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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B64C88 it is the complementary color #49B377. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B64C88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B64C88 shade: #BB4C83, #CC5E96, #DD70A9, #EE82BC and #FF94CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B64C88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B64C88 shade: #B64C88, #A53A75, #942862, #83164F and #72043C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B64C88 shade: #B74E89, #B74E6D, #B74E50 and #B74E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B64C88 shade: #B74E89, #B74EA5, #AB4EB7, #8F4EB7 and #734EB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B64C88 shade matches the following richer shades: #B74E89, #CB398C, #DF258E and #F31191

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B64C88 shade: #B74E89, #A26286, #8E7684, #7A8A81 and #669E7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B64C88 shade: #AC4EB7, #B74EA5, #B74E89, #B74E6D and #B74E51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B64C88 shade: #7E335E, #9B3F73, #B74E89, #C26B9C and #CE88B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B64C88 shade: #B64C88, #B7904E and #4EB3B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B64C88 shade: #B64C88, #89B74E and #4E89B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B64C88 shade: #B64C88, #B7904E, #4EB77B and #4E74B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B64C88 shade: #B64C88, #B7B04E, #4EB77B and #4E55B7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 25 / 29

HEX #B64C88

RGB 182 76 136

HSL 326.04, 0.42%, 0.51%

LAB 48.12, 49.51, -12.18

 

Complementary color

CMYK 59 / 0 / 34 / 30

HEX #49B377

RGB 73 179 119

HSL 146.04, 0.42%, 0.49%

LAB 65.74, -44.42, 21.76

 

CMYK 0 / 59 / 30 / 27

HEX #BB4C83

RGB 187 76 131

HSL 330.27, 0.45%, 0.52%

LAB 48.73, 50.4, -8.19

 

CMYK 0 / 54 / 26 / 20

HEX #CC5E96

RGB 204 94 150

HSL 329.45, 0.52%, 0.58%

LAB 55.12, 49.81, -9.64

 

CMYK 0 / 49 / 24 / 13

HEX #DD70A9

RGB 221 112 169

HSL 328.62, 0.62%, 0.65%

LAB 61.5, 49.1, -10.84

 

CMYK 0 / 45 / 21 / 7

HEX #EE82BC

RGB 238 130 188

HSL 327.78, 0.76%, 0.72%

LAB 67.85, 48.34, -11.87

 

CMYK 0 / 42 / 19 / 0

HEX #FF94CF

RGB 255 148 207

HSL 326.92, 1%, 0.79%

LAB 74.15, 47.57, -12.76

 

CMYK 0 / 58 / 25 / 29

HEX #B64C88

RGB 182 76 136

HSL 326.04, 0.42%, 0.51%

LAB 48.12, 49.51, -12.18

 

CMYK 0 / 65 / 29 / 35

HEX #A53A75

RGB 165 58 117

HSL 326.92, 0.48%, 0.44%

LAB 41.7, 49.86, -10.56

 

CMYK 0 / 73 / 34 / 42

HEX #942862

RGB 148 40 98

HSL 327.78, 0.57%, 0.37%

LAB 35.39, 49.74, -8.43

 

CMYK 0 / 83 / 40 / 49

HEX #83164F

RGB 131 22 79

HSL 328.62, 0.71%, 0.3%

LAB 29.32, 48.74, -5.51

 

CMYK 0 / 96 / 47 / 55

HEX #72043C

RGB 114 4 60

HSL 329.45, 0.93%, 0.23%

LAB 23.64, 46.4, -1.48

 

CMYK 0 / 57 / 25 / 28

HEX #B74E89

RGB 183 78 137

HSL 326.29, 0.42%, 0.51%

LAB 48.66, 49.02, -11.95

 

CMYK 0 / 57 / 40 / 28

HEX #B74E6D

RGB 183 78 109

HSL 342.29, 0.42%, 0.51%

LAB 47.78, 45.51, 3.64

 

CMYK 0 / 57 / 56 / 28

HEX #B74E50

RGB 183 78 80

HSL 358.86, 0.42%, 0.51%

LAB 47.1, 42.73, 20.25

 

CMYK 0 / 57 / 57 / 28

HEX #B74E4E

RGB 183 78 78

HSL 0, 0.42%, 0.51%

LAB 47.06, 42.57, 21.4

 

CMYK 0 / 57 / 25 / 28

HEX #B74E89

RGB 183 78 137

HSL 326.29, 0.42%, 0.51%

LAB 48.66, 49.02, -11.95

 

CMYK 0 / 57 / 10 / 28

HEX #B74EA5

RGB 183 78 165

HSL 310.29, 0.42%, 0.51%

LAB 49.78, 53.26, -26.89

 

CMYK 7 / 57 / 0 / 28

HEX #AB4EB7

RGB 171 78 183

HSL 293.14, 0.42%, 0.51%

LAB 48.92, 53.15, -38.91

 

CMYK 22 / 57 / 0 / 28

HEX #8F4EB7

RGB 143 78 183

HSL 277.14, 0.42%, 0.51%

LAB 45.23, 45.83, -44.99

 

CMYK 37 / 57 / 0 / 28

HEX #734EB7

RGB 115 78 183

HSL 261.14, 0.42%, 0.51%

LAB 42.02, 38.85, -50.31

 

CMYK 0 / 57 / 25 / 28

HEX #B74E89

RGB 183 78 137

HSL 326.29, 0.42%, 0.51%

LAB 48.66, 49.02, -11.95

 

CMYK 0 / 72 / 31 / 20

HEX #CB398C

RGB 203 57 140

HSL 325.89, 0.58%, 0.51%

LAB 48.9, 63.77, -13.07

 

CMYK 0 / 83 / 36 / 13

HEX #DF258E

RGB 223 37 142

HSL 326.13, 0.74%, 0.51%

LAB 50.65, 74.42, -11.29

 

CMYK 0 / 93 / 40 / 5

HEX #F31191

RGB 243 17 145

HSL 326.02, 0.9%, 0.51%

LAB 53.49, 82.13, -8.43

 

CMYK 0 / 57 / 25 / 28

HEX #B74E89

RGB 183 78 137

HSL 326.29, 0.42%, 0.51%

LAB 48.66, 49.02, -11.95

 

CMYK 0 / 40 / 17 / 36

HEX #A26286

RGB 162 98 134

HSL 326.25, 0.26%, 0.51%

LAB 49.66, 31.11, -8.95

 

CMYK 0 / 17 / 7 / 44

HEX #8E7684

RGB 142 118 132

HSL 325, 0.1%, 0.51%

LAB 52.26, 11.84, -4.15

 

CMYK 12 / 0 / 7 / 46

HEX #7A8A81

RGB 122 138 129

HSL 146.25, 0.06%, 0.51%

LAB 55.99, -7.65, 2.85

 

CMYK 35 / 0 / 20 / 38

HEX #669E7E

RGB 102 158 126

HSL 145.71, 0.22%, 0.51%

LAB 60.59, -25.61, 10.97

 

CMYK 6 / 57 / 0 / 28

HEX #AC4EB7

RGB 172 78 183

HSL 293.71, 0.42%, 0.51%

LAB 49.05, 53.41, -38.68

 

CMYK 0 / 57 / 10 / 28

HEX #B74EA5

RGB 183 78 165

HSL 310.29, 0.42%, 0.51%

LAB 49.78, 53.26, -26.89

 

CMYK 0 / 57 / 25 / 28

HEX #B74E89

RGB 183 78 137

HSL 326.29, 0.42%, 0.51%

LAB 48.66, 49.02, -11.95

 

CMYK 0 / 57 / 40 / 28

HEX #B74E6D

RGB 183 78 109

HSL 342.29, 0.42%, 0.51%

LAB 47.78, 45.51, 3.64

 

CMYK 0 / 57 / 56 / 28

HEX #B74E51

RGB 183 78 81

HSL 358.29, 0.42%, 0.51%

LAB 47.12, 42.81, 19.68

 

CMYK 0 / 60 / 25 / 51

HEX #7E335E

RGB 126 51 94

HSL 325.6, 0.42%, 0.35%

LAB 33.16, 37.59, -9.61

 

CMYK 0 / 59 / 26 / 39

HEX #9B3F73

RGB 155 63 115

HSL 326.09, 0.42%, 0.43%

LAB 40.83, 44.21, -10.79

 

CMYK 0 / 57 / 25 / 28

HEX #B74E89

RGB 183 78 137

HSL 326.29, 0.42%, 0.51%

LAB 48.66, 49.02, -11.95

 

CMYK 0 / 45 / 20 / 24

HEX #C26B9C

RGB 194 107 156

HSL 326.21, 0.42%, 0.59%

LAB 56.47, 40.83, -11.26

 

CMYK 0 / 34 / 15 / 19

HEX #CE88B0

RGB 206 136 176

HSL 325.71, 0.42%, 0.67%

LAB 64.86, 32.61, -10

 

CMYK 0 / 58 / 25 / 29

HEX #B64C88

RGB 182 76 136

HSL 326.04, 0.42%, 0.51%

LAB 48.12, 49.51, -12.18

 

CMYK 0 / 21 / 57 / 28

HEX #B7904E

RGB 183 144 78

HSL 37.71, 0.42%, 0.51%

LAB 62.14, 6.92, 40.24

 

CMYK 57 / 2 / 0 / 28

HEX #4EB3B7

RGB 78 179 183

HSL 182.29, 0.42%, 0.51%

LAB 67.49, -27.92, -10.9

 

CMYK 0 / 58 / 25 / 29

HEX #B64C88

RGB 182 76 136

HSL 326.04, 0.42%, 0.51%

LAB 48.12, 49.51, -12.18

 

CMYK 25 / 0 / 57 / 28

HEX #89B74E

RGB 137 183 78

HSL 86.29, 0.42%, 0.51%

LAB 69.28, -32.44, 47.63

 

CMYK 57 / 25 / 0 / 28

HEX #4E89B7

RGB 78 137 183

HSL 206.29, 0.42%, 0.51%

LAB 55, -5.53, -29.95

 

CMYK 0 / 58 / 25 / 29

HEX #B64C88

RGB 182 76 136

HSL 326.04, 0.42%, 0.51%

LAB 48.12, 49.51, -12.18

 

CMYK 0 / 21 / 57 / 28

HEX #B7904E

RGB 183 144 78

HSL 37.71, 0.42%, 0.51%

LAB 62.14, 6.92, 40.24

 

CMYK 57 / 0 / 33 / 28

HEX #4EB77B

RGB 78 183 123

HSL 145.71, 0.42%, 0.51%

LAB 67.21, -44.2, 21.63

 

CMYK 57 / 37 / 0 / 28

HEX #4E74B7

RGB 78 116 183

HSL 218.29, 0.42%, 0.51%

LAB 48.92, 6.95, -39.47

 

CMYK 0 / 58 / 25 / 29

HEX #B64C88

RGB 182 76 136

HSL 326.04, 0.42%, 0.51%

LAB 48.12, 49.51, -12.18

 

CMYK 0 / 4 / 57 / 28

HEX #B7B04E

RGB 183 176 78

HSL 56, 0.42%, 0.51%

LAB 70.64, -10.26, 50.07

 

CMYK 57 / 0 / 33 / 28

HEX #4EB77B

RGB 78 183 123

HSL 145.71, 0.42%, 0.51%

LAB 67.21, -44.2, 21.63

 

CMYK 57 / 54 / 0 / 28

HEX #4E55B7

RGB 78 85 183

HSL 236, 0.42%, 0.51%

LAB 40.47, 26.43, -52.97

 

Description

Color code: HEX #B64C88 | qconv.com Color code: HEX #B64C88 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 76 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 76 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 25 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 25% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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