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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C75E9B it is the complementary color #38A164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C75E9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C75E9B: #CC5E96, #DD70A9, #EE82BC, #FF94CF and #FFA6E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C75E9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C75E9B: #C75E9B, #B64C88, #A53A75, #942862 and #83164F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 22 / 22

HEX #C75E9B

RGB 199 94 155

HSL 325.14, 0.48%, 0.57%

LAB 54.57, 48.92, -13.47

 

Complementary color

CMYK 65 / 0 / 38 / 37

HEX #38A164

RGB 56 161 100

HSL 145.14, 0.48%, 0.43%

LAB 59.21, -44.25, 23.17

 

CMYK 0 / 54 / 26 / 20

HEX #CC5E96

RGB 204 94 150

HSL 329.45, 0.52%, 0.58%

LAB 55.12, 49.81, -9.64

 

CMYK 0 / 49 / 24 / 13

HEX #DD70A9

RGB 221 112 169

HSL 328.62, 0.62%, 0.65%

LAB 61.5, 49.1, -10.84

 

CMYK 0 / 45 / 21 / 7

HEX #EE82BC

RGB 238 130 188

HSL 327.78, 0.76%, 0.72%

LAB 67.85, 48.34, -11.87

 

CMYK 0 / 42 / 19 / 0

HEX #FF94CF

RGB 255 148 207

HSL 326.92, 1%, 0.79%

LAB 74.15, 47.57, -12.76

 

CMYK 0 / 35 / 11 / 0

HEX #FFA6E2

RGB 255 166 226

HSL 319.55, 1%, 0.83%

LAB 78.48, 41.29, -16.65

 

CMYK 0 / 53 / 22 / 22

HEX #C75E9B

RGB 199 94 155

HSL 325.14, 0.48%, 0.57%

LAB 54.57, 48.92, -13.47

 

CMYK 0 / 58 / 25 / 29

HEX #B64C88

RGB 182 76 136

HSL 326.04, 0.42%, 0.51%

LAB 48.12, 49.51, -12.18

 

CMYK 0 / 65 / 29 / 35

HEX #A53A75

RGB 165 58 117

HSL 326.92, 0.48%, 0.44%

LAB 41.7, 49.86, -10.56

 

CMYK 0 / 73 / 34 / 42

HEX #942862

RGB 148 40 98

HSL 327.78, 0.57%, 0.37%

LAB 35.39, 49.74, -8.43

 

CMYK 0 / 83 / 40 / 49

HEX #83164F

RGB 131 22 79

HSL 328.62, 0.71%, 0.3%

LAB 29.32, 48.74, -5.51

 

CMYK 0 / 53 / 22 / 22

HEX #C75E9B

RGB 199 94 155

HSL 325.14, 0.48%, 0.57%

LAB 54.57, 48.92, -13.47

 

CMYK 0 / 53 / 31 / 23

HEX #C55C88

RGB 197 92 136

HSL 334.86, 0.48%, 0.57%

LAB 53.28, 46.65, -4.24

 

CMYK 0 / 53 / 40 / 23

HEX #C55C77

RGB 197 92 119

HSL 344.57, 0.48%, 0.57%

LAB 52.79, 44.61, 5.13

 

CMYK 0 / 53 / 49 / 23

HEX #C55C65

RGB 197 92 101

HSL 354.86, 0.48%, 0.57%

LAB 52.36, 42.74, 15.21

 

CMYK 0 / 49 / 53 / 23

HEX #C5655C

RGB 197 101 92

HSL 5.14, 0.48%, 0.57%

LAB 53.97, 37.34, 22.67

 

CMYK 0 / 53 / 22 / 22

HEX #C75E9B

RGB 199 94 155

HSL 325.14, 0.48%, 0.57%

LAB 54.57, 48.92, -13.47

 

CMYK 0 / 53 / 22 / 2

HEX #FA76C3

RGB 250 118 195

HSL 325, 0.93%, 0.72%

LAB 67.44, 58.88, -16.26

 

CMYK 0 / 52 / 22 / 82

HEX #2E1624

RGB 46 22 36

HSL 325, 0.35%, 0.13%

LAB 11.15, 14.55, -4.38

 

CMYK 0 / 53 / 22 / 62

HEX #612E4C

RGB 97 46 76

HSL 324.71, 0.36%, 0.28%

LAB 26.78, 27.26, -7.95

 

CMYK 0 / 53 / 22 / 42

HEX #944673

RGB 148 70 115

HSL 325.38, 0.36%, 0.43%

LAB 41.08, 38.4, -10.53

 

CMYK 0 / 53 / 22 / 22

HEX #C75E9B

RGB 199 94 155

HSL 325.14, 0.48%, 0.57%

LAB 54.57, 48.92, -13.47

 

CMYK 0 / 20 / 53 / 23

HEX #C59D5C

RGB 197 157 92

HSL 37.14, 0.48%, 0.57%

LAB 67.09, 6.97, 39.36

 

CMYK 53 / 1 / 0 / 23

HEX #5CC4C5

RGB 92 196 197

HSL 180.57, 0.48%, 0.57%

LAB 73.41, -29.63, -9.69

 

CMYK 0 / 53 / 22 / 22

HEX #C75E9B

RGB 199 94 155

HSL 325.14, 0.48%, 0.57%

LAB 54.57, 48.92, -13.47

 

CMYK 22 / 0 / 53 / 23

HEX #9AC55C

RGB 154 197 92

HSL 84.57, 0.48%, 0.57%

LAB 74.56, -31.18, 47.49

 

CMYK 53 / 22 / 0 / 23

HEX #5C9AC5

RGB 92 154 197

HSL 204.57, 0.48%, 0.57%

LAB 61.15, -7.77, -28.3

 

CMYK 0 / 53 / 22 / 22

HEX #C75E9B

RGB 199 94 155

HSL 325.14, 0.48%, 0.57%

LAB 54.57, 48.92, -13.47

 

CMYK 0 / 20 / 53 / 23

HEX #C59D5C

RGB 197 157 92

HSL 37.14, 0.48%, 0.57%

LAB 67.09, 6.97, 39.36

 

CMYK 53 / 0 / 31 / 23

HEX #5CC588

RGB 92 197 136

HSL 145.14, 0.48%, 0.57%

LAB 72.22, -44.33, 21.58

 

CMYK 53 / 32 / 0 / 23

HEX #5C85C5

RGB 92 133 197

HSL 216.57, 0.48%, 0.57%

LAB 55.16, 4.32, -37.63

 

CMYK 0 / 53 / 22 / 22

HEX #C75E9B

RGB 199 94 155

HSL 325.14, 0.48%, 0.57%

LAB 54.57, 48.92, -13.47

 

CMYK 0 / 4 / 53 / 23

HEX #C5BD5C

RGB 197 189 92

HSL 55.43, 0.48%, 0.57%

LAB 75.48, -9.99, 49.36

 

CMYK 53 / 0 / 31 / 23

HEX #5CC588

RGB 92 197 136

HSL 145.14, 0.48%, 0.57%

LAB 72.22, -44.33, 21.58

 

CMYK 53 / 49 / 0 / 23

HEX #5C65C5

RGB 92 101 197

HSL 234.86, 0.48%, 0.57%

LAB 46.46, 23.86, -51.42

 

Description

Color code: HEX #C75E9B | qconv.com Color code: HEX #C75E9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 94 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 94 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 22 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 22% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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