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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RAL 1012 it is the complementary color RAL 5015. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RAL 1012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RAL 1012: , , , and

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RAL 1012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RAL 1012: , , , and

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 82 / 13

HEX #DDAF28

RGB 221 175 40

HSL 44.75, 0.73%, 0.51%

LAB 73.67, 4.74, 69.04

RAL 1012

Complementary color

CMYK 81 / 37 / 0 / 30

HEX #2271B3

RGB 34 113 179

HSL 207.31, 0.68%, 0.42%

LAB 46.18, 0.36, -41.59

RAL 5015

CMYK 0 / 30 / 93 / 11

HEX #E4A010

RGB 228 160 16

HSL 40.75, 0.87%, 0.48%

LAB 70.64, 15.24, 72.53

RAL 1006

CMYK 0 / 15 / 79 / 4

HEX #F5D033

RGB 245 208 51

HSL 48.56, 0.91%, 0.58%

LAB 84.36, -1.75, 76.02

RAL 1017

CMYK 0 / 2 / 79 / 3

HEX #F8F335

RGB 248 243 53

HSL 58.46, 0.93%, 0.59%

LAB 93.59, -17.82, 83.67

RAL 1018

CMYK 0 / 7 / 37 / 10

HEX #E6D690

RGB 230 214 144

HSL 48.84, 0.63%, 0.73%

LAB 85.47, -4.4, 36.58

RAL 1015

CMYK 0 / 7 / 37 / 10

HEX #E6D690

RGB 230 214 144

HSL 48.84, 0.63%, 0.73%

LAB 85.47, -4.4, 36.58

RAL 1015

CMYK 0 / 20 / 75 / 20

HEX #CDA434

RGB 205 164 52

HSL 43.92, 0.6%, 0.5%

LAB 69.31, 4.05, 60.4

RAL 1004

CMYK 0 / 22 / 96 / 34

HEX #A98307

RGB 169 131 7

HSL 45.93, 0.92%, 0.35%

LAB 56.77, 4.64, 60.83

RAL 1005

CMYK 0 / 22 / 96 / 34

HEX #A98307

RGB 169 131 7

HSL 45.93, 0.92%, 0.35%

LAB 56.77, 4.64, 60.83

RAL 1005

CMYK 0 / 36 / 79 / 42

HEX #955F20

RGB 149 95 32

HSL 32.31, 0.65%, 0.35%

LAB 45.19, 16.56, 43.04

RAL 8001

CMYK 0 / 45 / 61 / 58

HEX #6C3B2A

RGB 108 59 42

HSL 15.45, 0.44%, 0.29%

LAB 30.6, 19.77, 19.86

RAL 8002

CMYK 0 / 20 / 75 / 20

HEX #CDA434

RGB 205 164 52

HSL 43.92, 0.6%, 0.5%

LAB 69.31, 4.05, 60.4

RAL 1004

CMYK 0 / 15 / 79 / 4

HEX #F5D033

RGB 245 208 51

HSL 48.56, 0.91%, 0.58%

LAB 84.36, -1.75, 76.02

RAL 1017

CMYK 0 / 15 / 79 / 4

HEX #F5D033

RGB 245 208 51

HSL 48.56, 0.91%, 0.58%

LAB 84.36, -1.75, 76.02

RAL 1017

CMYK 0 / 15 / 79 / 4

HEX #F5D033

RGB 245 208 51

HSL 48.56, 0.91%, 0.58%

LAB 84.36, -1.75, 76.02

RAL 1017

CMYK 0 / 0 / 48 / 40

HEX #999950

RGB 153 153 80

HSL 60, 0.31%, 0.46%

LAB 61.77, -10.74, 38.1

RAL 1020

CMYK 0 / 20 / 75 / 20

HEX #CDA434

RGB 205 164 52

HSL 43.92, 0.6%, 0.5%

LAB 69.31, 4.05, 60.4

RAL 1004

CMYK 0 / 0 / 0 / 96

HEX #0A0A0A

RGB 10 10 10

HSL 0, 0%, 0.04%

LAB 2.74, 0, -0

RAL 9005

CMYK 0 / 28 / 33 / 73

HEX #45322E

RGB 69 50 46

HSL 10.43, 0.2%, 0.23%

LAB 22.81, 7.92, 5.89

RAL 8017

CMYK 0 / 10 / 54 / 58

HEX #6A5F31

RGB 106 95 49

HSL 48.42, 0.37%, 0.3%

LAB 40.36, -2.34, 27.71

RAL 7008

CMYK 0 / 22 / 96 / 34

HEX #A98307

RGB 169 131 7

HSL 45.93, 0.92%, 0.35%

LAB 56.77, 4.64, 60.83

RAL 1005

CMYK 0 / 20 / 75 / 20

HEX #CDA434

RGB 205 164 52

HSL 43.92, 0.6%, 0.5%

LAB 69.31, 4.05, 60.4

RAL 1004

CMYK 100 / 0 / 76 / 27

HEX #00BB2D

RGB 0 187 45

HSL 134.44, 1%, 0.37%

LAB 66.31, -66.37, 56.72

RAL 6038

CMYK 8 / 40 / 0 / 54

HEX #6C4675

RGB 108 70 117

HSL 288.51, 0.25%, 0.37%

LAB 35.7, 25.07, -20.48

RAL 4005

CMYK 0 / 20 / 75 / 20

HEX #CDA434

RGB 205 164 52

HSL 43.92, 0.6%, 0.5%

LAB 69.31, 4.05, 60.4

RAL 1004

CMYK 81 / 37 / 0 / 30

HEX #2271B3

RGB 34 113 179

HSL 207.31, 0.68%, 0.42%

LAB 46.18, 0.36, -41.59

RAL 5015

CMYK 0 / 68 / 29 / 37

HEX #A03472

RGB 160 52 114

HSL 325.56, 0.51%, 0.42%

LAB 39.82, 50.51, -11.62

RAL 4006

CMYK 0 / 20 / 75 / 20

HEX #CDA434

RGB 205 164 52

HSL 43.92, 0.6%, 0.5%

LAB 69.31, 4.05, 60.4

RAL 1004

CMYK 100 / 0 / 76 / 27

HEX #00BB2D

RGB 0 187 45

HSL 134.44, 1%, 0.37%

LAB 66.31, -66.37, 56.72

RAL 6038

CMYK 81 / 37 / 0 / 30

HEX #2271B3

RGB 34 113 179

HSL 207.31, 0.68%, 0.42%

LAB 46.18, 0.36, -41.59

RAL 5015

CMYK 0 / 79 / 49 / 16

HEX #D72D6D

RGB 215 45 109

HSL 337.41, 0.68%, 0.51%

LAB 48.79, 67.54, 5.82

RAL 4010

CMYK 0 / 20 / 75 / 20

HEX #CDA434

RGB 205 164 52

HSL 43.92, 0.6%, 0.5%

LAB 69.31, 4.05, 60.4

RAL 1004

CMYK 100 / 0 / 76 / 27

HEX #00BB2D

RGB 0 187 45

HSL 134.44, 1%, 0.37%

LAB 66.31, -66.37, 56.72

RAL 6038

CMYK 81 / 37 / 0 / 30

HEX #2271B3

RGB 34 113 179

HSL 207.31, 0.68%, 0.42%

LAB 46.18, 0.36, -41.59

RAL 5015

CMYK 0 / 66 / 38 / 13

HEX #DE4C8A

RGB 222 76 138

HSL 334.52, 0.69%, 0.58%

LAB 54.59, 61.79, -3.05

RAL 4001

Description

Color code: RAL 1012 - Lemon yellow | qconv.com Color code: RAL 1012 - Lemon yellow | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 175 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 175 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 82 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 82% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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