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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7413A it is the complementary color #38BEC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7413A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #C7413A: #CC4135, #DD5348, #EE655B, #FF776E and #FF8981

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7413A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #C7413A: #C7413A, #B62F27, #A51D14, #940B01 and #830000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 71 / 22

HEX #C7413A

RGB 199 65 58

HSL 2.98, 0.56%, 0.5%

LAB 47.27, 52.71, 34.04

 

Complementary color

CMYK 72 / 4 / 0 / 23

HEX #38BEC5

RGB 56 190 197

HSL 182.98, 0.56%, 0.5%

LAB 70.66, -32.65, -13.9

 

CMYK 0 / 68 / 74 / 20

HEX #CC4135

RGB 204 65 53

HSL 4.77, 0.6%, 0.5%

LAB 48.1, 54.14, 38.05

 

CMYK 0 / 62 / 67 / 13

HEX #DD5348

RGB 221 83 72

HSL 4.43, 0.69%, 0.57%

LAB 54.06, 53.26, 35.02

 

CMYK 0 / 58 / 62 / 7

HEX #EE655B

RGB 238 101 91

HSL 4.08, 0.81%, 0.65%

LAB 60.1, 52.2, 32.37

 

CMYK 0 / 53 / 57 / 0

HEX #FF776E

RGB 255 119 110

HSL 3.72, 1%, 0.72%

LAB 66.2, 51.07, 30.06

 

CMYK 0 / 46 / 49 / 0

HEX #FF8981

RGB 255 137 129

HSL 3.81, 1%, 0.75%

LAB 69.99, 43.84, 24.53

 

CMYK 0 / 67 / 71 / 22

HEX #C7413A

RGB 199 65 58

HSL 2.98, 0.56%, 0.5%

LAB 47.27, 52.71, 34.04

 

CMYK 0 / 74 / 79 / 29

HEX #B62F27

RGB 182 47 39

HSL 3.36, 0.65%, 0.43%

LAB 41.41, 53.23, 37.46

 

CMYK 0 / 82 / 88 / 35

HEX #A51D14

RGB 165 29 20

HSL 3.72, 0.78%, 0.36%

LAB 35.85, 53.08, 41.05

 

CMYK 0 / 93 / 99 / 42

HEX #940B01

RGB 148 11 1

HSL 4.08, 0.99%, 0.29%

LAB 30.73, 51.74, 43.82

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 67 / 71 / 22

HEX #C7413A

RGB 199 65 58

HSL 2.98, 0.56%, 0.5%

LAB 47.27, 52.71, 34.04

 

CMYK 0 / 58 / 72 / 22

HEX #C65438

RGB 198 84 56

HSL 11.83, 0.56%, 0.5%

LAB 50.25, 43.81, 38.52

 

CMYK 0 / 45 / 72 / 22

HEX #C66C38

RGB 198 108 56

HSL 21.97, 0.56%, 0.5%

LAB 55.09, 31.59, 43.86

 

CMYK 0 / 33 / 72 / 22

HEX #C68438

RGB 198 132 56

HSL 32.11, 0.56%, 0.5%

LAB 60.6, 18.58, 49.72

 

CMYK 0 / 21 / 72 / 22

HEX #C69C38

RGB 198 156 56

HSL 42.25, 0.56%, 0.5%

LAB 66.57, 5.48, 55.86

 

CMYK 0 / 67 / 71 / 22

HEX #C7413A

RGB 199 65 58

HSL 2.98, 0.56%, 0.5%

LAB 47.27, 52.71, 34.04

 

CMYK 0 / 67 / 71 / 2

HEX #FA5249

RGB 250 82 73

HSL 3.05, 0.95%, 0.63%

LAB 58.83, 63.22, 41.3

 

CMYK 0 / 67 / 72 / 82

HEX #2E0F0D

RGB 46 15 13

HSL 3.64, 0.56%, 0.12%

LAB 8.58, 15.74, 7.75

 

CMYK 0 / 67 / 71 / 62

HEX #61201C

RGB 97 32 28

HSL 3.48, 0.55%, 0.25%

LAB 22.51, 29.22, 18.38

 

CMYK 0 / 68 / 71 / 42

HEX #94302B

RGB 148 48 43

HSL 2.86, 0.55%, 0.37%

LAB 35.17, 41.63, 26.38

 

CMYK 0 / 67 / 71 / 22

HEX #C7413A

RGB 199 65 58

HSL 2.98, 0.56%, 0.5%

LAB 47.27, 52.71, 34.04

 

CMYK 17 / 0 / 72 / 22

HEX #A5C638

RGB 165 198 56

HSL 73.94, 0.56%, 0.5%

LAB 75.25, -30.13, 63.57

 

CMYK 72 / 45 / 0 / 22

HEX #386CC6

RGB 56 108 198

HSL 218.03, 0.56%, 0.5%

LAB 46.5, 13.33, -52.04

 

CMYK 0 / 67 / 71 / 22

HEX #C7413A

RGB 199 65 58

HSL 2.98, 0.56%, 0.5%

LAB 47.27, 52.71, 34.04

 

CMYK 72 / 0 / 70 / 22

HEX #38C63C

RGB 56 198 60

HSL 121.69, 0.56%, 0.5%

LAB 70.56, -63.17, 55.81

 

CMYK 70 / 72 / 0 / 22

HEX #3C38C6

RGB 60 56 198

HSL 241.69, 0.56%, 0.5%

LAB 33.7, 46.45, -72.84

 

CMYK 0 / 67 / 71 / 22

HEX #C7413A

RGB 199 65 58

HSL 2.98, 0.56%, 0.5%

LAB 47.27, 52.71, 34.04

 

CMYK 17 / 0 / 72 / 22

HEX #A5C638

RGB 165 198 56

HSL 73.94, 0.56%, 0.5%

LAB 75.25, -30.13, 63.57

 

CMYK 72 / 2 / 0 / 22

HEX #38C2C6

RGB 56 194 198

HSL 181.69, 0.56%, 0.5%

LAB 71.89, -34.25, -12.59

 

CMYK 55 / 72 / 0 / 22

HEX #5938C6

RGB 89 56 198

HSL 253.94, 0.56%, 0.5%

LAB 36.04, 50.18, -68.92

 

CMYK 0 / 67 / 71 / 22

HEX #C7413A

RGB 199 65 58

HSL 2.98, 0.56%, 0.5%

LAB 47.27, 52.71, 34.04

 

CMYK 38 / 0 / 72 / 22

HEX #7AC638

RGB 122 198 56

HSL 92.11, 0.56%, 0.5%

LAB 72.77, -46.27, 60.28

 

CMYK 72 / 2 / 0 / 22

HEX #38C2C6

RGB 56 194 198

HSL 181.69, 0.56%, 0.5%

LAB 71.89, -34.25, -12.59

 

CMYK 33 / 72 / 0 / 22

HEX #8438C6

RGB 132 56 198

HSL 272.11, 0.56%, 0.5%

LAB 40.91, 57.54, -60.76

 

Description

Color code: HEX #C7413A | qconv.com Color code: HEX #C7413A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 65 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 65 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 71 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 71% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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