LAB 89.59, -7.1, 68.01

 

CMYK 0 / 9 / 65 / 82

HEX #2E2A10

RGB 46 42 16

HSL 52, 0.48%, 0.12%

LAB 16.86, -2.52, 17.33

 

CMYK 0 / 9 / 65 / 62

HEX #615822

RGB 97 88 34

HSL 51.43, 0.48%, 0.26%

LAB 37.18, -3.82, 31.87

 

CMYK 0 / 9 / 65 / 42

HEX #948634

RGB 148 134 52

HSL 51.25, 0.48%, 0.39%

LAB 55.68, -4.98, 44.72

 

CMYK 0 / 10 / 65 / 22

HEX #C7B446

RGB 199 180 70

HSL 51.16, 0.54%, 0.53%

LAB 73.04, -6.07, 56.67

RAL® 1012

CMYK 65 / 0 / 62 / 22

HEX #46C74C

RGB 70 199 76

HSL 122.79, 0.54%, 0.53%

LAB 71.33, -59.29, 50.12

 

CMYK 36 / 65 / 0 / 22

HEX #8046C7

RGB 128 70 199

HSL 266.98, 0.54%, 0.53%

LAB 42.9, 50.29, -58.14

 

CMYK 0 / 10 / 65 / 22

HEX #C7B446

RGB 199 180 70

HSL 51.16, 0.54%, 0.53%

LAB 73.04, -6.07, 56.67

RAL® 1012

CMYK 65 / 0 / 10 / 22

HEX #46C7B4

RGB 70 199 180

HSL 171.16, 0.54%, 0.53%

LAB 73.18, -39.55, -0.85

 

CMYK 10 / 65 / 0 / 22

HEX #B446C7

RGB 180 70 199

HSL 291.16, 0.54%, 0.53%

LAB 49.75, 61.97, -46.79

 

CMYK 0 / 10 / 65 / 22

HEX #C7B446

RGB 199 180 70

HSL 51.16, 0.54%, 0.53%

LAB 73.04, -6.07, 56.67

RAL® 1012

CMYK 65 / 0 / 62 / 22

HEX #46C74C

RGB 70 199 76

HSL 122.79, 0.54%, 0.53%

LAB 71.33, -59.29, 50.12

 

CMYK 65 / 55 / 0 / 22

HEX #4659C7

RGB 70 89 199

HSL 231.16, 0.54%, 0.53%

LAB 42.11, 27.93, -59.67

 

CMYK 0 / 65 / 3 / 22

HEX #C746C1

RGB 199 70 193

HSL 302.79, 0.54%, 0.53%

LAB 52.26, 65.43, -39.17

 

CMYK 0 / 10 / 65 / 22

HEX #C7B446

RGB 199 180 70

HSL 51.16, 0.54%, 0.53%

LAB 73.04, -6.07, 56.67

RAL® 1012

CMYK 65 / 0 / 42 / 22

HEX #46C773

RGB 70 199 115

HSL 140.93, 0.54%, 0.53%

LAB 71.82, -53.76, 31.92

 

CMYK 65 / 55 / 0 / 22

HEX #4659C7

RGB 70 89 199

HSL 231.16, 0.54%, 0.53%

LAB 42.11, 27.93, -59.67

 

CMYK 0 / 65 / 23 / 22

HEX #C7469A

RGB 199 70 154

HSL 320.93, 0.54%, 0.53%

LAB 50.52, 59.58, -19.04

 

Description

Color code: HEX #C7B446 | qconv.com Color code: HEX #C7B446 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 180 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 180 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 65 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 65% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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